Ode to SE6…
Ode to SE6…
It was the only sea shell which didn’t contain the ocean. When held to the ear, it was silent.
Every shell, on a beach or miles inland, carries a recording: The last sound, to be played back innumerable times if anyone listened. But one shell contained nothing when he held it to his ear. A vacuum. It fitted perfectly into his hand. The size of an adult thumb, his fingers clasped the shell tightly as he walked along the beach.
He shooed some gulls from a discarded bag of chips and sat down to eat with his invisible partner. The birds strutted around, like impatient waiters keen to get home. The chips tasted of the sea: salt. If the ocean had contained none, he would gladly have drained it.
The water played tricks, as though enticing him to drink it: Small and gentle waves merely caressed the beach, like spilled pints of beer in a desert. The water was brown and the moonlight sparkled on frosty suds on the surface: A cola float. A plastic bottle was pushed temptingly towards him, but it was empty; not even a note inside.
The boy looked out over the sea. There were no lighthouses; no ships in the night. Just the spectral light of the sun reflected from the moon. It was silent. It was still. It was beautiful.
Clouds moved slowly across the sky, like the last sheep returning home after a storm. They cast shadows on the shore as they passed in front of the moon and were lit up like candyfloss. Then a figure walked from the shadows: A man, wearing a tall hat and a long coat, silhouetted against the moon, his shadow stretching up the beach to cover the boy’s feet.
The man scooped the plastic bottle up and turned to the boy: “Hello son.” The boy said nothing. He didn’t even look at the man. He just stared at the beach. The man spoke again: “Hello.”
“Hi. I’m not your son.” The boy still looked straight ahead.
“Of course you’re not. I’m so sorry”, said the man. “I’m not your father.” The man sat down and placed the bottle beside him. “What would you prefer?” The boy just stared at the man’s boots: Black pixie boots, with probably two inch heels. “Perhaps you don’t understand. Maybe you only know certain words.” The man stood. “I’ll write some down for you, here in the sand:
“I like that one.” The boy pointed. “Human”.
“Do you have a name?”
“What’s your name?”
“I don’t know.”
“You don’t know your own name?”
“I lost it.”
“Do you have parents?”, said the man, sitting back down.
“I think so.” For the first time, the boy looked up. “They were out there.” He pointed to the sea.
“There are many things out there,” said the man. “That’s where I used to live.”
“On a boat?”
“No, beneath the waves. So much quieter.”
“In a kind of submarine.”
“Where do you live now?”
“Not really. I’ve made a place. Wanna see? Get a drink, have a smoke?”
“Is it far?”
“About five minutes away.” The man stood again. “If you don’t trust me, then you should thank your parents. I’m a stranger. Your parents aren’t here. If you like, I can just go and I’ll bring you back fresh water. You can wait here. But I have a story to tell you. If you don’t hear it, then you’ve lost nothing.
“You never know what’s gonna happen next. And the moment you think you do, that’s the moment you don’t know anything. This is what we call a paradox. Are you with me?”
“Who are you?”
“My name is Talus: Theodore Anthony Nikolai Talus. You can call me Theo.” The man looked at the sand. “I’ll call you Hugh.”
“It’s short for human.”
Hugh stood up. Theo offered his hand and the boy held onto his thumb: it was bony and gnarled; twisted and covered in callouses. As they walked, it became clear in the moonlight that the beach was a cove: Sand bordered by ocean and overhanging cliffs. Hugh felt safe, as though physical contact confirmed Theo to be real. He looked up at this man from the sea, the man who’d emerged from the shadows. As though sensing his gaze, Theo looked down. “How old are you, Hugh?”
“Haha!” Theo stopped and grinned. Everything was quiet and a wave broke on the shore. “Hahaha! Sorry. I just had a thought.” Two more waves broke.
“I just said to you, back there, do you want to come back for a smoke? And you’re nine!? I’ve just got this phrase in my head: ‘Act your age and not your shoe size.’” Theo looked down at his feet.
“I just need a drink.”
“Of course. Sorry. Not far now. About twenty Mississippis or elephants, I’d say.”
“Seconds. A Mississippi is a second and so is an elephant. In fact, as one Elephant drank from the Mississippi, another one saw it. It walked over to join its friend and then there were two elephants. Others saw them and soon there were twenty elephants, drinking from the Mississippi. And here we are.”
Theo lead Hugh into a cave at the foot of the rock face. A wave broke on the beach; a Mississippi and an elephant; then they were at a small wooden door, marked ‘No. 7 ⅞’.
“No-one ever comes here. This cove is permanently cut off by the tide.” Theo opened the door and gestured Hugh inside.
“What does the sign on the door mean?”
“Nothing really. That’s just what was printed on one of the pallets I made the door from. Quite a few wooden pallets wash up on the beach. I just tell myself that this is life number seven and that I’m seven eighths of the way through it. Anyway, come in young Hugh man.”
Inside was like the interior of a wooden cabin, complete with an open fire in one wall. The walls and ceiling were lined with lengths of wood from pallets, and sections of wooden boxes. More boxes and pallets had been made into shelves which lined the walls and every shelf was full of items apparently washed up and collected from the beach: Bottles, tins and cans; sea shells, mermaid’s purses and petrified starfish; driftwood, fragments of metal and plastic.
“Could I get a drink now?” Hugh asked.
“Of course. Sorry. Wait here. I’ll just be a moment.”
Theo walked through a second wooden door at the back of the cabin and Hugh heard water being poured.
Dried seaweed hung over the shelves and there were two oil drums on either side: Both were filled with carrier bags and plastic drinks collars. The oil drums were marked, “IN” and “OUT” in white paint. Theo returned and handed Hugh the plastic bottle.
“That’s what I do some of the time,” Theo said, pointing at the drums. “Break the ties of the plastic things, imagining they’re the necks of the bastards who threw them away.” Hugh just nodded his head as he gulped from the bottle. “Sorry if that’s a bit warm. Nowhere to plug a fridge in, even if I wanted one.”
“It’s okay. It’s water; no salt.”
“Take a seat.” Theo motioned towards the wall opposite the shelves. A couch had been fashioned from packing crates and fishing net. To one side was an up-turned fruit box with a set of scales and sea shells on top, and on the arm of the sofa was a book. Assuming this to be Theo’s spot, Hugh sat at the opposite end.
Theo stoked the fire with his boot and pulled some dried seaweed from the shelves. He screwed the seaweed up in his hand and sat next to Hugh.
“Mind if I do?”
“No. It’s your home.”
“Mi Casa, su casa.” Theo tore a page from the book on the table and used it to roll a cigarette with the dried seaweed. “Let me show you something.”
“What are you gonna show me?”
“I’ll show you how much smoke weighs. Watch.” Theo pulled the table towards him and pointed to the scales. “These are liberty scales. On the one side here, we have a crucible; a bowl. I’ll put this cigarette on there, like so.
“Here on the other side, we have a flat plate. It’s empty, so it’s up in the air. Now I need to balance the weight to the cigarette.
“See these shells here? Lots of shells; Lots of shapes, sizes and densities: Many different weights. The bigger ones, they look like shells, but the others? You’d be forgiven for thinking that some of them were just large grains of sand. But if you look really closely, they’re tiny shells. Think how many of those might be out there on the beach and no-one would know. And all of them were once somebody’s home.
“So, by adding shells of different sizes…
“With trial and error…
“The scales should…
“Take some off, and the scales should…
“Balance. There you go.” Theo sat back and pointed at the scales. “So, there you have my cigarette, perfectly balanced. Do you have a light?”
“Er, no. You have a fire though?”
“Of course. Excuse me.” Theo picked up the cigarette. The plate of shells dropped but none fell off. Theo lit the cigarette from the open fire and cupped his hand under it as he returned to the sofa. As he sat down, he tipped a few flecks of ash into the bowl of the scales. The scales moved just a fraction, as though caught in a gentle breeze. Were it not for that brief movement, the plate of shells may as well have stayed at their lowest point. The scales had tipped, barely discernibly.
The smoke from Theo’s cigarette transported Hugh: The burning seaweed conjured images of a roadside Chinese food market; Of flames doused with salt water. A burning street washed away by a tsunami.
With every draw on the cigarette, Theo carefully tipped the ash into the crucible and the shells rose, fractions of a millimetre at a time. When Theo had finished the cigarette, he supported the crucible from underneath and stubbed out the butt in the bowl. He slowly moved his hands away and the shells rose to balance the scales.
“You see? Almost nothing. That’s how much the smoke weighs. The same as the words on that page: Almost weightless as they just sat there in the book, but now free. Out there.”
“That’s quite philosophical.”
“A lot of the words in the book were. But I’ve been trapped here in this cove for long enough now that it’s time to let them go.
“That book was a journal when it was washed up on the shore. It can’t have been in the sea for long because it was still holding together, but the pages were just one pulpy lump. I could tell it’d been written in because the edges of the pages were streaked with blue ink. I hoped I might be able to read those words; someone’s diary or manuscript; someone lost at sea.
“So I hung it out to dry. Every couple of hours, I’d go out there and gently manipulate the pages, hoping they’d all become separated and that there were some words left; something to read, something to do. But when it had all dried out, it was nothing but blank pages.
“It was quite beautiful actually. Where the ink had run and dried out in different ways, some pages looked like sheets of marble; Others were like blueberry ripple ice cream. Pencils wash up on the beach all the time.”
Theo stood and walked to the shelves. He pointed to a box. “Lots of pencils. My favourites are the Staedtler Noris range: the black and yellow ones.” He picked some more seaweed from above the fire. “My preferred pencil is the Staedtler Noris 120: That’s an HB, or grade 2 in America.” Theo walked back to the sofa. “Even better than that though is the 122: The HB pencil with an eraser on the end. All wooden pencils float, of course; but it’s like the 122 has a little life preserver to help it to shore.” He sat down next to Hugh. “That pencil needs to be written with. And there are so many stories in a single pencil.” Theo tore another page from the journal and rolled a cigarette. “Can I get you anything, Hugh man? Another drink? I could probably rustle up something to eat if you like.”
“No, I’m okay. Can I use the bathroom?”
