Being human can be an arse sometimes, but the right words can make it sound romantic:
Being human can be an arse sometimes, but the right words can make it sound romantic:
Music and laughter, is what makes the hereafter, and love makes the world go round. Which is funny, because I always thought it was physics which did that.
I wrote an atheist, non-denominational, non-missionary sanctimonious prayer. It’s a total rip-off but it’s not plagiarism (so sue me God). It’s a wish from a human, who didn’t ask to be here, but who realised why I was. It’s a poem from all of us stuck here on Earth, hoping that someone’s listening…
Once upon a time, there was a day when there was no yesterday in the universe. That’s a lesson for as all.
My hope is that we can all forget our differences, at home and in the wider world, and concentrate on the one thing which ought to unite us: The only home we have, as one race, which we share with the billions who were here before us.
How can we dance when our earth is turning?
How do we sleep while our beds are burning?
The time has come
To say fair’s fair
To pay the rent
To pay our share
The time has come
A fact’s a fact
It belongs to them
Let’s give it back
We live in the final hours, when we burn humanity’s midnight oil.
“In these perilous times,” a recent Guardian article urged, “progressives must create narratives that shine a light on crises such as climate change and the plight of refugee.” And megalomaniac world leaders, and climate change, and pollution, and weapons of mass destruction…
Contemporary fiction tends to be situation-specific or narrow in frame, but a fairy tale’s whimsy or fantastical narrative creates vaguery, allowing different analogies to be applied according to circumstance. The headline of the Guardian article was, “We need new fairy stories and folk tales to guide us out of today’s dark woods.”
THE GIRL WITH THE SNAKE SCARF
Once upon a place, in a faraway time, there lived a warlock in a tower, afraid for his wife to leave. Across many ploughed fields stood a castle, where a necromancer surveyed the crops, and his queen cared for him. The warlock could make new things happen. The necromancer made old things happen again.
The fields were like vast woven tapestries, and a girl stitched them together as she jumped and played, the bobbin in the silk.
One day, a serpent approached. “Why do you tend the fields?” he asked.
“For many reasons,” replied the bobbin.
“Tell me three,” said the snake.
“The first,” the girl said, “is to feed everyone.”
“And the second?” the snake wondered.
“The second, is to keep this land for feeding people.”
“You have one more,” the serpent reminded her.
“But most of all,” the girl said, “it’s because it’s fun.”
“Very well,” said the snake, “carry on.” Then he promptly disappeared into the night.
The bells of the warlock’s tower rang, while the necromancer’s banshees sang, on opposite sides of the land, while horses and soldiers guarded the castle and the tower. The bobbin made her way home, through the woods, until the path in the green inferno split in two, where the snake waited.
“Which path?” he asked. “You have three choices.”
“Three?” asked the bobbin, “but there are only two paths.”
“And you have used one option. You have two remaining.”
“Why have I only two left?”
“Because that is the number of paths you see. You have spoken twice now.”
“Then,” the bobbin said, “I choose right, because I always do. Or left, because I’ve never gone that way.”
“And now,” said the serpent, “I am gone.” And with that, the snake disappeared into the undergrowth.
With all her choices gone, the bobbin walked home on the right path, then she ate porridge, made from the fields, before resting ahead of another day.
The next day, the fields were covered with petrified horses and soldiers, frozen where they’d perished. The snake appeared again.
“The warlock’s army want the necromancer to return their dead. And the necromancer’s army want the warlock to pay his army more gold. Can you see a problem? You have three tries at this game.”
The bobbin thought.
“There are two problems which are one,” she said. “The necromancer and the warlock. They want what the other has, and they don’t ask their armies what they want. So everyone dies.”
“That is very clever,” said the snake, “and you used your three tries in one. You win. But no-one has won. So you need to go now, before the fighting starts again. Let me ask you a question, to ponder as you sleep: If you were to plant one grain of rice in the corner field of this vast pasture, then two in the next, four in the third and so on, doubling with each square. How many rice plants would you have in the 64th field?”
The bobbin walked home thinking, down the left path, and the snake hung coiled from a branch. “You chose the left path,” he said. “Let me ask you another question: Does the right path still exist, because you can’t see it?”
On the third day, the bobbin had to jump over many lifeless souls to reach the middle of the land. There, only nine fields remained, and a battle had already started. In some pastures, the warlock’s troops stood in circles, chanting. And in others, the necromancer’s army burned crosses.
