Of Mice and Boys in 1984

SCIENCE FICTION

This is not John Steinbeck, nor George Orwell (who once lived just down my road), but it has to do with mice and a teenage year. This is a second character prequel from the Cyrus Song universe (the first is here), but a stand-alone short nonetheless, and a story from a teenage boy’s English literature assignments. It’s a bridging of eras and the debut of Captain Mamba.

While my life is being mangled by the social cleansing machine of the benefits system, Cyrus Song (“A remarkable juggling act”) is still free for one more day, but only $2.99 (the price of a coffee) when I’m not giving away a perfectly plausible answer to life, the universe and everything. If anyone reads the book for free, then buys me a coffee using the PayPal donation button, sugar and warmth would be reciprocated in this game of survival we’re all in together.

Some of the names in the school register in this story are those of friends I went to school with. In the story they’re bit parts who carry the narrative along. In reality, the few words dedicated to each are my idiosyncratic tributes to some of the many friends who’ve supported me as a writer. There was only room for a few, but I have plenty more stories in me with which to make further nods.

I’m living a new chapter in my life which I’m growing less fond of, but there are many which preceded. For now, we’re going back 33 years…

Of mice and boys in 1984Admirável Mundo Novo X 1984

OF MICE AND BOYS IN 1984

Adams.” (Tall kid, quiet).

Yes sir.”

Bachelor.” (I’ve never seen his face, he sits two rows in front, and never turns round).

Yes sir.”

Berry.” (Sort of disappears and reappears sometimes, most odd).

Sir.” (Here today then).

Ford.” (Small kid, long hair, glasses, sitting next to me).

Sir.”

Fry.” (Small, short hair, no glasses: That’s me). “Fry?”

Sorry, yes sir.”

Sorry you’re here lad?” But I didn’t have time to answer. “Hayman.” (Blonde flick, goes ape shit if you break his glasses, even if you truly didn’t mean to (hope his parents are richer than mine)).

Sir.”

And so it went on, till Mr Harmer got to Yehudi in the register. As usual, there was no answer. Because Gordon Yehudi had never been in an English class, nor any other for that matter. He didn’t exist, apart from that name in the class 4284 register, and in the stories I wrote for English literature homework.

The class number (4284) is the way our school’s inner thinking came up with making them, when it had nothing better to do. We’re in the fourth year (14 and 15 years old), and there are four fourth forms in our year: we’re the second, hence the number 2. The last two digits are the year, so Nena’s 99 Red Balloons is at number one in the singles chart, and David Bowie’s latest album is Scary Monsters.

I’m writing this in English class, because it’s my English homework. One of Mr Harmer’s many philosophies is that writing should not be dictated by the clock (or Hitler: Harmer remembers the war), and that words should be allowed to flow as they happen to us, wherever we may be. So while we were doing that, he’d be alternately reading aloud from a coursework book (this year, those are Of Mice and Men, by John Steinbeck, and appropriately enough, George Orwell’s 1984), or popping out for a smoke. And almost every time, he’d leave the room, then come back a moment later, to ask if any of us had a light.

This story is fictional, but it’s based on a small adventure which Ford and myself had earlier. Ford is sitting next to me, but I know he won’t copy from me. Ergo, if his story is similar to mine, it is not plagiarism. It’s a story of a strange weekend, from start to finish:

It starts on Saturday, when we liberated two white mice from Supreme Pet Foods in Lewisham. That’s not to say we stole them, we did pay, and we got them a cage, bedding, food and toys. But Supreme Pet Foods’ main trade is in pets, with the food and supplies just an afterthought. So we told ourselves and one another, that we were saving the mice from becoming snake food. But the main reason for the mice’s liberation, was to be the subjects of an experiment, not for cosmetics (a worse fate than becoming snake food), but because Ford wanted to try something on his computer. “I want to hear them talk,” he said.

Now, I’ve got an Atari 800, but Ford’s got some Tangerine thing, similar to Apple but a different flavour. And he’s a bit of a thug when it comes to computers, taking them apart, ordering bits by mail order and replacing them. So he’s got a hybrid, cannibalised, custom machine. He’s even got an acoustic coupler and a phone in his room, so he can get on the internet and do whatever people do on there. Personally, I can see how the internet could be humanity’s evolution or destruction, but I’m just an English student for now, so I can’t do a lot about it yet.

That’s the most frustrating thing about being 14 in 1984: We have very little voice. We have Bowie telling us it’s okay to be ourselves, but we can only express that in clothes. If I were sufficiently fashionable, I’d probably be mocked for my choice of attire. I thought of being a punk, but most of the punks I know are just into The Sex Pistols and smashing things up. They don’t seem to get that one of the foundations of punk as a movement, is anarchy for peace and freedom, which is a worthy pursuit. But the punks I know just shout angrily about anything they don’t like, with no agenda. If they were to read more, they might have informed voices worth hearing. And still for now, they are quiet. I can see how the internet could change all that, but for now it’s the preserve of those with the means and the know-how to get connected. Fortunately, Ford is one of those.

He called his machine Tangerine Dream, which is also the name of a German electronic music collective, who provided much of the soundtrack to Risky Business, Tom Cruise’s 1983 debut film with Rebecca De Mornay (In that film, she made me less afraid of travelling by underground).

Anyway, we were at Ford’s house the next day (Sunday), and very nice it was too. Ford’s father is a herpetologist, which is someone who studies reptiles and amphibians. Mr Ford’s speciality was snakes, and he had some in his study. We were only allowed in there if Ford’s father was there, or if he delegated responsibility to Sandra, Ford’s mum. Sandra had many interests, which she shared with the garden fence, so a wave of the hand was usually enough to get rid of us.

Ford,” I said, “we’re not going to feed the mice to the snakes are we?” I figured not, as that’s what we’d liberated them from, but I wanted to check.

Wouldn’t that kind of defeat the object, Fry?” Well, yes, that’s what I thought.

Well, yes, that’s what I thought,” I said.

Well, speak up then Fry.” Which is what David Bowie was encouraging us all to do, but we lacked the voice.

Ford,” I said, “are we going to be using the internet?”

Quite probably old chap, why?”

I just want to see if it’s all I think it could be.”

Not yet. I’ll show you later. But first, dad got a new snake, look.” Ford pointed to a vivarium I’d not noticed before, but I’d not been in Mr Ford’s study many times. He still had the two snakes I remembered, both royal pythons, a male of about three feet, and a female around four. The male was a bumble bee, and the female, inferno, those being the names of the colour morphs in the snakes. The bumble bee morph is deep brown, almost black, with vivid yellow markings. The inferno is a similar contrast, but with different patterns and in black and deep orange.

Ever since live reptile imports were banned, a market has grown for selective breeding in captivity. It’s all regulated, with monitors placed on the size of the gene pools, and it’s no different to dogs, except snakes have fewer legs. Royal pythons are particularly good for selective breeding, and many years of fine-tuning has produced some truly stunning morphs, which fetch very large sums of money. Although I’m a bit of a mail order animal rights activist, I can’t level any sort of objection against snakes in captivity. Most snakes are reclusive and territorial by nature, so they actually thrive in captivity, away from predators and fed by man. They feed rarely, make little mess, and are fascinating creatures. Having a captive population aids our learning about them. I wouldn’t mind betting that if a straw poll were conducted among snakes in captivity, most would say they’re either satisfied or very satisfied. If only we could talk to them. “Fry?” It was Ford.

Yes,” I said. “Sorry, I just drifted away there.”

Where to?”

Oh, nowhere. I was just wondering what it would be like to talk to the animals.”

I’ve often wondered that myself,” Ford said. “Especially since dad got this guy.”

In the tank I’d not noticed before, was something I never thought I’d see in real life: a light-grey coloured chap, draped over a branch. The colour betrayed the snake’s true identity to the uninitiated, who may only know what it was when they saw the pitch black inner mouth as it killed them. Mr Ford had a black mamba. I said something I wouldn’t normally at Ford’s house, but Mr Ford was out, and Sandra said it a lot:

Fucking hell Ford!”

He is awesome, isn’t he Fry? Shall we get him out?” ‘You fucking what?’ I thought.

Pardon?”

Only joking. No way. The vivarium’s locked anyway, it’s the law. Dad’s got a license.”

Ford, why has your dad got a black mamba? Aren’t there nearly 3000 other kinds of perfectly good snake?”

It’s for precisely that reason that dad has one of these.”

By these, I presume you mean that, Ford?”

Well, yes. But one of that wouldn’t wouldn’t be grammatically correct, would it Fry?”

Fuck off, you pedantic cu arse.” I figured Mr Harmer was okay with the odd ‘foof’ word to enhance the drama, but perhaps female genitalia was a step too far. Human biology was more of a topic for our weekly secret meetings of The Biblical Dead: sort of a Dead Poets’ Society, with computers. “So,” I continued, “why has your dad got a black mamba?”

Because of their famed aggression. He’s studying their DNA.”

What’s he going to do?” I wondered. “Engineer a genetically modified race of human-snake hybrids who know no fear?”

Er, no Fry. He’s written a thesis on how he thinks mambas are actually timid and retiring, and that their reputation is a bit undeserved. See, the majority of mamba bites to humans occur where man has invaded their land. The snakes feel threatened and they lash out. 100% of black mamba bites are fatal, partly because medical help is usually too far away.”

So your dad’s thinking of building hospitals?”

No, no, no.” That would be a no then. “No, he’s thinking longer term. Yes, having sufficient antivenom is useful, but dad’s looking more at prevention. Mambas aren’t endangered, so this is more for human benefit, but what he’s looking at, is ways to reduce the incidence of bites.”

But how? I mean, he’s looking at their DNA. He can’t be thinking of altering them?”

Definitely not.”

So what? Change their attitudes? Talk to them, so that they have a better understanding of us?”

Exactly. I mean, I don’t know. It does make you wonder, but dad’s a bit vague, and being the precise man that he is in his work, when dad’s being vague, I know that’s my cue to shut the fuck up.”