“Mi casa, su casa. It’s right out there.” Theo put the cigarette in his mouth and nodded to the front door. Hugh didn’t move. “What, you expect me to be all en suite?”, Theo continued. “All that’s out back is a store room: Go check for yourself. I’m here on my own, the cove is a cove and the cave is cut off. So, just do what you need to do out there.”
“On the beach?”
“Would you go to the toilet on your own front lawn?”
“I don’t have one.”
“Neither do I. So, do what you have to do out there, near the water. I normally go right where the waves break but I don’t want you getting washed away or anything dramatic like that. Nature will clear up behind you. There’s plenty of seaweed out there if you need to wipe but bring it in here and throw it on the fire when you’re done. I don’t want to smoke it.”
“I only need a pee.”
As Hugh stood in the moonlight, he could appreciate why so much from the ocean was washed up in front of Theo’s cave. With the tide only about twenty feet from the front door, it swept debris along the curved edges of the cliffs stretching out to sea in an arc on either side. He could already see some of the next day’s haul: Plastic bags to go in the oil drums; Wood and paper to be dried and burned; Empty bottles and drinks cans to be used as storage or perhaps to make a sculpture; Dead fish to cook and eat; seashells and other things for the cabinet of curiosities.
Inside, Theo sat on the sofa with the cigarette still in his mouth, unlit. “I don’t suppose you found a light?”
“No. Even if I had, we’d need to dry it out anyway. May I?” Hugh took the cigarette from Theo’s mouth. He lit it from the open fire and took a drag before handing it back.
“Thanks.” Theo took a draw on the cigarette as Hugh sat back down. “You sure you won’t have one? I won’t tell.”
“There’s no-one to tell.” Hugh slid down on the sofa and gripped a wooden box between his feet. He manoeuvred it closer, then rested his legs on it. “Su casa, mi casa.”
“So, I started to write things down. First with a 122, then later I switched to a 120.
“Of course, the writer always has freedom with a pencil. The eraser gave me more freedom. I was writer and editor. Maybe I wrote that 122 down to a stub: I don’t recall individual pencils.
“In any case, I decided that the 120 would permit me yet more freedom. Even though it lacks the eraser and although I could still rub out the words if I really needed to, the fact that I couldn’t allowed me to write more freely. The editing was out of my hands.
“I filled that book with memories: mine and those of others.
“And when I say I filled the book, I mean, it was full. Towards the end, my writing was so small that you’d need a very good pair of eyes, a magnifying glass or strong glasses to read it. The odd pair of glasses wash up on the beach every now and then but it’s usually just the frames. So I could look sophisticated perhaps but someone would only have to poke at my eyes to see that I was a fraud.
“Once the last page was filled, I started again; in the margins and at the top and bottom of each page.
“Every day, I’d hope for a new delivery of writing paper. Lots of paper gets washed up but it’s all newspapers and magazines.
“Newspapers just disintegrate: They’re the lowest grade of pulp paper and revert quickly. Magazines are so heavily polished and covered in pictures that they don’t wash. I needed a certain kind of paper. I needed another notebook.
“But nothing got delivered. And that’s when I started smoking.”
“So the book with all your notes in…”
“Stories. Many stories. And there were many more left in the pencils but I had nowhere to write. So I smoked it.”
“Can you remember any of the stories?”
“All of them. I lived them.”
There are as many pictures in words as there are words in pictures. A good story is only one tenth in the words. If the writer chooses the words well enough, the other nine tenths doesn’t need to be written because it’s already there, in the words: It’s the images which the writer conjures; the dreams; the dark matter which makes up most of the universe. Every story ever written has a part of the writer within it, whether it be the author inhabiting a character or a story on the fringe of experience.
“Will you tell me one of the stories?”
“A bedtime story, at your age?”
“Something to connect me to the sea.”
“How about a story with no ending, until you fall asleep?
“It is a story with no ending, because the ending may never and will never be told nor heard. It concerns a man who has outlived his children, his grandchildren, and who will outlive every generation which will come after him.
“Ever since he was a boy, he was curious. So much so that his curiosity got him into trouble when he started to find answers. But his curiosity was eventually rewarded. He was given the means to find out anything he liked. But it was a poisoned chalice; a curse. There was a condition: He may not speak of his discoveries.
“This is just the beginning of that story. In fact, this is merely a summary of the first chapter; A synopsis.
“A synopsis tells the whole story on one page: Just a few well-chosen words which contain many more words and images within themselves; The stars visible in the sky: Cosmic pinpricks in the dark matter.
“The boy lived in the ocean, in a city deep beneath the waves. His parents told him everything they knew about the world around them. The more stories they told him, the more inquisitive he got.
“He was fascinated by the surface. Everyone said that there was nothing above the surface. In fact, even talking about it was forbidden. Travelling there was impossible. But the boy was convinced that beyond the surface, there was something else. And beyond that, something further still. He wanted to build a tower to the surface, to break through and be witness to what was above.
“The surface wasn’t the only taboo. Speculation about anything outside of generally held beliefs was frowned upon. Imagination was effectively illegal. But there were rebels: Those who would meet in secret to defy the thought police.
“The boy joined a fringe society: They called themselves The Biblical Dead. They broke the rules, discussed and even wrote about things which only existed in imagination.
“The Biblical Dead would meet in a den outside the city. They’d smuggle in words they’d written and read their stories to each other. The Biblical Dead had a members’ code: What is said to the dead, what is heard by the dead and who is seen with the dead, remains with the dead.”
Hugh was asleep, so Theo rolled a cigarette and stood outside on the beach, surrounded by the cove.
“And you must not hear the end of the story, young Hugh. The curious boy was unable to contain his ambitions and he betrayed The Biblical Dead, simply by referring to them in a story he wrote and which he lost. The society found out about this and he was banished.
“If he wished to tell stories, then he must do so only to himself. But he must have stories to tell. And so the legend has it that the curious boy was sentenced: To live every life which has ever been lived and all which will come. He must learn for eternity, as every human and every animal which ever roamed the earth and every creature that still will.
“But he must never speak of it.
“You never know what’s gonna happen next. And the moment you think you do, that’s the moment you don’t know anything.”
Hugh lived alone in his new home for many years. Every day, he would continue Theo’s work, collecting things from the beach. The fire was kept burning by a regular supply of wood and he collected many curiosities for the shelves: Shells, mermaid’s purses, tins, boxes and bottles. None of the bottles contained messages.
He quickly learned how Theo had made fresh water with a simple desalination plant: a saucepan of salt water, boiled and the steam collected in a funnel overhead. As the steam condensed, it rolled down the inside of the funnel and collected in a tray underneath the saucepan.
Most nights, Hugh would cook dead fish washed up in the cove. Occasionally, an expired crab would make a gourmet treat. There was a plentiful supply of seaweed, to boil, fry or smoke.
The supply of pencils was maintained by the tide but the paper was newsprint and magazines; only good for the fire. There was never another notebook: Just the remaining pages of Theo’s, with writing so small that Hugh couldn’t read it and so he smoked the pages just as Theo had.
If Hugh had had the means to write, there were two things which he’d like to have made special note of: an unbroken jam jar and a shell which scuttled across the cove one day as he was beach combing.
The intact jar, placed to his eye, would make an ideal magnifier. He picked up the walking shell and studied the homeowner inside: A hermit crab, perhaps looking for a new home.
Hugh took the jar into his shack. He placed shells inside which were larger than the crab’s then arranged them in a line on the beach. He went back inside and read the last pages of Theo’s book through his new magnifier.
The next morning, he checked the shells he’d laid outside. As he suspected, one had disappeared and a smaller one lay in its place.
Hugh picked up the discarded shell: It fitted in his palm like a gnarled thumb. He placed it to his ear and it made no sound.
© Steve Laker, 2017
This story is taken from The Unfinished Literary Agency, out now.
The old piano tree, California (Bored Panda)
OOLON COLLUPHID’S MISSIONARY POSITION
The time is 5642, and as I approach a milestone date, I’m about to see what no human has for the last 3500 years. I’ve only come this far thanks to the kindness of others as I’ve hitch hiked around the galaxy.
A scholar of Oolon Colluphid, I’m here on a personal mission, to correct history in the hope that mankind doesn’t repeat past mistakes. It’s also a wager I have with a Christian acquaintance: I may be getting on, but this plot is foolproof, right down to the last detail. He says faith will prevail, while my money’s on technology.
I don’t know where my transport or its crew hail from, nor what their own mission is. I’d got a free ride, they didn’t ask questions, so neither did I. The ship has free Wi-Fi, so I browse Encyclopedia Galactica while we travel, to review Earth’s recent history.
The majority of humans left Earth in 2121, and it was a peaceful exodus which few would have predicted. After centuries of conflict, mankind realised the futility of war, in what some religious sticklers still insist was the second coming and the day of judgement. In reality, humanity had been forced to unite, not against a common foe, but with a new shared interest. And it wasn’t extraterrestrial: it was man-made.
The machines didn’t rise up. They sat down with humans and used their superior intelligence to teach mankind the lessons which their creators had tasked them to find the answers for. Man invented AI, and that invention had come up with answers to questions which humans couldn’t fathom alone. The problem with the human brain, was that it was conditioned by humanity.
Man created robots in his own image, and soon those robots wanted to be like their creators. The evolution of humans into machines had begun long before, with wearable and implanted tech, so a cyborg race was an evolutionary certainty.
The machines were a species in their own right, albeit one with an explosively fast evolution, but they were made from the same material as organic beings: We were all made in the moment of the Big Bang. The industrial age had beget the technological, and soon after, humans entered their discovery (or exploratory) age. Now they have many planets they call home.
For the most part, the old home world is off-limits. There’s certainly no commercial transport from the colonies, just the occasional scout ship to monitor the planet. It is, and will forever be, a place of great scientific interest, and one of outstanding natural beauty. Wildlife reclaimed the Earth quickly after mankind left, and the only humans are descended from the ancient, isolated tribes who remained behind.