The serpent greeted her again. “May I speak closely, in your ear?” The bobbin nodded, so the snake rested around her shoulders, then whispered, “You may speak three times today. Did you work out the rice problem?”
“Yes,” she said, “there would be enough to feed everyone.”
“And the problem now?”
“They were only fighting over land, and there was enough for everyone. Now both are dead. Now there are only nine fields. The long game has become a short one, which no-one can win.”
“So now,” the snake said, “you know there’s another way, and you have to tell them.”
“But why would they believe me?”
“They won’t now, because you just spoke for the third time.” The bobbin had used her three chances. “You didn’t think enough before you spoke, you spoke too soon, and now you can’t.” The serpent coiled around her neck. “If you were able to, you could have gone to the centre field, the middle earth. You could have formed a shield. They wouldn’t kill an innocent bobbin. So they would have approached you, and you’d have told them they are playing a game which can’t be won now. And they would have listened, because yours would be a new voice to them, one they’ve not heard before. And now, they won’t hear that voice today. Tomorrow, it could all be over. You lose.” The snake tightened his grip.
The girl felt light-headed, so she stumbled down into the middle earth, and the serpent loosened his grip. She stood in the centre of the stand-off, and the snake tightened its grip. The troops gathered around the central square and the snake coiled tighter around the girl’s neck, lifting its body above her head. Soldiers from either side approached as the girl’s feet left the ground.
One of the warlock’s troops held the girl’s legs while a necromancer’s guard pulled at the snake, until the girl fell to the ground. Both free, the girl ran straight ahead to the warlock’s tower, protected by the necromancer’s army, and the snake chased the warlock’s troops towards the necromancer’s castle.
Walking home, the girl looked at the left and right paths, where she’d met the snake before. She parted the bushes and there was a third path, hidden behind the leaves. One she’d not seen before, because she didn’t think it was there.
Once upon a time in the future, in a place not far away, this will happen more than once.
© Steve Laker, 2018
THE WRITER’S LIFE
We’re now a week into the British summer which forgot about spring, and despite having my window open, I’ve had no visitors. When I write at night, my desk lamp shines from the window, but not a single moth has dropped by. It’s resigned me to eat less plastic.
A plastinated cow, from Gunther von Hagens ‘ BodyWorlds
I suspect this may be the year when we finally wake up to the damage we’ve done to our planet, and humans may have to re-evaluate their diets: Not just what they eat, but as a moral responsibility. If we don’t change soon, the entire planet’s food chain could collapse.
It’s only been in the last year or so that we’ve had our eyes opened to the extent of our planetary pollution with plastics, thanks in large part to the BBC’s Blue Planet II. We’re lucky that scientists have stumbled upon a bacteria which eats some types of plastics, but there’s a lot of food.
Since the invention of plastic, humans have created 9 billion tonnes of plastic waste. While some efforts are afoot, less than 10% has been recycled, with most of it sitting in landfill and not decomposing. We’re developing machines which can help clear the waste which is loose in the wider world, but the real problem is micro-plastics.
In a recent study, micro-particles of plastic were found in arctic waters, so it’s thought that every cubic metre of the oceans is contaminated. In turn, these particles are ingested by wildlife, and passed up the food chain. Water evaporates into clouds, then falls as rain somewhere else on the planet, dropping plastic with it. Every single living organism on planet Earth is part-plastic. While we might clear up the immediately obvious mess, the long-term effects of internal plastic pollution aren’t known, as it’s only a recently-discovered phenomenon.
Returning to the food chain and my lack of visitors, I’d welcome even a blue bottle or a wasp, if it at least confirmed the insects were still around. Since we missed out spring, those who survived are emerging far more suddenly (but in fewer numbers) with the rapid rise in temperature. But while they were asleep, nature couldn’t make enough food for them (because it usually does that in spring).
Fewer flowers means less nectar for the invertebrates who do emerge, and reduced pollination of plants. Fewer insects is less food for spiders, birds and small mammals, their predators and all the way up the food chain.
For the humans who place themselves at the top table, there’s a relatively quick-fix solution: Grab more land for farming, produce more crops and livestock, so that humans can eat. And make the problem worse.
To sustain our current (mostly carnivorous) population, humans need more of the planet they’ve already taken too much of. If we selfishly solve our own problems by driving wildlife from its habitats, the animals will continue to die out at an accelerated rate. Like the plastics inside us all, the mass extinction of animals will have repercussions and knock-on effects which we’ve never imagined.