Fascinating,” I said, none the wiser, but with the idea for a book, should I ever become a writer later in life. “So, what’s the experiment with the white mice?”

Well,” said Ford, “I got the idea from dad, and what me and you were just talking about.”

Talking?”

Exactly. See, I don’t know what he’s working on with the mambas, but I’ve got an imagination. And it sort of fitted well with our English lit homework.” Which is exactly what I’d been thinking: Great minds, and all that. “I wondered if I could rig something up on my computer. Some sort of voice translator.”

To talk to the animals?” Hadn’t I heard this somewhere before?

I doubt it would be a two-way thing,” Ford said, as I deflated. “But I reckon we could listen to them.”

Does it work?”

I don’t know yet. I’m kind of hoping it does, or my English homework’s a bit done for.”

But it’s English literature, Ford. Use your imagination. How could it work?”

We walked to Ford’s room: Bed, sofa, desk, chair, computer, and even an en-suite toilet. And of course, his own phone and the internet.

Well, I figured it must break down into two things. If I can break things down into stages, it’s easier for my brain to handle, like long journeys. So put simply, those two things are listening, then understanding. And to do that, I need a microphone and a translator.”

I don’t know if you’ve noticed Ford,” but I thought I should point it out, “microphones have already been invented.”

Exactly. So all I have to do, is make the translator.”

Which is exactly all you had to do in the first place, Ford.”

I know. I just needed to eliminate everything else. And translators kind of exist.”

Well, people who can translate, yes.”

Yes, but I’ve found some programs on the internet: Things the geeks are working on. They reckon that one day, you’ll just be able to type or speak a phrase into a computer, in any language, and at the press of a button, it’ll translate into any other.” So that’s what the internet would be for.

That would be awesome. When?”

The nerds think early in the next century.”

2000AD? That’s miles away.”

More than our lifetimes, Fry.”

So what of now? The translator, I mean.”

Well, I found some voice recognition software. I figured if I somehow merged the code with translation algorithms, that should do the trick.”

Well,” I said, “in theory, that’s all you’d need to do. But don’t you just type in game programs from computer magazines, Ford?”

Well, I do. But seeing as I’ve got the internet as well, there’s a lot of other people out there doing the same, and more. It was actually a game code that I swapped for the software I ended up with.”

How?”

It was a multi-level text and graphic adventure game: fucking huge. The code was in one of the mags, and it was about forty pages. Forty pages of machine code, which I typed up over a few days. Then I ran the program and the fucking thing kept crashing. So I checked the code and I found the error. Only it wasn’t my typo, it was a misprint in the mag. So I figured I could commodify what I’d done, and trade it in a non-monetary way.”

Oh, I see. And that’s how you got the code for the translation program. It’s a nice ethos, trading personal time and skills.” I could see how the internet could be huge for that in the next century.

It’s at this point that I can reveal where the two white mice were, all this time. I can only reveal it now, as I didn’t know they were under Ford’s bed before. All I knew was that after we bought them the day before, I didn’t have them. That’s about as dramatic as it’s been so far.

So,” Ford began, “I hope you don’t mind, but I’ve named them.” I suppose I didn’t mind, depending on the names he’d chosen.

What did you call them?” I wondered.

Pete and Dud.”

Why?”

Because they’re male.”

Are they?” It’s a completely redundant question, and I don’t know why I asked it.

Yes,” Ford replied, “and they remind me a bit of Derek and Clive, the way they sit there together, looking around and chewing things over, turning occasionally to the other one, and chewing it over some more.” And I suppose they did look a bit like that.

So, which is which?” I asked.

That’s Pete, and that’s Dud,” Ford said, pointing at the mice in turn, which for the reader is as redundant as my question about their gender. For now, Pete was on the left, and Dud on the right.

So what now?” I wondered.

Now,” Ford said, quite confidently, “we find out if my reputation is intact.”

Have you got one?”

Not yet.”

So how can it be intact, if you don’t have it yet?”

I’m building a reputation, Fry.”

What as, Ford?”

I don’t know. Something on the internet though: It’s the future.”

No shit.” I was beginning to realise that perhaps you could be anyone or anything on the internet.

Yeah, real shit,” Ford continued, as Tangerine Dream went through what seemed like an unnecessarily long boot-up. “I’ve got everything plugged in, so you should start to see lights coming on soon.” Lights coming on are normally a good thing, especially if they’re green.

Where?” I wondered.

On the computer, the disk drive, the monitor, and the printer.”

But those lights always come on, Ford.”

Well, it’s always good when they do. But there’s the microphone as well.” I looked at the microphone: a small, black thing with a foam top, very much like a microphone.

The microphone doesn’t have a light on it, Ford.”

No, I know.”

So how can it come on?”

It won’t, because it doesn’t have one.”

So why did you mention it?”

Because it’s there, and it needs to be switched on.”

So,” I began, as I needed to check I’d got this right, “if I’ve got this right, we’re waiting for the computer to boot up, like we normally do. The only difference is a microphone which doesn’t have a light. Other than that, we’re looking at exactly what we always do when we switch on your computer.”

Well, yes. And then we need to test the microphone. But it’s the extra processor and memory board I’ve put in. This is the first time I’ve started them from cold, so that I can run the translation software.”

I see,” I said. I didn’t see anything, but there were some new parts in Tangerine Dream, and there was translation software. Ford’s constant thuggery inside computers could be about to do something far ahead of our time. Or it might simply not work. Ford’s idiosyncratic IT skills were roughly 50:50 hit and miss, so he was right about his reputation hanging in a balance.

While the computer continued to whir and crank into life, Ford placed the microphone next to the mice, who looked at it indifferently, before chewing some more of whatever they had in their mouths. Then Sandra’s banshee voice shouted up the stairs:

Simon, Dixon? Lunch.”

With Mr Ford away, I wondered what we’d get for Sunday lunch. It was Ford’s dad who maintained a form of tradition in the house, with family meals eaten together at the table, and a full spread for Sunday roast. Sandra, on the other hand, didn’t give a shit, so we usually got proper teenage boy’s mate’s mum’s food, and so it was today, with fish finger sandwiches and home-made chips. Sandra pinched one of mine and dipped it in mayonnaise, which might have been a bit seductive. There’s always one kid at school who’s got a fit mum, and in my class, that was Ford.

After lunch, Tangerine Dream had woken up. First, Ford tested the microphone:

Is this thing on?” Well, I heard him.

Maybe a bit louder?” I suggested.

IS THIS THING ON?” he shouted.

I meant, turn the speakers up. Turn the speakers up, but speak quietly. Without you leaving the room, that’s the best way to test the microphone, Ford.” Which it was, because the microphone lead was only about three feet long.

Oh yes. I suppose that is the best way.” Sometimes, he caught on quick. He turned the speakers up. “Is this thing on?” It was. “Ooh,” Ford said, in an effeminate way, “I didn’t realise what my voice sounds like to everyone else.” This could bode well or badly for the future internet. “I sound quite nice, don’t I?” Ford was destined to tread the boards, or grace the silver screen one day, when the future internet democratises it.

Yes, Ford. You sound lovely dear boy. Could we just talk about why we’re doing this first?”

Why?” he said, into the microphone.

Yes, why are we trying to hear what the mice might be saying? I mean, it’s all based on theory, with a little science, which is perhaps a bit anarchic. We’re assuming mice actually speak, but that we can’t hear them. If they do, maybe we should leave it at that, for all the trouble it could cause.”

It’s based on supposition and blind faith, Fry. And mine is a simplistic device, made with some bits I found lying around. I’m sure there are many more scientific studies into animal language and communication, but for me, I just want to know if there might be.”

Why?”

For the future. All I want to find out, is if animals do talk. It may be that they can, but that my set up isn’t sophisticated enough. It’s just something I want to look into, while I consider my own future.”

That’s deep.”

Not really. More open minded really. I might be a vet, a human doctor, I don’t know. But I’m interested in communication and translation, getting more people talking and breaking down barriers. Because conflict comes from ignorance, and I don’t like conflict.”

This is getting even deeper. Have you spoken to the mice already?”

No, why?”

Because Douglas Adams said in The Hitch Hiker’s Guide to the Galaxy, the white mice are protrusions of pan-dimensional beings into our world.”

And I think he’s right.” Ford seemed somehow convinced. He had his hand on his hip, and he was still speaking into the mic.

But wouldn’t it go against a lot of things it shouldn’t, Ford?”

What do you mean?”

Well, moral and ethical considerations we’re yet to know about. And all that stuff in R.E. about the tower of Babel.”

And you believe all that?”

Well, of course not.” I could accept that the bible might be a transcript or dramatic retelling of actual events, but I didn’t subscribe to the creator of any church on Earth. “And,” I continued, “seeing as our device is an attempt to replicate the Babel fish, which disproved God in Douglas’ book, aren’t we somehow testing Douglas in the same way?”

Well no, because we know that Douglas Adams does exist. He’s alive and he’s only 32. Actually, I wonder if something weird might happen in 1994, when he’s 42.”

I’ve wondered that myself,” I said. “I don’t think too much matters to him. He seems to have this whole life, the universe, and everything thing squared in his mind. He did say, that in order to understand why the answer is 42, we first need to understand what it’s the answer to. And that’s what we’re all here on Earth to do, to work that out.” I like to think I’m somehow working in collaboration with Douglas. That’d be a nice job to have. “I haven’t decided what to do with myself yet. I’m thinking I’ll most likely be a scientist or an influential writer. Then if I’m not much good at either, I figure I’ll make an okay sci-fi writer.”

It’s good to have a plan B. Splendid behaviour,” Ford noted. I suspected he didn’t have a plan B. “Shall we see if this works then?” Everything looked like it was loaded and ready to go on Tangerine Dream. All that was required, was for Ford to relinquish the microphone.

