THE WRITER’S LIFE
Two years ago today, I woke to the news of David Bowie’s further travels. Ziggy Stardust, the thin white duke, the cracked actor, Major Tom was a starman again. The news was delivered by text message from one of my best friends. Ashes to ashes, funk to funky…
It was news I wasn’t prepared for. David Bowie was immortal (but of course he is, just like the rest of us). He was back with the stars he came from, exploring further (“Knowledge comes with death’s release…”). It was poetic that I received the news as I did. Short of getting a telepathic message from the Starman himself, my friend was the best sentinel I could think of.
We’ve been friends for the best part of 40 years, we went to school together, and on my 40th birthday, he gave me a very personal gift: Bowie in Berlin; a book by Thomas Jerome Seabrook, which tells the story of the three-year period when Bowie made some of his most intensely creative music. We grew up with Bowie together, and there’s an inscription inside the book:
To my old friend,
These three albums [Low, “Heroes”, and Lodger] struck a chord with us, when we were younger. I remember smoking, playing pool and hanging out, with Bowie in the background. ‘Soundtrack to our lives’: Let’s live to it again.
Your old friend, T x
Along with my hi-fi separates and my signed copy of Diamond Dogs, the book is one of my most treasured things. When I was ill, had my breakdown and ended up on the streets, my ex-partners looked after my belongings until I found my own place, for which I’m forever grateful.
At some point during that period of homelessness, I dreamed that I’d one day have a place I could call my own, with copies of my own books dotted around. It was a daydream, as I sat in McDonald’s scribbling in a notepad (I probably still have it, as I managed to retain most). I knew I’d most likely never work again, so I wondered, “What the fuck…”
I was street homeless for three months (in winter), sleeping in garages and on benches (and once in a bin). Then for six months I had the squat, and a further seven months of sofa-surfing followed, before I took the tenancy above the pub. After a year of suffering that landlord, I was offered the place I have now: a small studio in a quiet village, and with a social (legal) landlord. After my first year as a tenant, I was given an indefinite rolling tenancy. It’s the nearest someone who doesn’t own their own place can get to actually having one.
All of that covers a period now just into its fifth year, and all documented on this blog. As I’ve noted several times, I needed to have a base before I could really sort myself out. Conventional wisdom works the opposite way, but if you give a human shelter and take care of their basic needs (like food and warmth), the rest will follow.
The day between Bowie’s birthday and the day he left, has become a day of reflection. Last night, I sat and looked around my little place, thankful for all I have and all I’ve done, and for the guidance. Because if you believe in the universe, it will talk to you.
I picked up The Unfinished Literary Agency from my coffee table, and I had a flick through: It really is a very good book, of which I’m proud. It’s my fifth, published on the fifth day of my fifth year as a writer, and my shit don’t stink.
We can all be heroes, even if it’s just for one day.
“And it was cold and it rained so I felt like an actor.” (Five Years, David Bowie).
The Unfinished Literary Agency is available now.