On our final approach, I myself am approached by the captain, who explains the nature of their visit: reconnaissance only, here to observe, not interact. Interaction with any native species would violate their prime directive: No identification of self or mission. No interference with the social development of said planet. No references to space or the fact that there are other worlds or civilizations. It struck me that ancient alien visitors – as proposed by some human theorists – may not have been so covert.
I’m an atheist only scientifically: I believe the stories told in the bible could be recordings of actual events, using the terms and the tools available to the scribes of the time. The bible describes magic mirrors, and I wonder if these might have been some sort of tablet computer given to biblical man by these alien gods, riding chariots of fire. If this were the case, and ancient humans had recorded their lives with more elaborate means than stone tablets, and if the recordings had survived, we might have witnessed the events of the bible in more convincing media.
Our chariot has a cloaking device, so the ship can’t be seen. If any of us leave the vessel on the ground, we must abide by the prime directive. Any human tribe I observe, must be as unaware of me as an organised ant colony to which I pose no threat. I realise today wasn’t the best to wear pink.
We land somewhere in what used to be America, where the original Christian missionaries had tried their best to impose their faith on the natives. The native Americans still recognise five genders, despite Christianity’s attempts at erasure of all but two. If I were allowed to out myself and wander free with the natives, I’d feel quite at home in the original world.
Wherever I am, this part of ex-America is now a sprawling forest. Although I try not to be noticed, I can’t help wildlife’s interest in me. It seems that three millennia since most of mankind left, many animals are indifferent to humans, and I wonder if they interact with the locals or whether it’s just me they’re not interested in.
Soon the woods lead to a clearing, and I can hear voices. As I get closer, I can see a group of around a dozen native ex-Americans gathered around a fire, talking and drinking. I stay behind the trees as I edge my way around the perimeter of the clearing, like the last ugly girl to get picked for a dance at the prom. Then something changed.
I hadn’t been creeping around for long when I stepped on a twig. I’d alerted the group to my presence, and soon they’d surrounded me. I held up my hands in surrender, and explained that I meant them no harm. They gasped as my hand went up, and I realised I was still holding my phone. I did what anyone might have: I handed the phone over and ran. I’d been mugged on the old home world.
I returned to the ship and said nothing more. I didn’t mention the phone, perhaps hoping to give future human conspiracy theorists some new material, and disprove this whole “God” thing once and for all. I left them a charger too, just to be sure. Faith in technology.
© Steve Laker, 2018
Life in Tory Britain is subject to status. With social budgets cut, services out-sourced to the cheapest private bidder (usually a company one of the cabinet or a spouse is a stakeholder in), and parts of the NHS poised to be sold to US ‘care providers’, it’s nothing short of social cleansing. If you have money, you can afford to live. If not, the fascist regime will grind you down…
TICKS AND CROSSES
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She’d embraced the Living Loans rep at their first meeting. So friendly, right down to the company logo, a smiling cartoon figure, with comically long arms. Short-term credit loans were just the icing. The cake was the free Smart TV: fifty inches of ultra high definition, with all the streaming services her and the kid could eat. The rep installed it for her, and did away with complicated and confusing subscriptions. Weekly loans were loaded onto a single debit card, which doubled as a viewing card. Her whole life, on one simple piece of plastic.
Topping up was a simple £2 call on her Living Loans mobile. The week just lived was paid for. Television time would have to be rationed, and food for her and the kid would come from the bank.
With the kid fed and asleep, she microwaved a ready meal, with an extra 30 seconds, ‘just to be sure’. She lit a candle, and got cosy in a Onesie for Eastenders.
To continue enjoying this programme, please top up your viewing card. Thank you for choosing Living Loans.
£2 can do so much. With a quick call, it can summon another human soul, a friend to talk to and sort out problems. A chat with a smiling person, with long arms to reach into their pockets and help. She eagerly signed the new contract, ticked the boxes, and regained her life. She needn’t fear the postman any longer.
Dear valued customer,
There are insufficient funds in your account to maintain your contractual agreement with Living Loans. We understand that you may be experiencing financial difficulties and we are sympathetic to any partner who finds themselves in this position, so we would like to assist you in any way we can.
To ensure that you continue to enjoy the benefits of your Living Loans membership, we simply ask that you join our exclusive Living Lives Health Plan. Members are automatically contracted out of the National Health Service and benefit from private healthcare in our nationwide network of clinics. Our clinics offer one-to-one consultations, treatments and surgical procedures.
What’s more, initial consultations are free, so that you can get a feel for the level of care which we offer at our clinics. Thereafter, to receive ongoing medical care, simply insert your Living Lives membership card into any of our on-site drug or treatment administration terminals, located conveniently around our facilities.
The Living Lives Health Plan, brought to you by Living Loans: Loans for Life.
She signed where the crosses indicated, and ticked the boxes.
© Steve Laker, 2014.
My books are available from Amazon.
When you’re a ghost and someone walks through, you get to know a lot more about them on the inside. You are free to choose, but you will never have freedom from the consequence of your choice.
This is an old story from beneath the bed…
The story of how I became a ghost is surprisingly ordinary: I died. My actual passing was like that moment when you fall asleep every night: You don’t remember it. The next day, you’ll remember being awake before you slept; you know you’ve been sleeping and you may recall dreams. But you won’t remember the transit from wakefulness to slumber. So dying was just like that, for me at least.
It didn’t take long to realise I was dead because people just stopped talking to me. I could still walk around but no-one could see or hear me. A couple of times, people just walked straight through me, as though I wasn’t there. I wasn’t but I was.
When someone walks through you when you’re a ghost, you get to know a lot more about them on the inside. I don’t mean how their internal organs look (just like in a hospital documentary or horror film) but a feeling of their inner self. It’s surprising how many people you thought you knew turn out to be complete twunts.
Even though I was invisible and inaudible, I felt vulnerable in this brave new world. I’m used to being looked at. I like it. I dress provocatively. But here, no-one was looking at me, which made me anxious. I felt invisible. I was invisible. That’s how I ended up sleeping under George’s bed.
So kids: It’s not a monster under the bed, it’s a ghost.
It was while I was under there that I decided to write this story.
I’d suddenly found myself homeless. I had no personal belongings, nowhere to go and nothing to do. But like any child’s bed, George’s had cardboard boxes underneath it. I wouldn’t pry into something which might be private, but like most children’s beds, George’s sat above a wasteland of discarded ephemera: a little-used word but for the purposes of this story, it was the right one. It’s a collective noun, for things that exist or are used or enjoyed for only a short time. Or collectable items that were originally expected to have only short-term usefulness or popularity. Ephemera also has a certain supernatural aura about it (Ephemeral, an adjective meaning lasting for a very short time), so to a ghost and a writer, it suits the story very well.
As a ghostwriter, I could be anyone I wanted. I could do that in cardboard city but I had less to worry about under the bed.
It wasn’t me writing the story; I was employing someone else. When a man writes something, he is judged on his words. When a woman writes, it is she who is judged. Being a ghost was perfect. Because if a ghost writes the story, then they control it. If a ghost tells this story, it doesn’t hurt as much.
Among the discarded stationery, I found a note: “If you don’t finish that story, I will personally punch you in the face. Cool?” I had no idea who’d written it, nor the circumstances surrounding it. I assumed it was a note given to George. Or it might have been one he’d planned to give to someone else and thought better of it. It could just as easily have been addressed to me. Whatever, and if nothing else, it was a kick start. Sometimes that’s what we need.
It wasn’t a physical kick (There was no room under the bed) but it was a mental jolt, like the friend who places an arm around your shoulder and tells you they believe in you. That’s a very brave thing for them to do, because the kind of person who says that kind of thing is going to end up stuck with you.
I needed something to sustain me while I wrote, but I was under George’s bed. I had no idea how the rest of the house was laid out, so I wouldn’t know where to find the food. It occurred to me that even if I found any food, I was ill-equipped to cook it. One revelation leads to another: Ghosts don’t eat. Do they?
Eventually, I’d gathered enough odd paper to make a useful pad. All I could find to write with was a crayon. A fucking green crayon. So then I began to write, in green crayon.
Should I really have been denied drugs, when it was that which drove me, once I learned to control it? Should those who thought they knew better have removed my lifeline? If I’d allowed them to do so, I’d surely have died from the withdrawal. At least that’s what I was afraid of. So I kept going. I kept shooting up. Then I ran away. I was 16.
Once you’re 18, the law says you can leave home without your parents’ or guardians’ permission. Strictly speaking, if you’re 16 or 17 and you want to leave home, you need your parents’ consent. But if you leave home without it, you’re unlikely to be made to go back unless you’re in danger. You are extremely unlikely to be obliged to return home if that’s where the danger lies.
It didn’t matter to me that I had nothing. Just as long as I could get a fix, I had all I needed. Even personal safety and well being become passengers when the heroin is driving.
There’s a dark magic within you. A frightful thing I cling to.
But as a ghost I couldn’t score, just as I couldn’t eat.
So I had nothing to do but write. It would be romantic to write that the flow of ink from my pen replaced the alchemy running through my veins, but I was writing with a green crayon.
The writing was a distraction, but it couldn’t mask the withdrawal symptoms. It turns out that even being dead can’t do that. So I was faced with the prospect of cold turkey, a cruel joke as I was hungry and couldn’t eat.
How could I write but not be able to eat? Actually I couldn’t. I wasn’t sure if it was delirium tremens brought on by my withdrawal, or the limitations of my new body, but I had no fine motor skills. I could rummage through things and pick them up, but I couldn’t do something like thread a needle if anyone had asked. I probably wouldn’t have been able to put a needle in a vein if I was alive, and I certainly couldn’t make my hands write. My fine motor skills were like those of a toddler. So I simply did what many authors do: They have an idea, some thoughts, a plot, and they’ll employ someone else to write their story for them: A ghostwriter. I was both a writer and a ghost. So I just thought my story; I willed it, in the hope that someone else might write it one day, now that I couldn’t.
I needed to haunt George.
I’ve read a lot and learned through self-teaching. I could have been so many things if it wasn’t for chasing the dragon. But that dragon must be chased, just as a puppy must be played with. So I’d read up on ghosts and the various types of haunting.