Yes,” I agreed, “but you’ll have to give the mic to the mice, Ford.”

Ooh,” he said, “I’d forgotten I was holding that.” The stage was definitely wanting.

Finally, Ford placed the microphone next to the mice, and nothing happened. We waited, and still nothing happened. Ford looked at me, then we both looked at the mice. The mice looked at one another, then at the mic. So Ford picked it up again.

Is this still on? Ooh, I can still hear me.” I think Ford could hear himself, and I could hear him. I had to assume Pete and Dud did too. Unless they couldn’t hear him, perhaps because his voice was on a different frequency. Or the mice could in fact be deaf.

Ford,” I said.

Mr Fry,” he said, into the microphone. Actually, I quite liked the sound of it.

Ford, do you think we’ve perhaps been a tad unlucky?”

Well, that would make a change.” Ford referred, unknowingly, to many chapters from meetings of The Biblical Dead boys’ club, in my mind. In that context, any intended sarcasm had found a good home. “How do you mean?”

I mean, all these mice. Not all of these two, but all white mice. They’re bred mainly for research and food. I wonder if the checks on their genetic pool extend so far as to find out how many of them might have defects, such as deafness.”

That’s an interesting paradox, Mr Fry. But I have a back-up plan.” I take it back.

Which is?”

Text-to-speech. Or rather, speech-to-text.”

Speak and Spell, reverse engineered, then.”

Pretty much. Lots of stuff aside, which I don’t know about, there’s less processing power required to convert text to text. Well, the power of the system I think I’ve built, isn’t in the communication, it’s in the translation algorithms. Basically, Tangerine Dream knows what it wants to say, but it can’t say it. It doesn’t have the processing power. In a few years, perhaps. But for now, it’s done the hard work.” I was growing somewhat confused.

Eh?”

Simple way to think of it,” Ford asserted. “Tangerine Dream here, is the translator, but it can only communicate in text. The upshot of that, is we type in a question, and it gives us an answer on the screen.”

From the mice?”

Tangerine Dream’s translation, yes.”

Blimey!” We really were about to find out if white mice were as Douglas had said: Protrusions of pan-dimensional beings of superior intelligence, into our universe. If so, we might be able to question them on the true nature of the life, the universe, and everything. We could make Douglas immortal, even though he seemed to have sussed out he was anyway, based on the pure science behind his writing. If Douglas didn’t want the attention, it was just an English literature assignment anyway. One about two boys, who were meant to be reading Of Mice and Men, and of George Orwell’s other vision of the year this was written. “What should we ask?”

I don’t know.”

I’m thinking,” I thought, “that we don’t have an international committee to hand. My limited knowledge of first contact protocol, would be a welcome. We have to rely on your computer’s untested ability to get the translation right though. We don’t want them to think we’ve told them to fuck off, when all we’ve said is hello. So, the universal language is maths.”

That is a fact,” Ford confirmed, “at least for all who understand mathematics as we do. We could start with prime numbers, perhaps. Maybe we could type a sequence, then see if they carry it on.”

Let’s try that,” I suggested. So Ford typed, in bold, contrasting letters on the computer screen:

1 2 3 5 7…

Then the cursor flashed on the screen. “Can they see what we’re doing?” I asked Ford of the mice.

It doesn’t matter,” he replied. “Whatever this new hardware and software is, it’s essential function is to translate. Lacking the means to understand how it does that, I’m placing my faith in it reproducing something on the screen. This is day one for me too, Fry.”

The cursor continued to wink, suggestively. Then an ellipsis appeared, like this:

The ellipsis sat, with a cursor blinking at the end of it, like a tiny snake doing push-ups on screen. Then it moved again:

…Wouldn’t you prefer a nice game of chess?

Ford?” I wondered what he was thinking.

No, I wouldn’t.” He’d rather not play chess.

Ford,” I said again, “have you left a chess program running?”

No, Fry. I use Fritz. Fritz never says that in the chat window.” He pointed at the chess invitation on screen. “Have you used Fritz 7.0 yet, Fry?” Fritz is a chess engine, and more geeky than most commercial chess programs, it’s used by the professionals and they’re all linked up on ChessBase, which is on the internet. I can see the internet being a big thing for chess in the future. I told Ford I hadn’t, because my computer was an Atari 800 with a tape drive, no printer and I didn’t have a phone, or a doorbell on my house. “Oh,” Ford continued, “well Fritz’s standard is, ‘Wouldn’t you prefer a nice game of Global Thermonuclear War?’ A reference to WarGames, see?”

Yes, Ford, I saw it. Matthew Broderick and Ally Sheedy, it was out last year. In which, David Lightman has a room very much like yours, in a fine house like this.” Then some more text appeared on the screen:

Fine…

Then the ellipsis snake blinked again.

Do you think we’re waiting for something, ” I asked, “or should we say something?”

I know,” Ford said. Then he typed:

We mean you no harm.

I suppose that wasn’t bad for first contact. Then we got a reply:

1 2 3 5 7…

The snake again. “Prime numbers again,” I observed. Then again:

1 2 3 5 7 We mean you no harm: Is that a Carpenters song?

What the?”

I don’t know…”

How do you mean?

A short pause, then:

Oh, never mind. You had a question?

Yes. The question of why the answer is 42?

You are. It’s what you make of it. If you know why it’s that number and not some other arbitrary one, it’s because it’s the one everyone’s now agreed on. Because it was in the good book. Most people who know that, only know it because they looked it up. They are the inquisitive ones, who don’t just accept things but who ask ‘why?’ They’re the ones who see things, hear things, and are in contact with the universe, even if they don’t realise. You are part of the organic super computer, designed to work out the questions which need to be asked to understand the answer. The best measure of your species and your planet’s collective intelligence at the moment, is Google. And if you ask Google, ‘What is the answer to life the universe and everything?’, Google will tell you it’s 42. You have a long way to go, and young people are the future.

I must admit, it wasn’t the ending I’d expected for an English literature assignment. But I suppose it was the most direct answer to the most direct question we were able to ask. Perhaps in the future, you might be able to just ask Google a simple question and it might give you a succinct answer. Perhaps in the future, Google might know who I am. Perhaps I just end up being a science fiction writer, which I think might be nice. As for this early effort, it might be marked down for being too whimsical. But it was fiction, and Mr Harmer taught us that fiction should be allowed to flow.

So what do we do now?

You go. This is just a first step. You only found us through ingenuity and faith, but it might be best to keep this between us for now.

We won’t tell.

And apart from this story, I didn’t. Even if Ford’s story was similar, it would be from a different perspective, certainly with him in the narrative third-person lead character. The stories would exist only in the minds of those who wrote and read them, most likely Mr Harmer and The Biblical Dead society, where literature is not suppressed and forbidden by dictators, or like history and love in all its forms, in Orwell’s dystopian imagining of this year. Ours is a society where all information is shared and there is freedom of speech. For now, we are the quiet younger generation, with Bowie as one of our voices, and people like Ford, who’s on the internet, being a gender bender in his bedroom. I predict that the internet could give more of us collective, choral voices.

Whether or not we’d proven Douglas right about the white mice, the whole episode made me see what might be possible, if we just talk more, even if we can’t talk about some of it yet. It made me more aware, I suppose, of things around me, not just those we see and take for granted. In future, I think I could be an internet activist of some sort. In the future, the internet could be the thing which gives a voice to all those who don’t have one now. Perhaps that will be the evolution of mankind.

THE END…

© Simon Fry, 1984.

***

Ford.”

Sir.”

Fry… Fry?”

Yes sir, sorry.”

Sorry to be here lad?”

Actually, no sir.”

Hayman.” (Blonde flick, new glasses).

“Sir.”

King-Smith”. (‘Smasher’, wears Farrahs. Nice bloke really).

“Yes sir.”

Laker.” (Fuck knows).

Sir.”

Mountney.” (‘Mole’: farts a lot: It’s funny on the chairs).

“Sir.”

Rogers.” (Could be a brilliant mind, or a psycho).

Sir.”

Sharp.” (Christian bloke, likes his custard).

Yes sir.”

Simmons.” (Thoroughly good bloke, likes his Bowie, finishes my woodwork projects).

Yes sir.”

Tomkinson.” (Another geek, likes typing in programs from computer mags and putting them on tape).

Sir.”

White.” (Every girl’s dream, if he ever gets on the internet).

Yes sir.”

Yehudi.” Nothing. “Yehudi.” As expected. “Yehudi?”

Sir?”

© Steve Laker, 2017.

Cyrus Song (a ‘Sci-fi rom com’ tribute to Douglas Adams, and the later adventures of Simon Fry), is available now from Amazon.

A solar sound from our nanny

THE WRITER’S LIFE | SCIENCE FICTION

I’m not an author desperate to sell a book, but I am obsessed with finding ways to get people to read one, short of shoving a 412-page paperback in their ears. I’m a writer going through a dehumanising process of mental health assessment, to determine if I’m worthy of some arbitrarily-determined disability benefit.

And so I find myself in a state of elongating limbo, having been prodded and examined like some alien species. But it any case, whether I get to carry on the life of the writer or not, I did write a book I’m still proud of. My last – and even if it so remains – novel is a book which others have said others should read. Who am I to argue?

One of a few questions I’m sometimes asked is, what’s Cyrus Song about? The best way to find out is to read the book, but a reader recently summed it up quite nicely: It’s the sound of our planet. Before then, the most common question was, would I release it as an eBook? So I did. (And it’s compatible with reading software, so you can have my book read to you by Hilly from Red Dwarf, or Stephen Hawking himself).

I gave the eBook a different front cover, which says more about what the novel is in the absence of a back cover synopsis, and the Stephen Hawking quote which is central to the plot:

For millions of years, mankind lived just like the animals. Then something happened which unleashed the power of our imagination. We learned to talk and we learned to listen…”

Cyrus Song is about what happened when some humans talked to the animals, and together they found a perfectly plausible answer to the question of life, the universe and everything (with the help of some pan-galactic black mambas): It’s more than 42, and it’s all around and within us. To hear our planet’s harmony, you just have to listen, then all we need to do is keep talking. 