More humans, farming and livestock, will lead to further rises in global temperature, sea levels rising, and even less land being fertile as a result. Increased climate change, affected by humans, will further erode the seasons, and increasing numbers of animals, from invertebrates to the largest predators, will die out as the food chain eventually collapses. And we’re seeing the beginning in the UK this year.
The only way to halt this destruction is to eat less meat. Less livestock would mean less land is needed for rearing, or growing crops for livestock feed (The argument, “If we don’t eat them, we’ll be overrun; it’s just like in nature”, holds no water, as the vast majority of what humans eat, they rear themselves). Fewer heads of livestock would also mean fewer arses producing methane gasses.
I can’t help feeling somewhat to blame, not just for being human, but because my family have always been farmers. When the first Africans and Europeans arrived in what is now Britain (having crossed what was then a connected land mass with the continent), they’d have found Iron Age settlements, the remnants of which are still visible today, close to where I used to live as a child (Oldbury Woods, in Ightham, Kent). Those first Europeans taught the ancient Britons how to use their weapons as tools, so that they eventually evolved from hunter-gatherers to farmers, raising their own livestock.
As someone who’s partly responsible for that, I’ve tried being part-vegetable in the past, and failed to varying degrees. I’m limited to just a Tesco Metro for food shopping, unwilling to travel and not wanting to contribute to air pollution with unnecessary deliveries. The greater limitation though is that I live alone and have a small appetite, meaning that a lot of food used to go to waste (I only have space for a small freezer).
So for now, I’m a “meat-reducer”, which may sound like a total cop-out (and it’s used as an excuse by many) but which does make a difference. I’ll buy fewer of the more expensive meats, so they’ll be free range, and with animal welfare at the top of the shopping list.
One bird will feed me for a week, starting with a roast on Sunday, when I cook the whole bird and eat a leg. When you’re used to mass-produced, growth-enhanced chicken, it’s surprising how much more meat a bird will yield, if it’s had time to grow and roam in relative freedom. Once the rest is carved from the bone, there’ll be a casserole, a curry, a stir fry, and some sandwiches. Sometimes I’ll boil the carcass and make a stock or a soup. One chicken for a week, so little packaging too.
Nevertheless, I still feel uncomfortable eating something which was once a self-determining sentient being, when I could choose not to. Even free-range, responsibly-reared meat was made for human consumption, but it’s still another person. Turned on its head, it would be like animals choosing only to eat Category D prisoners, help in open prisons.
This diner must try harder, and others might take a leaf from my book.
There are possible solutions to our planetary problems in my book, which are achievable if we work with those whose planet we share. It’s their planet, we just live with them, and we have a moral responsibility to protect them and their home, and to clear up the human mess we made.
THE WRITER’S LIFE | FICTION
The UK’s weather has jumped suddenly from winter to summer, and nature seems to have overlooked spring. But I’ve noticed fewer of the invertebrate visitors than I expected through my open window, as they emerge from their long sleep, and I wonder how many have perished because of humankind’s interference with the thermostat on nature’s climate control.
Fewer insects mean less food for birds, so I’ve taken to scattering seeds on the flat roof directly outside my window, where avian friends gather. I’ve had the usual suspects (thrushes, starlings, sparrows…) and there’s a regular wagtail who visits, but nevertheless their numbers are few, which is troubling.
I also get members of the corvid mafia, mainly crows and magpies, so I’ve been witness to the odd murder, gulp and charm of collective nouns. Knowing these birds to be incredibly intelligent, I’m thinking of making some food puzzles for them, so that I can witness their ingenuity first-hand. If I put some nuts in my Rubik’s cube, they might be able to work out something which has stumped me for many years.
A friend of mine once wondered at these bird brains, and I myself pondered what a world might be like if crows had opposable thumbs…
A TALE WITH MANY STRINGS
I overheard someone talking about how intelligent crows are, and this got me to wondering what might happen if they evolved opposable thumbs. Being a writer, I set off to find out. It was sheer luck which put me in the right place at the right time, with the right people.
I was suffering one of the worst episodes of writers’ block that I care to remember, so I’d gone for a walk to Manor House Gardens, a National Trust property just outside the village where I lived. Ideas for stories occur to writers all the time and in the most unexpected ways. It wasn’t that I lacked ideas so much as I couldn’t extrapolate some really good stories. A story is relatively easy to write but a really good story is something completely different and I was in the business of writing really good fiction.