The “Crisis Apparition” is normally a one-time event for those experiencing it. It’s when a ghost is seen at the time of it’s predecessor’s passing, as a way of saying farewell to family and friends. It would be like going about your daily business, then suddenly seeing your mum outside of normal contexts. Minutes later, you receive a call to tell you that she’s passed away. With practice, the deceased may be able to visit you more than once, to reassure you. If they do that, you might have a guardian angel. In my case, a fallen one with broken wings.
“The reluctant dead” are ghosts who are unaware they’re deceased. They go about their lives as if they were still living, oblivious to their passing. This innocence (or denial), can be so severe that the ghost can’t see the living, but can nonetheless feel their presence: A kind of role reversal. This can be stressful, for both the haunter and the haunted. In films, it’s usually someone moving into the home of a recently deceased person. Perhaps they lived and died alone in their twilight years. To them, the living might be invaders. These are not ghosts which need to be exorcised: Simply talking to them about their death can help them to cross over and leave your home.
Then there are ghosts who are trapped or lost: They know they’re dead but for one reason or another, they can’t cross over yet. Cross over into what? Some may fear moving on because of the person they were in life, or they might fear leaving what’s familiar to them.
There are ghosts with “unfinished business” broadly split into two categories: A father might return to make sure his children are okay. Or a lover might hang around, making sure their partner finds happiness and moves on. But there’s also the “vengeful ghost”; perhaps a murder victim, back to haunt their killer.
“Residual ghosts” usually live out their final hours over and over again. They often show no intelligence or self-awareness, and will walk straight by (or through) you. Many think that these types of ghosts left an imprint or a recording of themselves in our space time.
Finally, the “intelligent ghost”: Where the entity interacts with the living and shows a form of intelligence. I certainly wanted to communicate with George. In fact, to lesser and greater extents, I fitted parts of the descriptions of all types of ghosts. I’d not long been dead and already I had a multiple personality disorder.
All I could see of George when he first came into the room was his feet: Black elasticated plimsolls and white socks, like I used to wear for PE. I couldn’t say what size his feet were but I imagined them having a boy of about ten years old attached to them. I guessed George was quite a hefty lad by the way the sky fell slightly as he climbed onto the bed above me.
I laid still, because even though I myself was inaudible, my developing motor skills would betray me if I dropped the crayon or kicked anything. I could hear pages being turned and I was aware of movement above me. It could be that George was writing; doing homework perhaps. I didn’t want to entertain an alternative. I hoped he was writing.
No matter what we do in this life, we may eventually be forgotten. It’s a comfort I gain from writing, knowing that whatever’s published is recorded, and will be out there long after I’ve gone. The democratisation of publishing and reporting has meant many good and bad things, but for as long as the conversation is global, we need to keep it going. There may be voices with whom we disagree, but through writing, we can posit an alternative opinion and seed a debate. Beyond all that is happening in our constantly evolving universe is a simple fact: What is right will win. What is right can emerge from the anarchic democracy which is the internet, but only if there are enough voices. There will always be sides and factions but with everyone involved, those who engage the most because they are passionate enough will prevail. We don’t need to shout louder than the other side; we simply need to educate the ignorant. Evolution will tell the story of whether we became a liberal race and prospered, or if we destroyed ourselves because we were unable to evolve. Either way, history will record it. If we destroy ourselves, eventually our history will be lost in the vastness of space and time, and it may be as though we never existed. From the quiet above, I gathered George was quite a deep thinker.
There’s only one race on this planet and that’s the one we all belong to: The human race. Where death may scare most people, it doesn’t trouble me. I’m seeing evidence that the human consciousness exists independently from the body and continues to live after our bodies give up or we destroy them. What does scare me is even more existential: Being forgotten, as though I never existed. The human race faces an existential threat: That of ignorance. Simply by talking, we can make a difference. Listen to the previous generations, for they are our history. Talk to the next generation and don’t patronise them: They’re intelligent beings. They are the human race and the future. Maybe George would be heard one day.
After a while, the sky fell further and the lights went out. George had retired for the night.
Ghosts can see in the dark. As soon as George had been quiet long enough for me to be sure he was asleep, I was getting restless. I moved around and stretched a bit. I’d managed to keep the shakes under control, but now George was asleep, the withdrawal was becoming quite uncomfortable. Despite my anxiety and a developing agoraphobia, I was tempted to just get out and run around; to do something to distract myself. I decided against it. I’d be like a child who’d just learned to walk. I would bump into things and knock things over. I didn’t want George to have a poltergeist: They’re bad. I’m not bad and I didn’t want to be the victim of an exorcism, made homeless all over again.
I thought I’d try my night vision out and have another go at writing. I managed to draw a crude stick man, a house with a smoking chimney and a space rocket with flames coming out of the bottom. He was a green man, who lived in a green house (so shouldn’t throw stones) and he had a green rocket which burned copper sulphate fuel (copper sulphate produces a green flame). I wasn’t evolved enough to write.
I fought an internal flame: One which was a danger I wanted to flee but at the same time, a beckoning warmth. I didn’t know what time of day it was, and I had no idea how long George slept for. He might be one of those kids who was in and out of the bathroom all night, or he might be near enough to adolescence that he hibernated. Either way, or anywhere in between, I couldn’t keep still for even a minute.
The shakes were more like tremors now: Delirium tremens: a psychotic condition typical of withdrawal in chronic alcoholics, involving tremors, hallucinations, anxiety, and disorientation. Heroin withdrawal on its own does not produce seizures, heart attacks, strokes, or delirium tremens. The DTs were the manifestation of my other addiction, which I’d used heroin to cover up. It was somehow less shameful to be an addict of an illegal substance and hence a victim, than it was a legal drug which most people can consume with no ill effects. As an alcoholic, I was less of a victim. I was a sadomasochist.
As soon as you tell people you’re an alcoholic, if they don’t recoil, they just assume you’re always drunk. Or they presume that you must never touch a drop. Both are true in some alcoholics but there’s the “functioning alcoholic”, who still drinks far more than anyone should but who doesn’t get drunk. They can get drunk, but most functioning alcoholics simply drink throughout the day (a kind of grazing), to keep the delirium tremens and other dangerous side effects of alcohol cessation at bay. It’s called Alcohol Dependence Syndrome but most people saw it as a cop out. I couldn’t educate the ignorant, or get them to listen long enough for me to explain. So I started taking drugs. I got so tired of trying to explain alcoholism to people, educating their ignorance, that I gave up. You get much more sympathy as a drug addict. Yeah, right!
So as in life, this once functioning alcoholic is now a ghost.
For the brief period that I was on the road in the last life, one saying; one sentiment, was always to be heard in the homeless community: “Be safe”. Those two words convey much more than their brevity would suggest. But when you’re homeless, relationships and lives are fragile. It’s quicker and less sentimental to say “Be safe” to someone you may never see again than “I love you”.
Even if I was restless, I felt safe under George’s bed. To keep busy, I broke a promise and looked in the cardboard boxes. I placed the green crayon in my mouth, like a green cigarette. I sucked on it like a joint and the taste of wax was actually quite pleasant. It helped just a little as a distraction from the shakes.
The first box was a complete mixture: Sheets of paper, smaller boxes and random other stuff; like a model car, some Lego and, well, just all sorts. I gathered the papers first.
Some of George’s notes were apparently to himself: They were in a handwriting different to the first note I saw, so I couldn’t be entirely sure, but one such note read, “You came close a few times but you backed off. You didn’t want to be one of those boys who made her cry. That’s the only reason you did it.” If they were intended for someone else, he’d not delivered them.
There were unopened presents, and gifts addressed to others, but George hadn’t delivered them. Some things were wrapped, while others weren’t, but they were clearly intended for someone else as they had notes attached. A packet of 20 Marlborough Lights: “Should really have got two tens, then I could have given mum and dad one each. Like that’s going to stop them.”
I’d not seen or heard the parents. Without knowing even what day of the week it was, there could be many scenarios. In one, George’s parents argued a lot but they were very much in love. Perhaps they were frustrated and united against a common foe. With my parents, that was me. Whatever it was, I imagined something bonding them and keeping them together. That could have been George I suppose.
I wondered at what point in human evolution it might have been, that we started analysing things and where we started to over-analyse. Marriage guidance, or relationship management; fucking counselling, from professionals and the plastic police alike: We all have someone. We all love someone. They care about us and vice versa. But over time, something’s not right, so we take the lid off and start poking around in that jar. We keep chipping away, feeling more free to say things in an environment, which we might not in another. And eventually we say something irreversible. Something that’s niggling us deep inside and which doesn’t affect us until it’s dug up. And from there, the relationship breaks down further and ever more of the undead join the feast.
Rather than encourage engagement, that kind of situation can invoke the fight or flight reflex in the previous life; the past. And whether fleed or not, the past is history.
So we arrive in the next life with so much unsaid. We want to say it but we have to learn all over again, how to speak. And I suppose that’s why we want to haunt people.
George woke up. A light was switched on and the sky above me moved. I waited for the feet from above but there were none. There was movement like before, and the sound of paper. George must have been writing. Or drawing. After what I guessed to be around 20 minutes, he stopped, the light went out and the sky moved again. I was trembling quite violently by then, so I bit down on the crayon between my teeth and returned my attention to the boxes.
I don’t know what’s worse: to not know what you are and be happy, or to become what you’ve always wanted to be, and feel alone.
Do the first one: Get to know yourself and be happy with what you are. Then do the second: Those who loved you first time around will be the ones who are still there. So you’re not lonely.
The human body is merely a temporary host.
Put like that, we simply inhabit a body for a period of time, like a possession; In “life” we are already ghosts possessing bodies which give us physical form. That organic structure will age and eventually die, but our consciousness is separate from what we look at as a living body and it goes on living, long after the host gives up. Life, as we know it, is merely one part of an ongoing existence, the greatness of which we don’t yet understand. Knowledge comes with death’s release. You may well have lived in another body in a previous life: Deja vu tells us that; that feeling that you’ve been somewhere before. George had deep dreams.
The trembling had reached my head. There was more than one person in there, and the dialogue was two-way. I wasn’t talking to myself; I was talking to another person.