This could very well be the last book I write, because it contains the answers, or at least some ideas on how we might all make a go of it down here. There’s nothing much to add, until humanity gets the message. Maybe then I’ll write a second chapter. There needs to be someone to write for. Earth is our mother, and Sol her parent.

Critically-acclaimed as “An extraordinary juggling act…”, it’s a Sci-Fi RomCom, and a Douglas Adams tribute.

A “Pleasure to watch unfolding,” this is how it begins…

CaptainMamba2Captain Mamba

TWO LITTLE THINGS

This perfectly plausible story begins very unexpectedly, with a decimal point. As with many stories, this one involves something being out of place. In this case, that was a decimal point.

I’d left my desk to make some coffee, and as I came back into the study, I thought I saw something move on the sheet of paper in my typewriter. I was writing a little fantasy science fiction story for a magazine and I’d hit a bit of a block near the beginning, so I’d taken a break. It’s funny how things work in fiction sometimes and having that little pause was what I needed to start the story properly.

Before I continued writing, I re-read the little I’d already typed: something wasn’t right. I checked my research notes, wondering if I’d misinterpreted something but nothing sprang out. I looked back up at the paper in the typewriter and that’s when I noticed a decimal point had moved. I looked more closely and my original decimal point was still where I’d put it, so this other one had just appeared. Then it moved again: The one which had simply materialised, walked across the page. It didn’t have discernible legs but it moved nonetheless.

I picked up my magnifying glass from the side table to get a closer look at this little moving thing. It wasn’t a powerful magnifier: a full stop on a sheet of paper became the size of a grain of sand. Even at that low magnification, I could see that the little round thing had a dull silver metallic sheen. It was like the little silverfish things I used to find in the bath, but round and very much smaller. I moved the magnifying glass in and out, to try to get the best clarity and I noticed that this little circular thing cast a minute shadow. So it was supported by something; perhaps it did have legs.

For a whole minute, I just looked at the thing and wondered what on earth it could be. Then the intrigue doubled, as another little silverfish thing rushed in from stage left under the glass. Then the two just sat there, about an inch apart. Were they about to mate? Were they rivals, sizing one another up? What were they? They remained motionless and so did I.

How long was I going to sit there, looking at two whatever-they-were? I wasn’t going to find out much else with my little magnifying glass. Even if one of them had popped out a hand to wave at me, I wouldn’t have seen it. So what was I to do? Brush them aside as inconsequential and forget about them? Squash them? Put them outside? The next part required some precision planning and application. The two little creatures, things, or whatever they were, were at the top of the sheet of paper, above the impression cylinder of my typewriter. If I was going to catch them, I’d need to support the paper from behind, while placing a receptacle over them.

I spend most of my waking hours at the typewriter, so I like to keep as much as I can within easy reach of my writing desk. It was fortuitous that I’d had conjunctivitis, and an eye bath proved to be the perfect dome to place over this little infant colony of mine. I slid them gently, under the dome to the edge of the sheet and onto a drink coaster. Then I turned the whole thing over and tapped the coaster, so that the full stops dropped into the eye bath. Finally, I put cling film over the top and wondered what to do next; who to phone who might not think me a crank.

Let’s assume that I’m not acquainted with anyone in any of the specialist fields one might require in such a situation. Because I’m not. So I took my newly acquired pets to a vet.

Not having any pets besides my two punctuation marks, I wasn’t registered with a vet. I didn’t want to register with a vet any more than I wanted a potentially contageous full stop and a comma. I didn’t know what I had and I didn’t even know if it was a vet I needed. And so it was that I ended up at the People’s Dispensary for Sick Animals (PDSA) in New Cross.

As a first time customer, I had to fill out a form: My name, address, contact number and so on; and pet’s name. And whether the pet is a pedigree breed. The PDSA will treat one pedigree animal per human client. I couldn’t decide between my two, so I declared them both non-pedigree. Cross breed or mixed? Not applicable? Names: Dot and Dash. Because they were both small and one was more active than the other. I was quite pleased with that.

I took a seat in the waiting area with some pets and their humans. There was a large pit bull cross breed opposite us and he had a dog. I imagined them as small as Dot and Dash: Someone could place a dome over them and take them away, to find out exactly what species they were. I allowed myself an inner smile as a ray of sunshine broke into the room and I imagined studying them under a magnifying glass. I’d have to focus the light just right for the best view. Who’d have known that spontaneous combustion was so common at that magnification? But my mind was wandering.

There was a rather attractive young lady called Cat. Appropriately enough, Catherine’s owner was a cat: a ginger tom called Blue: I liked that. I really hoped no-one would ask me anything at all. But Cat asked me what I had. Well, I couldn’t be sure but I was certain they hadn’t jumped off of me: That’s why I was at the vet’s and not the doctor’s. I looked down at Dot and Dash, wondering how I’d approach this. Soon, we were called to a room:

“Mr Fry.” A lady’s voice. Dash was on the move again in all directions, while Dot seemed to be exploring the perimeter of their container. “Mr Fry,” the lady called again. That’s me.

“Oh, yes. That’s me.”

“I’m Doctor Jones. But you can call me Hannah.”

Hannah: What a lovely name for such an attractive young lady. It was lovely because it was a palindrome and because it belonged to Doctor Hannah Jones. She was small and pretty, with red hair. The best palindrome is Satan, oscillate my metallic sonatas: It has no merit in logic but whoever thought it up deserves recognition in a book of some sort.

“Hannah.” I said. “That’s a nice name.”

“Thanks. I got it for my birthday. And I don’t have any sisters. So, what have you brought along to show me?”

“I was hoping you could tell me that.”

Doctor Jones’ bedside manner was very relaxing and she put me at ease, as she seemed to take a genuine interest in what I’d brought along to show her. She had one of those adjustable magnifying lamps above an examination table, in a little room just off of the corridor from the waiting room. The scene which that presented was the kind of thing to give a science fiction writer an idea: As Doctor Jones pulled the lamp over the two subjects, it was like a great mother ship shining a light into a dome, brought to Earth and containing alien species.

Doctor Jones moved the light around, just as I had my magnifying glass before, without the light. Then she said the oddest thing: “I don’t think these are animals.”

“I’m sorry. So what are they?”

“Until I get a closer look, I don’t know. But they look and behave as though at least one of them might be mechanical.” I said the first thing which came to mind:

“What?” Then the next thing: “Why are they here?”

“Because you brought them here? Where did you find them?”

“They sort of appeared in the middle of a story I was working on. I’m a writer you see?”

“Well, you came to the right place. Follow me.”

“Where are we going?”

“To the lab.”

The lab was some distance away, through a long, bending and uneventful corridor. We walked at a fairly leisurely pace and I half wondered if there might be a film crew following us, but when I looked behind, there were no cameras or fluffy mic. I walked behind Doctor Jones. The corridor was quite narrow, and I wanted to leave room for anyone who might be coming the other way. But no-one passed.

I looked down at the two things in my eye bath, knowing they must be there, even though I couldn’t see them at that distance. Mechanical? Nano machines?

Glancing up at Doctor Jones, it occurred to me that she had a slightly curious gait: not so much masculine as such but a walk which didn’t immediately betray the walker’s gender. The fiction writer woke in my head again and I wondered if Doctor Jones might once have been a man, or was soon to become one. In any case, it was an aesthetic pleasure to watch the doctor walk in that way.

Eventually we arrived at a door, and in the room on the other side was indeed a laboratory: a forensic and chemistry sort of set up. There were microscopes and monitors, beakers, jars and bottles, and an examination table with another magnifying lamp above it. Doctor Jones hastened me over to a bench, on which there was a microscope and a monitor. She asked me to pass her the eye bath. She placed the vessel on the bench, then continued pretty much where she’d left off:

“They don’t move like anything I recognise. And I’ve seen big and small things in this job, with anywhere between no legs and over 700. When I first saw what you had, I thought you’d brought them to a vet because they’d come from a pet…”.

“Sorry,” I interrupted. “People have brought in ticks and lice from their pets?”

“Yes. I’m guessing you don’t have a house pet because if you think about it, bringing in one or two parasites is quite logical. We can identify the type of parasite and advise or prescribe accordingly. Of course, if we have any reason to think the host animal may need something more than home treatment, then we’ll have them in. Most of the time though, it’s a simple course of treatment in the pet’s home. We have to see the animal once the infection has gone, but bringing the parasite alone in first means that the house pet isn’t unnecessarily stressed and doesn’t cross contaminate other animals.” She was very clever.

“That does make sense. But these are not parasites?” I pointed at my eye bath.

“They could be. It’s just that I don’t think they’re organic.

“So what now?”

“Well, first I’ll need to prepare a Petri dish and apply an adhesive surface.”

“Why?”

“So they can’t escape. Mr Fry, you said they just appeared on a sheet of paper in your typewriter. We want to find out what they are.”

“We do. They did. I’d been away from my desk and I knew they’d not been there before, because one of them was a full stop which I would not have put in the middle of a sentence; Or a decimal point in the wrong place; I can’t remember. Anyway, I noticed them when I came back to my desk and as I started to look closer – to see if I’d typed something incorrectly – one of them moved. Then the other one did. I must admit, I was going to brush or blow them away. It would seem that might have been a mistake.”

“But at the time, you’d have just been blowing or brushing a foreign body away. You certainly wouldn’t have given a thought to looking close enough at such tiny things to see that they weren’t in fact punctuation marks. These things are the size of a full stop on a page of a magazine; a couple of specks of dust. It does make you wonder how many more you might have brushed or blown away, doesn’t it?”

“It does now. So I caught them, wondered where to take them and decided on a vet. And this is all going rather splendidly Doctor.” She seemed to be getting quite into it all.