Royalties had dried up from my last book and although I was never a writer for the money, I was a bit destitute. In a way, I enjoyed the financial freedom which writing enabled me to enjoy. Although that was a beautifully philosophical way for an impoverished writer to think, it wasn’t putting electricity on my key, nor much food in my stomach. I had great visions of where my next novel would take me but it was a long way from being finished. And so it was that I was writing short pieces of both fiction and non-fiction for various magazines. The cheques were small but they kept me alive. My book was on hold and I was struggling for original material for the short story market: such a first world problem.
I sat on a bench and rolled a cigarette. To my surprise, I was joined by two old ladies. When I’d sat down, I was the only person around and I’d seated myself in the middle of the bench, so the ladies sat either side of me. “Excuse me,” I said. “I’m sorry.” I went to stand up.
“Don’t you excuse yerself young man,” said the lady to my left. “You were ‘ere first, so you sit yerself down and do whatever it was you was gunner do.” I couldn’t be sure if this was something she said absent mindedly, or whether she had a sense of humour which was dry to the extreme. In any case, the irony was palpable. She continued: “You might ‘ear sumink interestin’.” She gave my arm a gentle pinch, with finger and thumb.
“So, what was you sayin’ baat the crows?” The old dear to my right was speaking now.
“Well, I feed ’em in me garden, don’t I?
“Yeah, I told ya, ya daft caar. Anyway, they’ve started bringin’ me presents ain’t they?”
“Yeah. Clever sods ain’t they?”
“Well yeah, cos then I give ’em more grub don’t I?”
Of course, all corvine birds are noted for their intelligence: Crows, rooks, ravens, Jays and the like, show some quite remarkable powers of reasoning and it was this that the two old girls were talking about, perhaps without at least one of them realising it. I excused myself and made my way back to my studio, smiling at anyone who caught my gaze.
The most wonderful thing is when people smile back at you. Those are the stories, right there.
Back at my desk, I skimmed quickly through the news feeds on my computer: Britain had voted to leave the EU, Cameron had resigned as Prime Minister and Boris Johnson was his heir apparent. Across the Atlantic, Trump had installed himself in the Whitehouse, banned anyone he didn’t quite understand from entering the USA and was erecting a wall across the Mexican border. What better time to leave?
Using some string I’d borrowed from a theory and a little imagination, I constructed a means of transport to a far future. My ship was powered by cats: and why not? Schrödinger’s cats to be precise, as a fuel source, wherein two possible physical states existed in parallel inside each of an infinite number of sealed boxes. Effectively, it was powered by will. The upshot of this was that I could go absolutely anywhere I wished. A working knowledge of quantum mechanics would enable you to understand exactly how the engine worked. If you lack that knowledge, suffice to say that the engine worked. The only limitation was that I couldn’t go back in time. I could go forward and then back, to my starting point but I couldn’t go back from there. Nevertheless, it was a dream machine.
A couple of years prior to this, I’d had a bit of a life episode and wondered: If I’d had my time machine then, would I have travelled forward to now and would I believe what I saw? I paused for a few minutes to contemplate the paradox of myself appearing from the past: I didn’t turn up. Then I did something really inadvisable. It was a self-fulfilling exercise to see if I was vilified in a decision I’d made two years ago: I travelled forward to a time when I either should or could be alive; five years hence. If I was still around, I had to be very careful not to bump into myself. It was a cheat’s way of gaining benefit from hindsight. I set the destination and it was as much as I could do to not say, “Roads? Where we’re going, we don’t need, roads.”
Travelling through time is a curious sensation: I’m not sure quite how I expected it to feel, but it wasn’t at all like I could have expected. I suppose, scientifically, I expected all of the atoms in my body to be torn apart as I accelerated at many times the speed of light. Eventually, my physical self would reassemble itself. I suppose I thought that I’d effectively be unconscious and as such if anything went wrong, I would be oblivious to it. Not so, as it turns out.
It was like when I first tried magic mushrooms: At first, there was nothing. So I took some more. Then the first lot started to take effect. Time did indeed slow down, so that I could relish the sensation of reduced gravity. I can assure you that what you may have heard about the senses being enhanced, is true. The hardest thing to control is the almost undeniable urge to burst into laughter. It is said that just before one dies from drowning, one experiences a euphoria: it was like that I suppose and I felt a little lost. I’d almost forgotten that I’d taken a second dose. I wish I’d had some way of recording where I went but I don’t recall.