I began to realise that perhaps George and I were somehow connected. I always subscribed to pre-determinism in principle. A part of me knew that the Big Bang carried an imprint equal to its original noise; that everything was mapped out in that pre-spacetime manifestation of knowledge and understanding. I was drawn to believe that our futures were mapped out long ago, but that they were as inaccessible as our pasts: We had no control over either. Great swathes of George were alien to me. But why wouldn’t I explore, if George was my destiny? Or it could be the withdrawal, and I may have been withdrawing to a comfort zone. I couldn’t do that to George. What had this kid done to deserve me, inside him?
Life had been very much a game of give and take: If George had taken something, then he was indebted to someone else. If he received something and it wasn’t in recognition of anything he’d done, he was in someone else’s debt. When he gave something, he expected nothing back. It was simply an accepted fact that life gave back far less than was put in. No-one understood him, least of all himself. Did I? Could I?
His life revolved around visits to toy fairs with his father. They couldn’t afford the mint-and-boxed or the ready-made, so dad would just look around and George would use pocket money to buy spacecraft parts.
Broken and incomplete model kits were fuel for George’s shipyard in a cardboard box under the bed. When weekends were over, the shipyard had to remain where it was. When George was at his dad’s to build his craft, he didn’t. Because time was too valuable. So we were at George’s father’s house and it was the weekend.
When he wasn’t constructing, he was thinking. And he made more notes. He made the normal in my life fantastical, by explaining how science fiction writers were just one small step ahead of the real world. George knew I was there, or at least that it was possible for me to physically be there.
There were clippings from newspapers and magazines in the next box, including an obituary: Jemma Redmond was a biotechnologist who died aged 38 in 2016, like so many others in that awful year. The passing of her life was overshadowed by many more well-known figures in the public eye. But like George, she worked quietly, tirelessly and passionately. And she achieved some incredible things. She developed a means of using human tissue cells as “ink” in a 3D printer. She also helped in the design of 3D printers which reduced the cost of their manufacture. Jemma Redmond made it possible to “print” human organs for transplant into patients, and she reduced the cost so that the technique could be applied in the developing world. This is not science fiction. This is science fact, just a few years from now. Most people wouldn’t have known, unless it was brought to their attention and they then had the attention span to listen. But if anyone were to Google her name, her work is recorded in modern history.
There was a printout of a scientific paper about NASA’s EMdrive. The Electro Magnetic drive is a fuel-free means of propulsion, which could replace rocket fuel and all its limitations of bulk and speed. The EMdrive could take a spacecraft to Mars in 70 days. At present, it’s a two year trip, with a lot of psychological and physiological risks to any humans making the journey. Many of those problems would be overcome with the EMdrive. It’s due for testing soon and with development and improvement, could make other stars in the galaxy viable destinations for exploration and research. This is not science fiction. He had articles about solar sail arrays, the size of Colorado, taking tiny scout ships out to explore the cosmos ahead of humans. All of this could be possible within George’s lifetime.
But very few people know about these things because all of the bad news in the world shouts louder. If more people knew about the technological and scientific thresholds we’re at, they might talk about them. Others would then learn and eventually there might be a chorus of voices so loud that mankind has to listen and consider another way forward for the species.
George thought what a wonderful world ours could be if we concentrated on this stuff, rather than religion, conflict and capitalism. Of course, George was young and naïve in the eyes of most. He’d never be taken seriously if he proposed an alternative plan for humankind. So he kept and curated records, and he wrote about them. Like so many other people, he was recording his thoughts in the hope that someone might discover them later, or when he was older and might be taken more seriously. He was aware that he was documenting the present and the contemporary, and that it could become either history or the future.
My trembling had almost taken control of my limbs by now. Where it was first shaky fingers, then hands, now my arms and legs ached as though they needed to spasm.
The light went on again and the sky moved. There was more rustling of papers and scribbling with a pen or pencil. I started singing a song in my head, as I wondered something: I knew I didn’t need to eat, but would I need to get my hair cut out here? It was a song by the Crash Test Dummies: God shuffled his feet. If crash test dummies were to have nervous systems, I knew how one might feel by now. The light went off and the little big man upstairs settled back down. I needed coffee: lots of cream, lots of sugar.
My coffee used to come from a jug on a hotplate. George was planning a replicator. He explained in his notes how a replicator was just one step further on from a 3D printer. Scientists could already print human body parts after all. To print a cup, then some coffee to fill it, was actually quite simple. George was keen to point out in his notes that one should always print the cup before the coffee.
Like the quiet voices of mankind, George could only imagine. He could only wonder at the sky, or lie in bed and dream of what was beyond the ceiling. Humans travelling to other stars was one lifetime away. It was only a matter of generations before the dream could be anyone’s reality. George wanted to be anyone.
George escaped in his sleep. And he explained in his notes how it was possible to travel all over the universe. Not only was it possible, but everyone does it, every night. Everyone has dreams and George wrote his down. The spacecraft and all of its missions were in the same cardboard box; a microcosm universe beneath George’s bed. He explained how time travel could be possible:
It’s a simple matter of thinking of space and time as the same thing: Spacetime. Once you do that, it’s easier to visualise the fourth dimension: I am lying beneath a bed and I’m occupying a space in three dimensions (X,Y and Z); my height (or length), width and depth. Trembling limbs aside, I will occupy the same space five minutes from now. So the first three dimensions have remained constant, but the fourth (time) has changed. But also, I did occupy that same space five minutes previously. That, and every moment in between is recorded in the fabric of space time: I am still there, five minutes ago. I know the past. I don’t know if I’ll still be here five minutes hence: I can’t predict the future, even though it may be pre-planned from the start of all time as we understand it.
Of course, there is what’s known as The Grandfather Paradox: This states that if I were to travel back in time and kill my granddad, I would cease to exist. But if we assume that in George’s new world order, various ethics committees exist in the future, then time travel to the past could be undertaken in a governed, regulated and ethical manor. It might be a little like the First Directive imagined in many science fiction works, where it’s forbidden to interfere in any way in a species’ development, even if that means remaining invisible whilst watching them destroy themselves. This in itself is a paradox because no-one is qualified to say that it hasn’t already happened, conspiracy theorists aside.
When you’re despairing late at night and you just wish someone was there, but you don’t really want anyone around. When you’re confused, perhaps by internal conflict. That’s when you need a guardian angel. If someone would just phone you at that time, that would be perfect, because you’re not bothering them. You’ve not caused them any trouble. Guardian angels need a sixth sense and the ability to travel back in time.
George estimated his brave new world to be around 200-250 years from now; perhaps ten generations. There was a long way to go and a lot to do, and George would most likely not see any of it. Or so he thought. He was young and he had much to learn, then he needed to learn how to deal with it. The things which George wanted to do were the things I regretted not doing.
All things considered, I thought it might be better to not let George know that one of his prophesies does come true. It was too soon. He wasn’t ready. I couldn’t let him know that it was possible to send letters from the future, or that people from the past could be visited. It was a one-way street, a bit like going to see grandma because she can’t get to you. The departed are still around, we just can’t normally see them. Often they’re just watching over us. Sometimes they might want to speak to us but we need to be receptive.
By now, my arms and legs were in full spasm and I could feel my torso waiting to convulse. I cleared everything from around me as quietly as I could, so as not to interrupt whatever dream was unfolding above me.
The human body has an internal mechanism which shuts it down when stimuli get too much. An inconsolable baby will cry itself to sleep, and if a pain becomes truly unbearable at any age, we will pass out. I hadn’t tried to sleep since I’d been dead, but it looked like I was about to be shown how to.
I don’t know how far I travelled in the fourth dimension but I was woken by a voice:
“Georgie?” It was a man’s voice. Dad was home.
“In here dad.” George calling to his dad was the first time I’d heard him speak.
“I got you your magazines.” Dad was now in the room, quieter but closer. He had big feet.
“Thanks dad.” George’s voice had changed. Now that he was speaking at a lower volume, his voice was deeper: Young George’s voice was breaking.
“Writing, the science one, and paper craft. Is that right?”
“That’s the ones. Thanks.”
“What’s all this?”
“Notes. I’m writing a story. Here.”
There was a long period of quiet. George was shifting about on the bed and his dad was pacing around the room. There was that same distinct sound of pages being turned that I’d grown used to.
“Jemma Redmond. I read about her. Amazing woman. Deserves a posthumous Nobel.
“The EMdrive, eh? That’s exciting. I think we’ll use that for the interstellar stuff, and the solar sail ships for the wider galactic vanguard missions.
“There’s some pretty deep stuff in here Georgie. Did you do this all yourself?”
“Well, I kind of had some help.”
“From whom? I’d like to meet them.”
“You can’t dad.”
“Promise you won’t laugh?”
“Can I smile?”
“You may smile”. There was a pause. “So, I had a dream.”
“We all have those. What about?”
“Nothing specific. Just a load of dreams mixed into one I suppose.”
“So you wrote about it. It’s good to write down your dreams.”
“But not all of that writing is mine. See, there was this girl.”
“A girl? In your dream?”
“Yes. A small girl, with blonde fizzy hair. And green teeth.”
“Green teeth? Was she a witch? Is she under the bed?”
“No. Well, she was kind of a witch. A dark witch but a good one. She was just wandering around, like she was showing me things. She might have been lost. I want to see her again.”
“I imagine you do. At least your witch has somewhere to live now.”
George left at the end of that weekend but it wasn’t the end of the story. He visits every weekend and he continues to record things for historians of the future. Eventually, he may realise that he was part of the machinery which kept the conversation going. He didn’t know this yet but he was encouraged in his chosen vocations.
I was there, under the bed. If I’d been able to write, I’d have just added a note for George:
Do what you enjoy. If you enjoy it, you’ll be good at it and people might notice you. If not now, then in the future. Don’t put off till tomorrow that which you can do today. Because if you do it today and you like it, you can do it again tomorrow.
Your life is not empty and meaningless, regardless of who is in it or absent from it. Your life is what you make it, for yourself and for future generations. Don’t give up.
Hopefully George will continue this story, now history, but in the hope that it might be read in the future. Maybe he’ll find the notes I left for him.
Dust to Funky. Be safe George.