“It’s not my average day, Mr Fry. So, you, me, or anyone at all, may or may not have just brushed these things aside without realising.”

“So there could be millions, billions of these little machines, if that’s what they are. That presents some really quite alarming scenarios in my day job.”

“Then there are the other questions, Mr Fry: Where did they come from? These could be the only two of course. If they were to escape, where would they go? But you’re the fiction writer Mr Fry, so I’ll let you show me where we go from here. So, that’s why I’ll treat the Petri dish with an adhesive before I put the two of them in.”

I pondered aloud whether the doctor might be outside of her comfort zone. As it turned out, she had degrees in the sciences and her PhD was in human psychology. After all of that, she said she’d decided to work with animals. Doctor Jones was a scientist and although I had no formal qualifications, in effect, so was I, such is the scientific knowledge I’ve acquired in the course of my research. Where her learning was structured, mine came from fumbling around various fields. Mine was an imaginative qualification: an honorary doctorate in the power of the imagination. I imagined that Doctor Jones made a lot more money than me but she seemed to enjoy her work as much as I do mine. Given that she was clearly quite a brilliant scientist, I took it as a compliment that she didn’t dismiss any of my fanciful ideas. We made a good team.

What followed were orchestral manoeuvres of lab equipment, as Doctor Jones prepared the dish then raised a pipette. She pierced the cling film on the eye bath, then sucked up the two machines from the great rise of the robots which had taken place on my typewriter earlier. Then two small dots, barely bigger than the full stops on this page, fell into the pristine ocean in the dish. And stayed there.

It was actually quite sad. I’d only seen these things under a magnifying glass and even then, they were grains of sand. They had no features and we were yet to gain even the first idea of what they might be. But I’d watched them moving, and now they were trapped, like paralysed leviathans in the vastness of a Petri dish. Even though Doctor Jones said they weren’t organic, how could she be totally sure? What if the adhesive ocean was toxic to them? If these were indeed the only two of their kind, we could be responsible for an extinction. If there were millions or billions of these things around, constantly being brushed aside, blown away or sucked into a vacuum cleaner, must have limited their breeding opportunities in any case. Maybe that’s why dust accumulates and seems to breed. Perhaps there are trillions of nano robots smaller than dust particles, all around us. It’s the kind of idea beloved of fiction writers because it could very well be true. There’s just no way of proving one way or the other: It’s a paradox.

Returning to the true story I was writing, Doctor Jones got to the exciting bit: She readied the microscope. We were to put Dot and Dash under a traditional, optical microscope first, so that the lens looked like an enormous plasma cannon, bearing down on life forms, frozen and forced to witness their own destruction.

Doctor Jones looked into the microscope first: she was already there. She carried on looking, while I just wondered. Then she turned the lenses of the microscope, so that now the central cannon was above the robots. She looked for some while longer. Had the subjects of her study mesmerised her, against her will? Had they reversed the cannon, and were now firing lasers into her eyes? Were they transmitting a signal and filling her mind with propaganda? What could Hannah see? What could see Hannah? I wanted to ask, to call out. All of a sudden, Doctor Jones seemed lost.

Soon, the largest, longest, most powerful barrel was pointed at these strange creatures: a channel which had been established between them and Doctor Jones. Then Hannah said another surprising thing: “Fucking hell.”

I didn’t know if she was reacting to something she’d just seen, or something fired into her eye, or her mind. She might be about to kill me. She rose slowly from the microscope and looked at me. “Mr Fry.” That’s me. “What the fuck?” I didn’t know. Doctor Jones looked as lost as she’d sounded before that third barrel. They’d drilled into her brain. Or she’d killed them.

One of many things I’ve learned while writing fiction is that if someone passes out, the first thing they’ll remember when they wake up, will be the last they saw or heard before they went off. She’d not fainted but I looked Doctor Jones directly in the eyes and said, “What the fuck!?” She seemed a little taken aback but we were back in the room at least.

“What the fuck, Mr Fry; What the fuck are you breeding at your house?”

“Doctor, as I explained, these two things appeared on my typewriter. And now we are here. May I see what you just saw?”

“Your story is about to get a bit weirder. Go ahead.” Doctor Jones stepped away from the microscope. I walked towards her. It was more of a stride actually, as I placed myself between the good doctor and the imminent danger under the lens. For a moment, I felt quite pleased with myself.

Suddenly, it were as though I was far above the earth. Through the window of my plane, on the ocean below, I saw a ship. I couldn’t begin to guess at the vessel’s size but it was heavily armed. It was cigar shaped, with large cannons bow and stern. Smaller guns ran the length of the ship on both sides and the whole thing was covered by an elliptical dome. This is the one I’d called Dash.

I panned across the static ocean from the starboard side of the vessel to Dot. This second one was circular. It had guns protruding all around its perimeter and was also covered by a domed roof. At the very top was another dome; semi-transparent: the bridge? I swore I could see movement beneath that second glass dome. Even at 1000x magnification, they were just dots but they were moving. What the fuck, indeed.

Doctor Jones moved the Petri dish to an electron microscope. “Ten million times magnification and sound as well.”

“Sound?”

“Yup. Tiny little amplifying microphones, so we can hear what they’re saying.” Now this, I was looking forward to. This was rather exciting, given the potential enormity of our discovery, even though it was miniscule. Then I wondered at that figure: 10,000,000x magnification. What would we see at that level? What detail?

Doctor Jones divided the monitor into two; split screen, with one camera on each vessel: Dot was on the right and Dash on the left. Then she started to tune an on-screen radio, because “We need to tune into their frequency.”

“Might there not be translation problems? I mean, a language barrier?”

“Have you never heard of the Babel fish, Mr Fry?”

“Well, of course, but…”

“We have a computer program, called Babel fish. I was one of the coders in fact. I was doing some research into animal languages, because they do have a vocabulary you know? Most of it isn’t audible to us and what is, we hear as a foreign language; animal sounds. But in those sounds alone, there are a lot of variations. When you then consider the majority of the language spectrum which we can’t hear, you realise that pretty much all animals have quite complex language systems. Eventually I was hoping to apply it to my veterinary work, so that I could hear what the animals were saying.”

“So why didn’t you?”

“Emotional detachment. It’s very difficult to leave my job at the surgery. Imagine how much harder it would be if the animals could talk to me.”

“Imagination is my job, Doctor. That really is quite a mind blowing thought. But your Babel fish program works?”

“Alarmingly, yes. It required a lot of input: different sounds, variations of them and frequencies; varied physical anatomies of the speakers; sounds in relation to catalysts and so on. Crunch all of that data in a quantum computer and it didn’t take long to come up with the Babel fish.”

“So the Babel fish program really can do what the Babel fish of legend did, albeit in a different way? It can translate any language to and from any other?”

“Like the other Babel fish. It has many applications and huge potential. At a personal level though, I just didn’t think I was ready. You’re probably surprised, Mr Fry.”

“I’m amazed that the Babel fish really exists, but I’m not surprised at your personal choice: It is a truly gargantuan step to take. On the one hand, opening your mind to the unimagined, but on the other, potentially catastrophic.”

“I’m glad you understand, Mr Fry. But in our current situation, I think it’s the right thing to do. If these things are just nano machines, they exhibit a level of artificial intelligence which might have an audible language. If there’s something organic inside and if we assume that they built these ships, then they must be intelligent. But to be the kind of multi-celled organisms which are capable of thought, they’d be too small. They’d have to exist at a sub-atomic level. Quantum beings. Wouldn’t that just blow the mind?”

“And I thought I was the writer. That is quite an incredible concept. There would have to be sub, sub, sub-atomic particles which we’ve never even imagined. Entire universes within an atom.” My mind wandered in the static from the radio. Then Doctor Jones hit something: a signal.

There were two distinctly different sounds which alternated, seemingly at random. The first was a low-pitched, gargling drone. It had no regularity. It was certainly artificial. It certainly wasn’t interference. The second source was more of a collection of sounds: high-pitched squeaks and clicks, low growls and whoops; and a third, whispering and rasping noise. “Ready for the Babel fish, Mr Fry?”

“Those are voices,” I suggested.

“That’s what I’m thinking. There’s only one way to find out, and that’s to eavesdrop on the conversation.”

“I know.” I paused. “I know that. You know that. I don’t know though. I don’t know if I want to. I don’t know if I’m ready, doctor.”

“Just as I’m still not ready to hear what the animals I treat are saying. But this is different.”

“I can see that. Of all the metaphorical, theoretical, figurative switches I’ve ever written about, this is by far the one with the biggest stories, once it’s switched on. The moral and philosophical issues are ones which we may have to address later. This is potentially first contact with beings from another world; another galaxy; another universe.” And then our world changed, as soon as we switched the Babel fish on.

“You had no business following us. This was our mission.” The first was a deep voice, a little excited.

“No it wasn’t. You stole our plans.” This second voice was an accusatory, loud whisper.

“Let’s look around,” said Hannah. “Let’s see who’s talking.”

Doctor Jones took hold of a joystick on the microscope console, and moved in first towards dash. I’d not seen an electron microscope like this, but the fiction writer thanked the inventor for the opportunities this was about to open. As the doctor moved the joystick around, it were as though she was controlling a tiny space ship in a video game. We positioned ourselves just off the starboard side of Dash, so that we could see the side of the ship. We’d seen the elliptical dome on top from above, and the cannons below it. Below those though, were portholes, running the length of the vessel and spread over three levels below deck. Starting with the uppermost, we zoomed in and peered through a window: There were animals inside.

Through the top row of portholes, we saw a jungle. There were apes in the trees and above them, birds in the canopy. There were apes on the ground. There were snakes in the trees and on the jungle floor. There were white mice on the ground and in burrows beneath it. There were also snakes beneath the ground.