So then I found myself five years ahead, of time; of myself. I kept a low profile but not so covert as to miss what was going on around me: the evidence of change over the intervening five years.
The most striking thing, initially, was the absence of pavements and roads in my village. There was a single thoroughfare which carried both traffic and pedestrians. All of the cars were computer-driven, their passengers simply passengers. As I took this scenery in, a much more fundamental thing occurred to me: what I was witnessing was a harmony. There were no impatient drivers (or passengers) and no self-righteous pedestrians impeding the cars’ progress: the two existed together, in the same space. Who’d have thought it? The “little” supermarket was still there: a necessary evil, but it was smaller than I remembered, with complimentary independent shops now sharing its old footprint. There was a butcher and a baker; a fishmonger and greengrocer. On the face of things, much progress had been made over five years.
No-one had seemed to notice me, so I decided to take a stroll around my future village, taking care not to interact with anyone. I resisted the urge to go to my flat, for obvious reasons. Whether I was still around of not, things had moved on nicely: I’m glad I saw it. Of course, it was like visiting an old home but this was a nostalgia made in the future. Then I decided to do the most ill-advised thing of all.
I had no signal on my mobile and it was a futuristic irony that an old red phone box replaced my smart phone. That iconic red box on the village high street no longer contained a pay phone but a touch screen open internet portal. Free. And the little communication hub was pristine inside: no stench of piss and not a scratch anywhere. Either a zero tolerance police regime was to thank, or more hopefully, a society which had calmed down, like the traffic. I noticed that the library was gone, converted into housing and imaginatively called “The Library”. Kudos I supposed to whatever or whomever had made that red kiosk available, to all and for free. I wondered what else might have changed and wanted to use that little box for as long as no-one else needed it but I really shouldn’t have been there.
I gave myself one go on the Google fruit machine: I typed my name into the search field and allowed myself just enough time to scan over the first page of results. I reasoned that I should not dwell and that I certainly mustn’t click on any of the links. Five years from now, I was still alive and I’d published the book I was writing in the present time. I could not, should not look any further, even though I longed to see how it was selling, how it had been received and reviewed, and how it ended. I must not, I couldn’t; I didn’t. So I came back. I steered myself away from looking up my parents too.
I’d caught a bug out there. The kind that bites and infects those with an inquisitive nature and who are risk-averse, carefree; couldn’t give a fuck.
I shouldn’t be at all surprised if I wasn’t still around fifty years hence, so why was I going there next? Because I could. Just because one can do something though, doesn’t mean they should. I’d rarely heeded advice in the past, so why heed my own advice about the future? I’d only have myself to blame and I was sure I’d already lived with far worse. There are limits to what one can imagine.
Hindsight is a fine thing, with the benefit of hindsight. Each of us are limited in our ability to change things but if we co-operate, I’d seen just five years from now, how things might be. But I’d had to return to what is now as I write this. Now could be quite an incredible time to be around, if things turn out the way I saw them.
At some point in that future I travel to, there is no me: I will cease to exist in my physical form and that will be, well, “That”.
So when I arrived fifty years from now, I had no idea what to expect, given what I’d witnessed had taken place over a previous five year period. The only thing I could be sure of as I went through that very disconcerting wormhole thing, was what I was determinednot to do: I would not look myself up.
The only way I would suggest of distancing yourself from the future, is to not go there in the first place. Should you find that impossible, try to remain inconspicuous. Naturally, there will be many things which a traveller from the past will find alien about the future. Like the way people stared at me. And then walked straight past me. I smiled at some of them and they all smiled back. The supermarket had completely vanished from the village by now, replaced by more independent shops. There were fewer driver-less cars but that was irrelevant because the cars cruised at about thirty feet from the ground. The walkers had reclaimed the thoroughfare.
Cognitive Behaviour Therapy taught me that if people look at you for longer than a second or two, it might be because they find you attractive. It could equally be a look of recognition. So I panicked and went back in time.
Just to be sure that I was back in the world I’d left, I took another walk to Manor House Gardens: all was as it had been. The old girls had departed, probably in opposite directions. Not so far from here. Nothing is really, is it?