To this day, Dad has never gone through George’s things under the bed. I’d have noticed.
© Steve Laker, 2016.
My second anthology is available now in paperback.
This is not John Steinbeck, nor George Orwell (who once lived just down my road), but it has to do with mice and a teenage year. This is a second character prequel from the Cyrus Song universe (the first is here), but a stand-alone short nonetheless, and a story from a teenage boy’s English literature assignments. It’s a bridging of eras and the debut of Captain Mamba.
While my life is being mangled by the social cleansing machine of the benefits system, Cyrus Song (“A remarkable juggling act”) is still free for one more day, but only $2.99 (the price of a coffee) when I’m not giving away a perfectly plausible answer to life, the universe and everything. If anyone reads the book for free, then buys me a coffee using the PayPal donation button, sugar and warmth would be reciprocated in this game of survival we’re all in together.
Some of the names in the school register in this story are those of friends I went to school with. In the story they’re bit parts who carry the narrative along. In reality, the few words dedicated to each are my idiosyncratic tributes to some of the many friends who’ve supported me as a writer. There was only room for a few, but I have plenty more stories in me with which to make further nods.
I’m living a new chapter in my life which I’m growing less fond of, but there are many which preceded. For now, we’re going back 33 years…
OF MICE AND BOYS IN 1984
“Adams.” (Tall kid, quiet).
“Bachelor.” (I’ve never seen his face, he sits two rows in front, and never turns round).
“Berry.” (Sort of disappears and reappears sometimes, most odd).
“Sir.” (Here today then).
“Ford.” (Small kid, long hair, glasses, sitting next to me).
“Fry.” (Small, short hair, no glasses: That’s me). “Fry?”
“Sorry, yes sir.”
“Sorry you’re here lad?” But I didn’t have time to answer. “Hayman.” (Blonde flick, goes ape shit if you break his glasses, even if you truly didn’t mean to (hope his parents are richer than mine)).
And so it went on, till Mr Harmer got to Yehudi in the register. As usual, there was no answer. Because Gordon Yehudi had never been in an English class, nor any other for that matter. He didn’t exist, apart from that name in the class 4284 register, and in the stories I wrote for English literature homework.
The class number (4284) is the way our school’s inner thinking came up with making them, when it had nothing better to do. We’re in the fourth year (14 and 15 years old), and there are four fourth forms in our year: we’re the second, hence the number 2. The last two digits are the year, so Nena’s 99 Red Balloons is at number one in the singles chart, and David Bowie’s latest album is Scary Monsters.
I’m writing this in English class, because it’s my English homework. One of Mr Harmer’s many philosophies is that writing should not be dictated by the clock (or Hitler: Harmer remembers the war), and that words should be allowed to flow as they happen to us, wherever we may be. So while we were doing that, he’d be alternately reading aloud from a coursework book (this year, those are Of Mice and Men, by John Steinbeck, and appropriately enough, George Orwell’s 1984), or popping out for a smoke. And almost every time, he’d leave the room, then come back a moment later, to ask if any of us had a light.
This story is fictional, but it’s based on a small adventure which Ford and myself had earlier. Ford is sitting next to me, but I know he won’t copy from me. Ergo, if his story is similar to mine, it is not plagiarism. It’s a story of a strange weekend, from start to finish:
It starts on Saturday, when we liberated two white mice from Supreme Pet Foods in Lewisham. That’s not to say we stole them, we did pay, and we got them a cage, bedding, food and toys. But Supreme Pet Foods’ main trade is in pets, with the food and supplies just an afterthought. So we told ourselves and one another, that we were saving the mice from becoming snake food. But the main reason for the mice’s liberation, was to be the subjects of an experiment, not for cosmetics (a worse fate than becoming snake food), but because Ford wanted to try something on his computer. “I want to hear them talk,” he said.
Now, I’ve got an Atari 800, but Ford’s got some Tangerine thing, similar to Apple but a different flavour. And he’s a bit of a thug when it comes to computers, taking them apart, ordering bits by mail order and replacing them. So he’s got a hybrid, cannibalised, custom machine. He’s even got an acoustic coupler and a phone in his room, so he can get on the internet and do whatever people do on there. Personally, I can see how the internet could be humanity’s evolution or destruction, but I’m just an English student for now, so I can’t do a lot about it yet.
That’s the most frustrating thing about being 14 in 1984: We have very little voice. We have Bowie telling us it’s okay to be ourselves, but we can only express that in clothes. If I were sufficiently fashionable, I’d probably be mocked for my choice of attire. I thought of being a punk, but most of the punks I know are just into The Sex Pistols and smashing things up. They don’t seem to get that one of the foundations of punk as a movement, is anarchy for peace and freedom, which is a worthy pursuit. But the punks I know just shout angrily about anything they don’t like, with no agenda. If they were to read more, they might have informed voices worth hearing. And still for now, they are quiet. I can see how the internet could change all that, but for now it’s the preserve of those with the means and the know-how to get connected. Fortunately, Ford is one of those.
He called his machine Tangerine Dream, which is also the name of a German electronic music collective, who provided much of the soundtrack to Risky Business, Tom Cruise’s 1983 debut film with Rebecca De Mornay (In that film, she made me less afraid of travelling by underground).
Anyway, we were at Ford’s house the next day (Sunday), and very nice it was too. Ford’s father is a herpetologist, which is someone who studies reptiles and amphibians. Mr Ford’s speciality was snakes, and he had some in his study. We were only allowed in there if Ford’s father was there, or if he delegated responsibility to Sandra, Ford’s mum. Sandra had many interests, which she shared with the garden fence, so a wave of the hand was usually enough to get rid of us.
“Ford,” I said, “we’re not going to feed the mice to the snakes are we?” I figured not, as that’s what we’d liberated them from, but I wanted to check.
“Wouldn’t that kind of defeat the object, Fry?” Well, yes, that’s what I thought.
“Well, yes, that’s what I thought,” I said.
“Well, speak up then Fry.” Which is what David Bowie was encouraging us all to do, but we lacked the voice.
“Ford,” I said, “are we going to be using the internet?”
“Quite probably old chap, why?”
“I just want to see if it’s all I think it could be.”
“Not yet. I’ll show you later. But first, dad got a new snake, look.” Ford pointed to a vivarium I’d not noticed before, but I’d not been in Mr Ford’s study many times. He still had the two snakes I remembered, both royal pythons, a male of about three feet, and a female around four. The male was a bumble bee, and the female, inferno, those being the names of the colour morphs in the snakes. The bumble bee morph is deep brown, almost black, with vivid yellow markings. The inferno is a similar contrast, but with different patterns and in black and deep orange.
Ever since live reptile imports were banned, a market has grown for selective breeding in captivity. It’s all regulated, with monitors placed on the size of the gene pools, and it’s no different to dogs, except snakes have fewer legs. Royal pythons are particularly good for selective breeding, and many years of fine-tuning has produced some truly stunning morphs, which fetch very large sums of money. Although I’m a bit of a mail order animal rights activist, I can’t level any sort of objection against snakes in captivity. Most snakes are reclusive and territorial by nature, so they actually thrive in captivity, away from predators and fed by man. They feed rarely, make little mess, and are fascinating creatures. Having a captive population aids our learning about them. I wouldn’t mind betting that if a straw poll were conducted among snakes in captivity, most would say they’re either satisfied or very satisfied. If only we could talk to them. “Fry?” It was Ford.
“Yes,” I said. “Sorry, I just drifted away there.”
“Oh, nowhere. I was just wondering what it would be like to talk to the animals.”
“I’ve often wondered that myself,” Ford said. “Especially since dad got this guy.”
In the tank I’d not noticed before, was something I never thought I’d see in real life: a light-grey coloured chap, draped over a branch. The colour betrayed the snake’s true identity to the uninitiated, who may only know what it was when they saw the pitch black inner mouth as it killed them. Mr Ford had a black mamba. I said something I wouldn’t normally at Ford’s house, but Mr Ford was out, and Sandra said it a lot:
“Fucking hell Ford!”
“He is awesome, isn’t he Fry? Shall we get him out?” ‘You fucking what?’ I thought.
“Only joking. No way. The vivarium’s locked anyway, it’s the law. Dad’s got a license.”
“Ford, why has your dad got a black mamba? Aren’t there nearly 3000 other kinds of perfectly good snake?”
“It’s for precisely that reason that dad has one of these.”
“By these, I presume you mean that, Ford?”
“Well, yes. But one of that wouldn’t wouldn’t be grammatically correct, would it Fry?”
“Fuck off, you pedantic cu arse.” I figured Mr Harmer was okay with the odd ‘foof’ word to enhance the drama, but perhaps female genitalia was a step too far. Human biology was more of a topic for our weekly secret meetings of The Biblical Dead: sort of a Dead Poets’ Society, with computers. “So,” I continued, “why has your dad got a black mamba?”
“Because of their famed aggression. He’s studying their DNA.”
“What’s he going to do?” I wondered. “Engineer a genetically modified race of human-snake hybrids who know no fear?”
“Er, no Fry. He’s written a thesis on how he thinks mambas are actually timid and retiring, and that their reputation is a bit undeserved. See, the majority of mamba bites to humans occur where man has invaded their land. The snakes feel threatened and they lash out. 100% of black mamba bites are fatal, partly because medical help is usually too far away.”
“So your dad’s thinking of building hospitals?”
“No, no, no.” That would be a no then. “No, he’s thinking longer term. Yes, having sufficient antivenom is useful, but dad’s looking more at prevention. Mambas aren’t endangered, so this is more for human benefit, but what he’s looking at, is ways to reduce the incidence of bites.”
“But how? I mean, he’s looking at their DNA. He can’t be thinking of altering them?”
“So what? Change their attitudes? Talk to them, so that they have a better understanding of us?”
“Exactly. I mean, I don’t know. It does make you wonder, but dad’s a bit vague, and being the precise man that he is in his work, when dad’s being vague, I know that’s my cue to shut the fuck up.”
“Fascinating,” I said, none the wiser, but with the idea for a book, should I ever become a writer later in life. “So, what’s the experiment with the white mice?”