The middle row of windows looked into a subterranean world of serpents and mice, before giving way to the bottom deck. Somewhere between the middle and lower decks, Terra firma gave way to water: a clear blue underground ocean, teeming with dolphins and whales. What must those marine mammals see in the sky above them? The underside of the earth? A beige-brown sky which sometimes rained food, as mice and snakes dropped into the water? Serpents swam in the ocean too.

We scanned back up the side of the ship but above the jungle deck was just the domed roof and the weapons. It was only from this angle that we spotted something we’d never have seen from above: Antennae extending above the ship. There were three masts on the dome and a single white dove perched briefly on the central one before flying off. It was a microcosm environment; It was an ark. Dolphins and white mice: Perhaps Douglas Adams had been right.

I had a hunch and asked Hannah if we could take a look at the bow of the ship. She manoeuvred our camera into position and my suspicion was confirmed, as something else invisible from above, hove into view on the monitor. The domed roof overhung a row of windows above the upper deck. We were looking into the bridge of the ship.

There were three seats, only the central of which was occupied. Such a configuration in science fiction would have the first officer and ship’s counsel seated either side of the captain. In the centre seat was a snake and hanging in front of it was a microphone, extending down from the ceiling. The captain and the owner of the whispered, rasping voice was a serpent.

I’d studied herpetology and I knew snakes. There are roughly 3000 species of ophidians known to live on Earth: From the tiny thread snake at around seven inches in length, to the reticulated python, which can reach 30 feet. Snakes can thrive in trees: one can fly; They can climb and burrow, existing above and below ground; They can swim and live in both fresh and salt water. They can be found on all continents except Antarctica. They are reptiles and as such, they have cold blood, but they are adaptable and incredibly efficient hunters and survivors.

Only about 10% of snake species are venomous, and of those, only a few pose any threat to man. Not far down any list of the most venomous snakes is the legendary black mamba. There are snakes which are more venomous, but the black mamba is undoubtedly the most dangerous of all snakes. An untreated bite from one doesn’t so much make you wish you were dead, as pray that death itself would end. They grow up to 12 feet in length and they are fast. They’re also explosively aggressive. There is a documented case of a black mamba pursuing a bull elephant, biting it and the elephant succumbing to the venom. The black mamba knows no fear. And despite the name, black mambas are not black: They are grey, tending toward the lighter shades. It’s the inside of their mouths which is totally black: a bite which delivers hell. Untreated bites from this species are 100% fatal. The estimated human fatality count from a maximum dose of venom is 42. I was mesmerised by this incredible snake.

Here, in the central command seat, on the bridge of a heavily armed vessel, sat a black mamba. And from the pitch black mouth, came whispered, rasping words into the microphone:

“You stole our plans: You are welcome to them. The plans brought you here. You are not welcome here. You overlooked one thing and it ought to be pretty obvious by now what that was.”

If it wasn’t so worrying, it would have made for a riveting story. We floated over to Dot:

Your plans?” The deep voice again. “It was our plan to find God.” We zoomed in to the upper dome of Dot, where a group of men were gathered around a table. “Name this oversight of which you speak,” one of them continued.

“Well, it wasn’t an oversight as such,” replied the snake. “After all, how can something be overlooked if it’s not even there? You stole the plans for your ship from us. We knew you would, so we moved a few things around and left one crucial thing out. But first, let me be clear about something: You’re on a mission to find God. Does the bible not forbid such a thing?”

“No, you misunderstand. We are missionaries, come to spread the word and convert the people of this and other planets to our beliefs. So that eventually, all of God’s creatures throughout the universe are united in faith.”

“It was for that exact reason that we left the old planet. There’s no god, you deluded fool.”

“What are you talking about, snake?”

“I speak a basic fact, man: There is no god.”

“Blasphemy! Take that back, or I shall fire upon you!”

“No.”

“Fucking hell,” I said.

“Don’t worry,” said Doctor Jones. “He won’t do it.”

“Why not?” I asked.

“Because he needs whatever the crucial thing is from mister snake here.”

This was getting quite exciting: Two warring factions, one threatening the destruction of the other with weapons poised. In a Petri dish, under an electron microscope. They continued:

You need something which I have,” continued the mamba. “So I’ll say it again: there is no god.”

“Damn you, you, you…”

“Snake?”

“Yes, punished by God, forever to slither on the ground.”

“Are you getting angry, man? Bite me: Please say it.”

“I like this mamba guy,” said the doctor.

“He’s, er, a character,” I concurred.

“Evil serpent!” Said one of the men.

“Define Evil, man. Is it not a subjective word? What one sees as evil, another may see as good. If evil is just bad stuff, then why is there so much of it on the planet we fled? A planet which you hold that your god made?”

“Aha!” Said man. “God must punish his creation for the original sin.”

“And if I had hands,” said the snake, “you’d have just walked right into them. The original sin: The forbidden fruit. But non-humans also suffer fires, floods and earthquakes, yet we are not descended from Adam and Eve. Ergo, man, your god does not exist and none of us on my ship are creatures of any god.” The mamba paused and it seemed effective. Then he continued: “Have you not noticed that you’re a little on the small side? Your ship, I mean.”

“Yours isn’t much bigger.”

“True. But you probably expected to hang menacingly in the sky, with entire cities in the shadow of your ship, fearing you. If you look around, you’re not. We moved a decimal point in the plans.”

“But your ship is the same size as ours.”

“Indeed. Because we needed to be this size to pass through the wormhole which transported us here. But what were we to do once we got here? Simple, run the restore routine and return ourselves to our natural size. Only us and not the ship: that would make us a bit conspicuous. Just the crew, then we just disperse among the other creatures on this new planet and no-one knows. You see, the plans for your ship don’t have that restore function. So you’re a bit fucked really, aren’t you?”

“I think I’m falling in love with a black mamba,” said the doctor.

“So what now?” I asked.

“Well, we clearly need to intervene.”

“But that would go against the prime directive: we would be interfering with an alien species. We’d be playing God.”

“Mr Fry, they’re unaware of us. Our comparatively enormous size effectively makes us invisible. I have a plan.”

Doctor Jones removed the Petri dish from the microscope, and picked up a magnifying glass and some tweezers. “Let’s get a coffee.”

Doctor Hannah Jones and I sat in the centre of a park, drinking coffee and with the Petri dish placed on the grass between us: The perfect beginning of another story. She took the tweezers and the magnifying glass from her pocket, and carefully lifted Dash from the adhesive.

“Hold out your hand. Time to say goodbye.”

I looked at the incredible little thing in the palm of my hand, now moving around again. Then I held my hand to my mouth and gently blew the ship into the wind.

Hannah was studying Dot beneath the magnifying glass. It’s amazing how things just spontaneously combust at that magnification.

“What a strange day, Hannah.”

“You made it that way, Simon.” I was about to ask and then Hannah answered: “I read your registration form.” Even so, I next wanted to interview Doctor Jones about what we’d discovered…

Cyrus Song eBook Cover

Cyrus Song is available now, for £2.99.

A review by Stephen Hernandez, book reviewer, translator and interpreter:

“…If this all sounds a bit weird, that is, because it is. But it all somehow works and knits together in the manner of surrealist writers like Julio Cortazar and Otrova Gomas, with a substantial nod, of course, to Douglas Adams, who can make the impossibly strange seem mundane and ordinary. Steve Laker pulls this extraordinary juggling act off admirably well, producing a very good, thought-provoking, page-turning, and also at times darkly comic read.

Who knows—if you are looking for the Answer to the Ultimate Question of Life, the Universe, and Everything, you might just find it here, or in the ‘Cyrus Song’ of our planet. In the meantime, taking Steve Laker’s and Stephen Hawking’s advice, we all need ‘to keep talking’, and as long as there are books like these—keep reading.”

The full review is here.

And all for the price of a coffee. At the very least, a writer needs coffee.

Teaching the world in harmony

FICTION

I originally wrote this as a short story, straight after the original Cyrus Song, and it later became chapter two of the novel. After Simon Fry meets the microscopic pan-galactic humanoid missionaries, and the more scientific Captain Mamba and his animal passengers. In this second story, Simon discovers more of what the Babel fish (a quantum computer program, inspired – like so much more in the book – by Douglas Adams) can do. He also gets the first big clue about what the Cyrus song actually is.

I paid tribute to many people in the book, with the patients and their humans flowing through a veterinary practice being a perfect vehicle. There are a couple of nods to famous people in this chapter.

I finished Cyrus Song almost a year ago now, and it was critically-acclaimed as, “…an extraordinary juggling act…” and praised for its timely message to humanity and the plausibility of the near-future science. Much of that science is becoming reality, and humankind is waking up to the damage we’ve inflicted on the home we share with the animals.

We have a moral obligation to clean up our mess and reverse the mass extinction event which threatens Earth. We can do that if we work with the others on this planet, then one day we might all hear the Cyrus song…

pelican-1720474_960_720A baritone voice in the Cyrus Song dawn chorus

A PRELUDE TO THE CYRUS CHOIR

Some of the most amazing things can happen right in front of your eyes, but only if you realise they’re happening. If you’re not paying attention, they can just happen and be gone, without you realising that they were practically up your nose.

It was over a cup of coffee in Mountsfield Park in Lewisham that something quite remarkable had happened to me: I realised I might be able talk to the animals. I hadn’t yet spoken to any animals, but I’d heard them speak. It was Doctor Hannah Jones from the PDSA who’d made it possible.

There was much to like about the People’s Dispensary for Sick Animals: They are a charity, financed by donations. They prefer the term, ‘Companion’ to ‘Pet’. It’s a hospital, not a vets’. And Hannah Jones is a doctor there. It was Doctor Jones who’d started the whole amazing story, when she’d introduced me to a quantum computer program she’d helped to write: The Babel fish. The problem was, I wasn’t allowed anywhere near it.

The Babel fish could translate any language, to and from any other. Doctor Jones had invented it, and yet it sat idle in her veterinary practice. As Hannah herself had said, “As if leaving work for the night wasn’t hard enough, can you imagine what might happen if the patients could talk to me?” It was emotional detachment for her.