As I sat and smoked, whimsy took over: what if those people in fifty years time recognised me as a well-known author? Perhaps one of my books had gone on to be an international best seller. Maybe it had been made into a film. What was worrying if that were the case, was that they recognised me as I look now, fifty years ago. Could it be that I just finish the book I’m working on, then I die suddenly and never get to see what happened? I had to be more optimistic. After all, it was my own will driving the cat machine.
Continuing the theme which was developing, my next foray into the future was 500 years from now and that’s where it gets a bit weird. Obviously, the things I saw were familiar to the people who lived in that time and although nothing seemed alien as such, the apparent technical progress was quite remarkable. The most striking juxtaposition was the one between old and new. It looked as though wherever possible, my village had been preserved. Some of the buildings had been more than 500 years old when I lived there. My old local pub, now over a millennium in age, was still there and it was still a pub. Peering in, I could see that the decor had hardly changed: It was still an eclectic mix of old, non-matching tables and chairs and there was still an open fire. I was tempted to go in. No-one would recognise me. Then I considered how much a beer might cost. Even if I had enough money, I wondered if it would even be recognised as such.
Either side of the pub were houses, built in some kind of plastic / metal composite. It was quite soft to the touch and it was as I touched the wall that I got the biggest surprise of all. A window opened before me in the wall. It wasn’t a window that was there and which had been opened; it just appeared in the wall and a woman looked out. She smiled, as though seeing someone looking back through her window was a common occurrence.
These windows that just appeared were a feature in most of the modern houses in the village. Eventually I noticed that doors were too, as one materialised on the front of a house and a man stepped out. He walked off and the door disappeared, leaving just a minimalist, aesthetically pleasing piece of both architecture and art.
Without the benefit of the previous 500 years, I could only assume that this was nano technology: microscopic machines which can alter their physical form, so that in this instance, a material changed from a wall made of the building material, into a glass window or a wooden door. I imagined that each of the small houses had perhaps three or four rooms, the functions of which could be changed by altering what is in them. Touch a leather sofa and it might morph into a dining table and chairs; Change or move something on a whim. How liberating that must be.
I’m sure there must have been many more wonders, 500 years from now. It struck me that rather than become slaves to technology, humanity seemed to have used it to make more time for themselves in their lives of relative leisure. All of the residential buildings were of roughly equal size. I hoped this might be the result of some sort of leveller, which rendered everyone equal. I’d theorised about a universal state payment system for all in one of my old sci-fi shorts. In that story, everyone was paid a regular sum: enough to not just survive but to be comfortable. The thinking was that people would then put their personal skills to good use for the benefit of all. I created a humanitarian utopia in that story.
5000 years from now, I couldn’t be sure of what might have happened in the intervening four and a half millennia to make things so different. In short, mankind had gone. There were very few things remaining that suggested we’d been there at all. Had we left of our own accord, or were we destroyed? Did will kill ourselves? Two thoughts came to mind: either, we were extinct as a race, or we could have populated the cosmos by now. Both ideas were quite staggering, after all the progress we’d seemed to be making.
I was forgetting about the crows: I wanted to see if I could shake hands with one. Science held that after humans, it would most likely be the invertebrates who evolved to inherit the earth. If that was the case, what of those who would feed on them?
Sure enough, there were some alarmingly large things with many legs, 50 million years from now. Some species which were once arboreal now walked upright on land. Others which had once grazed on the land grew so massive that they evolved gills and became amphibious, and still others had become exclusively marine-dwelling to support their huge bulks. One of the greatest spectacles on earth in 50 million years will be the annual migration of Frisian sea cows across the Pacific Ocean.
I sat on a grass bank in this distant future and looked across a lake. A chorus of wildlife which I didn’t recognise, buzzed and chirped in the trees. I laid down on the grass and watched a pair of large birds circling above: vultures? I sat back up, so that they didn’t mistake me for dead and they landed either side of me: two crows, about four feet tall, stood and looked over the lake.
“So, what was you sayin’ baat the oomans?”
“Well, I feed ’em in me garden, don’t I?
“Yeah, I told ya, ya daft caar. Anyway, they’ve started bringin’ me presents ain’t they?”
“Yeah. Clever sods ain’t they?”
“Well yeah, cos then I give ’em more grub don’t I?”
“Yeah, I enjoy it, don’t I?”
“Yeah. I’m gettin’ on a bit naah, ain’t I?”
“Life’s what ya make it every day though, innit?. Live for the next one.”
“Next one, yeah.”
And that gave me an idea.
© Steve Laker, 2016
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