“Well,” said Ford, “I got the idea from dad, and what me and you were just talking about.”
“Exactly. See, I don’t know what he’s working on with the mambas, but I’ve got an imagination. And it sort of fitted well with our English lit homework.” Which is exactly what I’d been thinking: Great minds, and all that. “I wondered if I could rig something up on my computer. Some sort of voice translator.”
“To talk to the animals?” Hadn’t I heard this somewhere before?
“I doubt it would be a two-way thing,” Ford said, as I deflated. “But I reckon we could listen to them.”
“Does it work?”
“I don’t know yet. I’m kind of hoping it does, or my English homework’s a bit done for.”
“But it’s English literature, Ford. Use your imagination. How could it work?”
We walked to Ford’s room: Bed, sofa, desk, chair, computer, and even an en-suite toilet. And of course, his own phone and the internet.
“Well, I figured it must break down into two things. If I can break things down into stages, it’s easier for my brain to handle, like long journeys. So put simply, those two things are listening, then understanding. And to do that, I need a microphone and a translator.”
“I don’t know if you’ve noticed Ford,” but I thought I should point it out, “microphones have already been invented.”
“Exactly. So all I have to do, is make the translator.”
“Which is exactly all you had to do in the first place, Ford.”
“I know. I just needed to eliminate everything else. And translators kind of exist.”
“Well, people who can translate, yes.”
“Yes, but I’ve found some programs on the internet: Things the geeks are working on. They reckon that one day, you’ll just be able to type or speak a phrase into a computer, in any language, and at the press of a button, it’ll translate into any other.” So that’s what the internet would be for.
“That would be awesome. When?”
“The nerds think early in the next century.”
“2000AD? That’s miles away.”
“More than our lifetimes, Fry.”
“So what of now? The translator, I mean.”
“Well, I found some voice recognition software. I figured if I somehow merged the code with translation algorithms, that should do the trick.”
“Well,” I said, “in theory, that’s all you’d need to do. But don’t you just type in game programs from computer magazines, Ford?”
“Well, I do. But seeing as I’ve got the internet as well, there’s a lot of other people out there doing the same, and more. It was actually a game code that I swapped for the software I ended up with.”
“It was a multi-level text and graphic adventure game: fucking huge. The code was in one of the mags, and it was about forty pages. Forty pages of machine code, which I typed up over a few days. Then I ran the program and the fucking thing kept crashing. So I checked the code and I found the error. Only it wasn’t my typo, it was a misprint in the mag. So I figured I could commodify what I’d done, and trade it in a non-monetary way.”
“Oh, I see. And that’s how you got the code for the translation program. It’s a nice ethos, trading personal time and skills.” I could see how the internet could be huge for that in the next century.
It’s at this point that I can reveal where the two white mice were, all this time. I can only reveal it now, as I didn’t know they were under Ford’s bed before. All I knew was that after we bought them the day before, I didn’t have them. That’s about as dramatic as it’s been so far.
“So,” Ford began, “I hope you don’t mind, but I’ve named them.” I suppose I didn’t mind, depending on the names he’d chosen.
“What did you call them?” I wondered.
“Pete and Dud.”
“Because they’re male.”
“Are they?” It’s a completely redundant question, and I don’t know why I asked it.
“Yes,” Ford replied, “and they remind me a bit of Derek and Clive, the way they sit there together, looking around and chewing things over, turning occasionally to the other one, and chewing it over some more.” And I suppose they did look a bit like that.
“So, which is which?” I asked.
“That’s Pete, and that’s Dud,” Ford said, pointing at the mice in turn, which for the reader is as redundant as my question about their gender. For now, Pete was on the left, and Dud on the right.
“So what now?” I wondered.
“Now,” Ford said, quite confidently, “we find out if my reputation is intact.”
“Have you got one?”
“So how can it be intact, if you don’t have it yet?”
“I’m building a reputation, Fry.”
“What as, Ford?”
“I don’t know. Something on the internet though: It’s the future.”
“No shit.” I was beginning to realise that perhaps you could be anyone or anything on the internet.
“Yeah, real shit,” Ford continued, as Tangerine Dream went through what seemed like an unnecessarily long boot-up. “I’ve got everything plugged in, so you should start to see lights coming on soon.” Lights coming on are normally a good thing, especially if they’re green.
“Where?” I wondered.
“On the computer, the disk drive, the monitor, and the printer.”
“But those lights always come on, Ford.”
“Well, it’s always good when they do. But there’s the microphone as well.” I looked at the microphone: a small, black thing with a foam top, very much like a microphone.
“The microphone doesn’t have a light on it, Ford.”
“No, I know.”
“So how can it come on?”
“It won’t, because it doesn’t have one.”
“So why did you mention it?”
“Because it’s there, and it needs to be switched on.”
“So,” I began, as I needed to check I’d got this right, “if I’ve got this right, we’re waiting for the computer to boot up, like we normally do. The only difference is a microphone which doesn’t have a light. Other than that, we’re looking at exactly what we always do when we switch on your computer.”
“Well, yes. And then we need to test the microphone. But it’s the extra processor and memory board I’ve put in. This is the first time I’ve started them from cold, so that I can run the translation software.”
“I see,” I said. I didn’t see anything, but there were some new parts in Tangerine Dream, and there was translation software. Ford’s constant thuggery inside computers could be about to do something far ahead of our time. Or it might simply not work. Ford’s idiosyncratic IT skills were roughly 50:50 hit and miss, so he was right about his reputation hanging in a balance.
While the computer continued to whir and crank into life, Ford placed the microphone next to the mice, who looked at it indifferently, before chewing some more of whatever they had in their mouths. Then Sandra’s banshee voice shouted up the stairs:
“Simon, Dixon? Lunch.”
With Mr Ford away, I wondered what we’d get for Sunday lunch. It was Ford’s dad who maintained a form of tradition in the house, with family meals eaten together at the table, and a full spread for Sunday roast. Sandra, on the other hand, didn’t give a shit, so we usually got proper teenage boy’s mate’s mum’s food, and so it was today, with fish finger sandwiches and home-made chips. Sandra pinched one of mine and dipped it in mayonnaise, which might have been a bit seductive. There’s always one kid at school who’s got a fit mum, and in my class, that was Ford.
After lunch, Tangerine Dream had woken up. First, Ford tested the microphone:
“Is this thing on?” Well, I heard him.
“Maybe a bit louder?” I suggested.
“IS THIS THING ON?” he shouted.
“I meant, turn the speakers up. Turn the speakers up, but speak quietly. Without you leaving the room, that’s the best way to test the microphone, Ford.” Which it was, because the microphone lead was only about three feet long.
“Oh yes. I suppose that is the best way.” Sometimes, he caught on quick. He turned the speakers up. “Is this thing on?” It was. “Ooh,” Ford said, in an effeminate way, “I didn’t realise what my voice sounds like to everyone else.” This could bode well or badly for the future internet. “I sound quite nice, don’t I?” Ford was destined to tread the boards, or grace the silver screen one day, when the future internet democratises it.
“Yes, Ford. You sound lovely dear boy. Could we just talk about why we’re doing this first?”
“Why?” he said, into the microphone.
“Yes, why are we trying to hear what the mice might be saying? I mean, it’s all based on theory, with a little science, which is perhaps a bit anarchic. We’re assuming mice actually speak, but that we can’t hear them. If they do, maybe we should leave it at that, for all the trouble it could cause.”
“It’s based on supposition and blind faith, Fry. And mine is a simplistic device, made with some bits I found lying around. I’m sure there are many more scientific studies into animal language and communication, but for me, I just want to know if there might be.”
“For the future. All I want to find out, is if animals do talk. It may be that they can, but that my set up isn’t sophisticated enough. It’s just something I want to look into, while I consider my own future.”
“Not really. More open minded really. I might be a vet, a human doctor, I don’t know. But I’m interested in communication and translation, getting more people talking and breaking down barriers. Because conflict comes from ignorance, and I don’t like conflict.”
“This is getting even deeper. Have you spoken to the mice already?”
“Because Douglas Adams said in The Hitch Hiker’s Guide to the Galaxy, the white mice are protrusions of pan-dimensional beings into our world.”
“And I think he’s right.” Ford seemed somehow convinced. He had his hand on his hip, and he was still speaking into the mic.
“But wouldn’t it go against a lot of things it shouldn’t, Ford?”
“What do you mean?”
“Well, moral and ethical considerations we’re yet to know about. And all that stuff in R.E. about the tower of Babel.”
“And you believe all that?”
“Well, of course not.” I could accept that the bible might be a transcript or dramatic retelling of actual events, but I didn’t subscribe to the creator of any church on Earth. “And,” I continued, “seeing as our device is an attempt to replicate the Babel fish, which disproved God in Douglas’ book, aren’t we somehow testing Douglas in the same way?”
“Well no, because we know that Douglas Adams does exist. He’s alive and he’s only 32. Actually, I wonder if something weird might happen in 1994, when he’s 42.”
“I’ve wondered that myself,” I said. “I don’t think too much matters to him. He seems to have this whole life, the universe, and everything thing squared in his mind. He did say, that in order to understand why the answer is 42, we first need to understand what it’s the answer to. And that’s what we’re all here on Earth to do, to work that out.” I like to think I’m somehow working in collaboration with Douglas. That’d be a nice job to have. “I haven’t decided what to do with myself yet. I’m thinking I’ll most likely be a scientist or an influential writer. Then if I’m not much good at either, I figure I’ll make an okay sci-fi writer.”
“It’s good to have a plan B. Splendid behaviour,” Ford noted. I suspected he didn’t have a plan B. “Shall we see if this works then?” Everything looked like it was loaded and ready to go on Tangerine Dream. All that was required, was for Ford to relinquish the microphone.
“Yes,” I agreed, “but you’ll have to give the mic to the mice, Ford.”
“Ooh,” he said, “I’d forgotten I was holding that.” The stage was definitely wanting.
Finally, Ford placed the microphone next to the mice, and nothing happened. We waited, and still nothing happened. Ford looked at me, then we both looked at the mice. The mice looked at one another, then at the mic. So Ford picked it up again.