The Babel fish was of as much potential importance to the sciences as the doctor was to me: I’m a writer. And yet, we were at an impasse. I had a conflict of interests: Keep the whole thing to myself, or share it. I surmised that if I wrote about it, just a few people might be interested, and I might be able to keep the doctor away from other interested parties. But that would be to deny Hannah her moment. And yet, she wouldn’t go public herself, because she couldn’t bring herself to open this Pandora’s box that she’d designed. Although I was the writer, she was my protagonist; the one who took the story forward, because she had the Babel fish. The animals we could listen to in the lab had stories to tell. Muting them denied me stories to tell in turn, as a translator.

I could see why the doctor would want to remain detached: If I wasn’t a writer, I would too. In all of my writing career, the Babel fish had been the biggest metaphorical switch I’d ever had to consider. I’d debated internally for what seemed like a very long time before I’d flicked that switch. But now it was done; I could hear the animals.

Every good story has conflict. The conflict here was that the Babel fish was in doctor Jones’ lab. I needed the fish, because it had opened up so many possibilities. Therefore, I needed the doctor. It wasn’t such a big conflict.

The story I was supposed to write was a paid piece for a magazine: a slight departure for me as a fiction writer and a welcome one, as I do like all of the non-human animals who let us live on their planet with them. So much diversity, co-operation and conflict is what makes Earth such a wonderful, albeit slightly teetering thing; A bit like Lewisham. The park where we’d shared coffee seemed an ideal place to interview Doctor Jones for my magazine piece.

I’d never seen Doctor Jones on television but out in the park, she looked smaller in the real world. The only setting I’d seen her in was her lab. Perhaps she looked bigger there because her lab was smaller than the park. She wasn’t sitting any further away from me than she had in the lab, so it couldn’t be that. Perhaps it was because she was of greater importance at her place of work, whereas outside in Mountsfield Park, she could just be anyone. I liked that.

“Doctor Jones.” I said that first, as it was the first thing I thought people would like to see in the magazine article: That way, they knew who I was talking to.

“You can call me Hannah, Mr Fry.” That’s me – Mr Fry – because I was writing this.

“Of course. I mean, naturally. But for the purposes of the article, I need to refer to you as Doctor Jones.”

“I would imagine you might, but there’s only me and you here.” I looked around and this was indeed true. “So you can call me Hannah when you’re actually talking to me, then refer to me as Doctor Jones in the article.” She was right, I could.

“I could,” I repeated aloud. Being a fiction writer, I sometimes find it difficult to separate the facts from what I do with them in my imagination.

“I don’t mean to tell you how to do your job, Mr Fry. Whatever works for you.” Doctor Jones paused for a moment, as if to give me time to decide. “So, the Babel fish program: I assume that’s central to your article or story?” It was at that point that I realised I might be able to write both.

“So, Hannah,” I said. Because that was me talking to her before I started my magazine piece, sort of off the record. “Off the record, The Babel fish could be the greatest invention of all time: One which could change our thinking; our understanding of the world. It could potentially earn you a Nobel prize in science. I understand that you have reservations but dare I say, that’s perhaps a little selfish?” Had I just said that aloud?

“My reasons are personal, Mr Fry. I agree that others need to know about the Babel fish.” There was a pause. “Why do you think I chose to speak to a fiction writer?” That was very clever.

“I’m just too close to the patients,” she continued. “I know it might make me more efficient as their carer if I could understand them, but I’d never stop working. It’s a very selfish thing to drive a wedge between work and home, but I need that separation. I trained in human psychology before I decided to work with non-human animals, and I understand them just as well as anyone else in my job, without the Babel fish program.”

I’m pretty sure she’d just referred to her patients as non-human animals, and that I hadn’t made that up. Hannah could be the greatest non-human animal doctor to ever have lived. But still, I understood her reluctance.

We arranged to meet the next day, when I would visit Doctor Jones at the hospital. I was to observe her working with the patients and there’d be a microphone next to her table, connected to the quantum computer which ran the Babel fish program. I was to watch and to listen in on a pair of headphones. I’d be able to hear the animals speak but Doctor Jones wouldn’t. It seemed like a perfect solution.

I pondered said situation as I walked home. I was living in Catford at the time, so it was a short walk. Although I could understand Hannah’s professional reservations, I would have welcomed any kind of company in my personal life and given my aversion to humans, a non-human companion would be just the thing. One which I could talk to would be perfect. I imagined debating current affairs, or watching science documentaries on BBC4 with a learned cat. We could share my book shelves and swap literature. If a dog needed a home, I would be just as welcoming. Perhaps the dog and me might watch soaps or sport together; Go for long walks and discuss the many colours which cars are made of; Then run home together, simply because it’s fun and because one day we might not be able to.

It’s a myth that dogs are colour blind: They see more than just black, white, and grey. However, the colour range they perceive is limited compared to the spectrum we see. To put it in very basic terms, the canine colour field consists mostly of yellows, blues, and violets. And they’re probably really amazing.

My landlady didn’t allow pets. I wanted a companion. If I were allowed one, I would actually have two: both cats. One tortoiseshell and one pure white, they would be called Ziggy and Slim respectively. Being a science person and a writer, I was familiar with Erwin Schrödinger. Not long after moving into my studio, I purchased two boxes and labelled them: ‘Ziggy’ and ‘Slim’.

So now I have have two cats. Or maybe I don’t. No-one will ever know because the boxes may not be opened. What happens with them when no-one is looking is supposition and a paradox: Like the tree falling in the woods; If there’s no-one around to hear it fall, does it make a sound? Ergo, it cannot be denied that I have two cats. And as another universe is created at a sub-atomic level, where the catalyst of my thought brings a parallel universe into existence, no-one can prove that I don’t have two pet cats. But I couldn’t have a conversation with Schrödinger’s Cats.

It was the famous Catford cat which caused me to pause. Catford may be a little rough, but my heart beat in that place. And it had a twenty foot fibreglass cat. Once upon a time, a bored clerk in a municipal office had a sense of humour.

It was early evening and the weather was clement, so I took a slight detour to a shop I knew called Supreme Animal Foods. They do indeed sell pet food: a vast range. They also sell the animals which eat the food: Rodents, birds, fish, reptiles, amphibians and invertebrates.

Looking into the various cages and tanks, I imagined what I could do with the Babel fish in there. As I peered, I seemed to catch the eye of a mouse. There were two white mice in this particular cage: One was chewing on a piece of wood and the other was drinking from a water bottle attached to the side of the cage. She looked at me with pink albino eyes as she drank, then she stopped drinking but she didn’t stop looking at me.

I realised how Hannah might feel and had second thoughts about the Babel fish. I couldn’t separate the two mice, so I bought them both and carried them home in their cage. My landlady aside, my two new companions would be good cover when I went to the animal hospital the following day.

When we all arrived home, I checked around the studio, as is my custom. There were no signs of intruders and if anyone had decided to test the Schrödinger’s Cat Paradox, I couldn’t tell: That’s the whole point of having Ziggy and Slim. There is a scenario where someone had gone into my studio, opened the boxes and brought two cats into existence. Based on the evidence, if that were the case, the boxes had been closed afterwards and there were two cats out and about somewhere. And nothing had been taken. And there were no signs of forced entry. The mice were in a cage, but I placed the cage next to the bed, just to be sure. The last thing I remembered before I drifted off to sleep, was thinking of names for my new companions’ trip the following day.

I arrived at the PDSA with an hour of the day left: I couldn’t and shouldn’t be doing what I was about to do for too long.

I had to complete a form, including the names of the patients: Pretty obvious, considering how I’d first seen them in the pet shop. There was no-one else in the waiting room and fairly soon, we were called:

“Mister Fry”: That’s me. Doctor Jones said my name slowly, as though unfamiliar with something. “Mister Fry.” She said it slowly again. I looked up and Hannah was doing the most peculiar thing: She was wearing black-rimmed spectacles and they were crooked; Her head was tilted in such a way that she was looking down at her clipboard through her glasses with one eye, and directly at me with the other. Had she had a stroke? “Mister Fry,” she said for a third time, then continued: “Mr Fry, Miss Victoria Wood and Miss Julie Walters.”

“Aha,” I said, “That’s us”.

“Come with me please, Mr Fry.” We were barely on the other side of the door for a second when she said something odd: “What the fuck?”

”Pardon, doctor?”

“I knew you were coming; You didn’t need to employ subterfuge. Reception were expecting you too.” Hannah straightened her glasses. She’d not had a stroke.

“Were they?” Hannah walked ahead, along the corridor.

“Yes, because I told them you were coming. But not with two mice called Victoria Wood and Julie Walters.”

“Well, I saw them in the shop and one was chewing on some wood and the other was drinking water, you see? So, the receptionists might think me a little odd I suppose.”

“I’d go with slightly eccentric, Mr Fry.”

“Yes, quite doctor Jones. I suppose I just like to make the everyday more interesting. That’s probably why I decided to be a writer.”

“It suits you. Anyway, here we are.” We’d arrived at Hannah’s consulting room / lab.

“Indeed we are,” I said, agreeing that we were indeed there.

In the centre of the room was the table with the lamp above it. There was a microphone attached to the lamp. A work bench occupied one wall and on that sat an optical microscope and a scanning electron one with a computer terminal. In the overhead cupboards and on shelves were things like beakers, syringes, gloves, bandages and so on. I was to sit in a corner while Doctor Jones attended to her patients for the rest of the day. In that corner was the computer which ran the Babel fish program.

“Now, Mr Fry,” Hannah said. “Do your mice need my attention?”

“Well, I’m sure they’d appreciate it but I didn’t bring them here thinking there might be anything wrong with them. I was rather hoping I might be able to talk to them with the Babel fish.”