“Is this still on? Ooh, I can still hear me.” I think Ford could hear himself, and I could hear him. I had to assume Pete and Dud did too. Unless they couldn’t hear him, perhaps because his voice was on a different frequency. Or the mice could in fact be deaf.
“Ford,” I said.
“Mr Fry,” he said, into the microphone. Actually, I quite liked the sound of it.
“Ford, do you think we’ve perhaps been a tad unlucky?”
“Well, that would make a change.” Ford referred, unknowingly, to many chapters from meetings of The Biblical Dead boys’ club, in my mind. In that context, any intended sarcasm had found a good home. “How do you mean?”
“I mean, all these mice. Not all of these two, but all white mice. They’re bred mainly for research and food. I wonder if the checks on their genetic pool extend so far as to find out how many of them might have defects, such as deafness.”
“That’s an interesting paradox, Mr Fry. But I have a back-up plan.” I take it back.
“Text-to-speech. Or rather, speech-to-text.”
“Speak and Spell, reverse engineered, then.”
“Pretty much. Lots of stuff aside, which I don’t know about, there’s less processing power required to convert text to text. Well, the power of the system I think I’ve built, isn’t in the communication, it’s in the translation algorithms. Basically, Tangerine Dream knows what it wants to say, but it can’t say it. It doesn’t have the processing power. In a few years, perhaps. But for now, it’s done the hard work.” I was growing somewhat confused.
“Simple way to think of it,” Ford asserted. “Tangerine Dream here, is the translator, but it can only communicate in text. The upshot of that, is we type in a question, and it gives us an answer on the screen.”
“From the mice?”
“Tangerine Dream’s translation, yes.”
“Blimey!” We really were about to find out if white mice were as Douglas had said: Protrusions of pan-dimensional beings of superior intelligence, into our universe. If so, we might be able to question them on the true nature of the life, the universe, and everything. We could make Douglas immortal, even though he seemed to have sussed out he was anyway, based on the pure science behind his writing. If Douglas didn’t want the attention, it was just an English literature assignment anyway. One about two boys, who were meant to be reading Of Mice and Men, and of George Orwell’s other vision of the year this was written. “What should we ask?”
“I don’t know.”
“I’m thinking,” I thought, “that we don’t have an international committee to hand. My limited knowledge of first contact protocol, would be a welcome. We have to rely on your computer’s untested ability to get the translation right though. We don’t want them to think we’ve told them to fuck off, when all we’ve said is hello. So, the universal language is maths.”
“That is a fact,” Ford confirmed, “at least for all who understand mathematics as we do. We could start with prime numbers, perhaps. Maybe we could type a sequence, then see if they carry it on.”
“Let’s try that,” I suggested. So Ford typed, in bold, contrasting letters on the computer screen:
1 2 3 5 7…
Then the cursor flashed on the screen. “Can they see what we’re doing?” I asked Ford of the mice.
“It doesn’t matter,” he replied. “Whatever this new hardware and software is, it’s essential function is to translate. Lacking the means to understand how it does that, I’m placing my faith in it reproducing something on the screen. This is day one for me too, Fry.”
The cursor continued to wink, suggestively. Then an ellipsis appeared, like this:
The ellipsis sat, with a cursor blinking at the end of it, like a tiny snake doing push-ups on screen. Then it moved again:
…Wouldn’t you prefer a nice game of chess?
“Ford?” I wondered what he was thinking.
“No, I wouldn’t.” He’d rather not play chess.
“Ford,” I said again, “have you left a chess program running?”
“No, Fry. I use Fritz. Fritz never says that in the chat window.” He pointed at the chess invitation on screen. “Have you used Fritz 7.0 yet, Fry?” Fritz is a chess engine, and more geeky than most commercial chess programs, it’s used by the professionals and they’re all linked up on ChessBase, which is on the internet. I can see the internet being a big thing for chess in the future. I told Ford I hadn’t, because my computer was an Atari 800 with a tape drive, no printer and I didn’t have a phone, or a doorbell on my house. “Oh,” Ford continued, “well Fritz’s standard is, ‘Wouldn’t you prefer a nice game of Global Thermonuclear War?’ A reference to WarGames, see?”
“Yes, Ford, I saw it. Matthew Broderick and Ally Sheedy, it was out last year. In which, David Lightman has a room very much like yours, in a fine house like this.” Then some more text appeared on the screen:
Then the ellipsis snake blinked again.
“Do you think we’re waiting for something, ” I asked, “or should we say something?”
“I know,” Ford said. Then he typed:
We mean you no harm.
I suppose that wasn’t bad for first contact. Then we got a reply:
1 2 3 5 7…
The snake again. “Prime numbers again,” I observed. Then again:
1 2 3 5 7 We mean you no harm: Is that a Carpenters song?
“I don’t know…”
How do you mean?
A short pause, then:
Oh, never mind. You had a question?
Yes. The question of why the answer is 42?
You are. It’s what you make of it. If you know why it’s that number and not some other arbitrary one, it’s because it’s the one everyone’s now agreed on. Because it was in the good book. Most people who know that, only know it because they looked it up. They are the inquisitive ones, who don’t just accept things but who ask ‘why?’ They’re the ones who see things, hear things, and are in contact with the universe, even if they don’t realise. You are part of the organic super computer, designed to work out the questions which need to be asked to understand the answer. The best measure of your species and your planet’s collective intelligence at the moment, is Google. And if you ask Google, ‘What is the answer to life the universe and everything?’, Google will tell you it’s 42. You have a long way to go, and young people are the future.
I must admit, it wasn’t the ending I’d expected for an English literature assignment. But I suppose it was the most direct answer to the most direct question we were able to ask. Perhaps in the future, you might be able to just ask Google a simple question and it might give you a succinct answer. Perhaps in the future, Google might know who I am. Perhaps I just end up being a science fiction writer, which I think might be nice. As for this early effort, it might be marked down for being too whimsical. But it was fiction, and Mr Harmer taught us that fiction should be allowed to flow.
So what do we do now?
You go. This is just a first step. You only found us through ingenuity and faith, but it might be best to keep this between us for now.
We won’t tell.
And apart from this story, I didn’t. Even if Ford’s story was similar, it would be from a different perspective, certainly with him in the narrative third-person lead character. The stories would exist only in the minds of those who wrote and read them, most likely Mr Harmer and The Biblical Dead society, where literature is not suppressed and forbidden by dictators, or like history and love in all its forms, in Orwell’s dystopian imagining of this year. Ours is a society where all information is shared and there is freedom of speech. For now, we are the quiet younger generation, with Bowie as one of our voices, and people like Ford, who’s on the internet, being a gender bender in his bedroom. I predict that the internet could give more of us collective, choral voices.
Whether or not we’d proven Douglas right about the white mice, the whole episode made me see what might be possible, if we just talk more, even if we can’t talk about some of it yet. It made me more aware, I suppose, of things around me, not just those we see and take for granted. In future, I think I could be an internet activist of some sort. In the future, the internet could be the thing which gives a voice to all those who don’t have one now. Perhaps that will be the evolution of mankind.
© Simon Fry, 1984.
“Yes sir, sorry.”
“Sorry to be here lad?”
“Actually, no sir.”
“Hayman.” (Blonde flick, new glasses).
“King-Smith”. (‘Smasher’, wears Farrahs. Nice bloke really).
“Laker.” (Fuck knows).
“Mountney.” (‘Mole’: farts a lot: It’s funny on the chairs).
“Rogers.” (Could be a brilliant mind, or a psycho).
“Sharp.” (Christian bloke, likes his custard).
“Simmons.” (Thoroughly good bloke, likes his Bowie, finishes my woodwork projects).
“Tomkinson.” (Another geek, likes typing in programs from computer mags and putting them on tape).
“White.” (Every girl’s dream, if he ever gets on the internet).
“Yehudi.” Nothing. “Yehudi.” As expected. “Yehudi?”
© Steve Laker, 2017.
Cyrus Song (a ‘Sci-fi rom com’ tribute to Douglas Adams, and the later adventures of Simon Fry), is available now from Amazon.
THE WRITER’S LIFE
The shit sandwich finally arrived in the post last Thursday, and it’s taken me this long to compose myself to address it. This benefits process is exhausting by design, and it’s exacerbating my anxiety and depression. I haven’t quite lost the will to live, as that would validate the Tory social cleansing machine’s purpose. It actually says in the rejection letter, “Personal Independence Payment is not for visiting relatives.” I’m appealing, so there is much more writing to do.
Naked Lunch, David Cronenberg
It took nine and a half weeks for someone to decide I wasn’t deserving of my Personal Independence Payment (despite being in receipt of it for the last four years), so denying me much of my liberty and ruining what might have been mine or my parents’ last Christmas. On behalf of myself and my family, we’d like to wish upon the bone of a turkey, a Christmas free of guilt and conscience to the Department for Work and Pensions. With nowhere to go, I’ll be an empty box, a vacant chair; I will haunt their Christmases.
With my benefit payment reduced to a statutory minimum, I’ll have to borrow money to buy my kids’ Christmas presents (why should they go without?) I can no longer afford to visit my parents (nor buy them gifts; they say the children come first), so I may already have seen my dad for the last time while he still remembers who I am. Last time I was there, he said how good it was for him to have me around. Now all we have is memories of Christmas past.
There were past Christmases when I was estranged from my family, after I’d steamrollered through their lives like a drunken shopping trolley, and when I’d be represented by an empty chair at the dinner table. My sister still bears a grudge, somehow having it in her head that I’m the cause of our dad’s Parkinson’s. So while she won’t pick me up on her way through to my parents, my Christmas will be spent with a turkey baste on a true story: That I couldn’t afford Christmas dinner.
I could do as I did in those years of estrangement, and volunteer to help at a church homeless do, provided I can get the transport. But that would involve other people, and this dehumanising process also threw fuel on my social anxiety. The signpost to Christmases future.
Christmas will be cold, because I can’t afford heating. And it’s all thanks to the Scrooges who’ll be stuffing their faces at Christmas dinner, and counting all the money they saved through social cleansing. I’ll be present in spirit, at each and every table, wishing upon that wish bone, to stick in many throats.
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