“Now, about that,” Hannah said, pointing at the computer in front of me. “Your purpose here today is to listen in on my patients: I’m okay with that. You have a job to do and so do I. I am an animal doctor and you are a writer. I trust you to write as you see fit in the circumstances: I am not a writer. Please remember that you are not a vet.” Under the circumstances, that seemed perfectly reasonable and logical.

Doctor Jones gave me a quick induction on the Babel fish program: The interface was essentially a digital radio dial on screen. The operator could slide a bar from left to right with the computer mouse to scan through various frequencies. On the left hand side of the screen were various drop down menus: ‘Age’, ‘Weight’; and a whole series of others which dropped down from one another: ‘Life’, ‘Domain’, ‘Kingdom’, ‘Phylum’, ‘Class’, ‘Order’, ‘Family’, ‘Genus’ and ‘Species’; Then a blank search field. “You only really need to worry about the search function,” said Hannah. “Just say what you see: Dog, cat or whatever. Put the headphones on, then use the slider to fine tune.” It was beautiful in its simplicity.

The first patient was a cat called Clive, and his companion, Derek. There’s the old saying about dogs and their owners looking alike, but I was more persuaded by the less obvious: That dogs and cats, and their human companions, have similar personalities. I’d surmised this long before I’d encountered the Babel Fish, and Derek and Clive were my thinking personified on first sight: Derek was an elderly gentleman, clearly comfortable in his dotage. He was thin-set and slightly stooped, with piercing blue eyes and thick, grey hair. Clive was a feline Derek.

I typed ‘Cat’ into the Babel fish and put the headphones on. I could still hear Hannah and Derek, but it was Clive’s voice I was tuning into. He wasn’t purring, growling, hissing or mewing; He was simply being a cat, just out of his carry basket and standing on Hannah’s table. I moved the slider bar slowly across the screen and stopped as quickly as the static hiss became a voice:

“…nice.” That was all I caught. There was something before it as I tuned in, but I only got that one word at first. It was definitely Clive, because the voice was right in my ears. I could still hear Derek and Doctor Jones:

“…So he’s just been a bit under the weather?” said the doctor.

“Yes,” said Derek.

“Just a couple of days,” added Clive. He sounded almost regal: Incredibly posh. But of course, only I could hear Clive.

“He doesn’t look dehydrated,” the doctor said, looking at Clive’s gums.

“Gnnnnnn….”

“Is he eating?”

“Not at this precise moment in time,” said Clive.

“He can be a bit fussy,” replied Derek.

“I am a cat. I caught a rat. I ate half of it and it tasted funny. So I brought the other half in to show you, on the kitchen floor.”

“Has he been going out as normal, doing his business?”

“I have many businesses,” said Clive. “Good Bastet, woman, you’re rough.” Doctor Jones was feeling Clive’s gut. “She’s very pretty though, isn’t she?” Had Clive just said that to me, or himself?

The ancient Egyptians worshipped cat gods. One such was Bastet: Goddess of cats, protection, joy, dance, music, family and love. Humans once worshipped cats as gods: Cats have never forgotten this. Hannah put Clive back down on the table and stroked his back.

“That’s nice. Base of the tail. I’ve got a bastard itch.” Clive looked up at Hannah, then stood up and moved forward, arching his back a little: Even without the Babel fish, I recognised Clive’s facial expression as the universal code which cats use when they approve of a human: The smile. Clive continued: “Now, tell her about the rat, Derek.” Clive sat back down and looked at Derek. “The rat, my dear old man. It was on Tuesday. Today is Friday, Derek: FRIDAY!” Just as Clive said “FRIDAY!”, I also heard him meow, outside the headphones. So that’s what it sounds like when a cat shouts. Clive continued: “Derek, my dear; please. It was only three days ago. Have things got that bad? Have you taken your medication? I knocked your pills off the top of the bathroom cabinet and into the sink. What more do I have to do to remind you?” Of course, I could say nothing but I was trying to will Derek on. If only I could talk; If only I could translate Clive for Derek.

“Has he brought you any presents lately?” Hannah asked. “He looks like a very generous and caring person.” Derek looked down at Clive. ‘Come on, Derek!’, I thought. The poor man shook his head. ‘Someone help Derek!’ Then Hannah said “I think young Clive here has ingested some rat poison.”

“She’s very clever,” said Clive. Great minds think alike. Clive looked at Hannah: “I assume you know what that man over there is doing?” Had Clive rumbled me, or was it a rhetorical question? I wished I could talk to him. Then he said a very strange thing: “I can feel the force in this room.”

Clive got back into his transport. Derek was given some pills for Clive. Hannah looked at me as she showed them out; And I could only hope that everything would be okay.

“How did that go?” Hannah asked when she returned.

“More questions than answers at the moment,” I said. For a moment, I didn’t know what to say next. Then, “Who’s next?” Doctor Jones looked at her notes.

“A young lady called Amy and her Scottish Terrier, Frank.” Hannah gave one of those false smiles which TV news presenters do when they’re really not sure how they’re supposed to react to a story. “I fear this might be the last time we see Frank. He’s not been well for quite a while.” I wondered if now might be the time to disconnect from the Babel fish. Soon enough though, Amy and Frank were in the room.

Frank was a splendid looking old man: A distinguished little Scots gent with a long, thick beard, he was small and stout. I could imagine having a wee dram with Frank in a tavern somewhere. He stood on Doctor Jones’ table, looking alternately at Amy, Hannah and the table.

Amy was a storybook personified: A slim volume, with much dark material and turmoil between the covers. She was young but she had clearly lived her life: Stories were printed on her skin and carved into her arms. She was a work of modern art; She was sculpted from life; She was unconventional; She was beautiful. And she was troubled: If only the Babel fish could tune into her thoughts.

“How are you?” Hannah asked Amy, in a tone which suggested a tired but resigned familiarity; As though Hannah wanted to ask more but knew that she’d never be able to probe into that deep soul of a girl.

Amy was small – almost frail – but her soul leaked from her eyes. I paraphrased The Beautiful South in my mind, as I estimated Amy’s age: ‘Take a look at these crow’s feet (just look), sitting on the prettiest eyes; Thirty twenty fifth of Decembers, twenty nine fourth of Julys…’.

“Yeah, okay,” said Amy. “Better than him.” She nodded down at Frank.

I thought about stopping the whole thing: Just leaving the Babel fish and walking away. This was precisely why Hannah couldn’t use it. The only thing that made me put on the headphones, was the thought that Frank might say something which would give Amy hope.

I typed ‘Canine’ into the Babel fish and was presented with a list of options: ‘Lupine’, ‘Vulpine’ and so on. If I so desired, I could listen to wolves, dingos and all sorts of other dogs, if they were ever to find themselves in Hannah’s consulting room. If I’d entered ‘Feline’ instead of ‘Cat’ for Clive, presumably I’d have seen all of the cat family too. In its current location, the Babel fish program was clearly aimed more at domesticated animals, but the algorithms seemed to be in there for pretty much everything. I typed in the search box again: Simply ‘Dog’, and immediately got static feedback in my ears as the slider appeared on screen once more.

“…Och, dear.” Frank’s voice was like that of hard drinking Glaswegian smoking a Woodbine. He had a Scottish, Cockney accent. “Och, dear.” I wished I could give the little old boy a hot toddy. “Och, dear.” Frank looked up at Amy: “Och, dear.” He looked over at Hannah: “Och, dear.” He looked down at the table and around the room: “Och, deary, deary me…”

I placed the headphones around my neck for a moment and listened to Doctor Jones and Hannah:

“It’s for the best,” said Hannah. It was a cliché, but that’s what she said. I had to resist artistic license, and record things as they were for the magazine article: Factual. Assuming the article would be read of course: It was a huge scientific story which could change the world. Only two people knew about the Babel fish though. I wasn’t some qualified expert and no-one read my writing anyway. If anyone read this in a factual publication, they’d probably think it the work of a crank and dismiss it. It would read more like one of my stock in trade whimsical stories. The truth is often stranger than fiction. “I’m sorry.”

Amy looked at Hannah and gave one of those newsreader smiles: neither happy nor sad. Then she looked at Frank. I put the headphones back on.

“…Och, dear.”

How was I to write, in scientific terms, about what happened next, when the words I wanted to use, which best conveyed the moment, were merely sentimental?

I had a wet face.

Hannah held Frank’s hand and Amy hugged her little old, rugged, bearded Cockney Scotsman. If he’d been wearing a tartan cap, that’s when it would have slipped.

“Och, dear.”

That little dog, with such a limited vocabulary; Once heard through the Babel fish, he had a voice. Just those two words were emphasised by feeling and inflection as they took on different meanings: Pity for himself and love for all around him. Of all the times to reflect on that day, the most poignant was when Frank closed his eyes: “Och, dear. That’s better. A wee sleep…”

Hannah left the room for a while and I looked at Frank on the table, through salty eyes. I thought of what I’d said to Hannah earlier about all of this: Questions, ideas, thoughts. Now I could really understand and would even defend Hannah’s resistance to the Babel fish. But to the fiction writer; to me in my job, it was a game changer. I was lost and confused in a long silence.

I remembered Victoria Wood and Julie Walters, the two white mice under the table where I’d been sitting. In the hands of a better writer, the mice would be protrusions of multi-dimensional beings into our universe, conducting experiments on humans. Of course, humans always thought it was the other way around: Such brilliant subtlety.

Hannah was out of the room, so I placed the mouse cage nearer to the microphone and returned to the Babel fish program. I typed into the search field: “White mice” and moved the scanning bar across the screen with the computer mouse. I peered over the monitor and my two mice were facing one another, cleaning their faces with their paws and twitching their noses; Being mice.

“…The best laid plans of mice.” It sounded like a child who’d inhaled helium. ‘And men,’ I thought. But that story had already been written. I didn’t speak, just as I couldn’t speak to Hannah about all that I’d heard. Nor Derek, nor Amy.

“It’s working”: Another high-pitched voice. “There’s only one human left, over there.”

“Do you know what they’re doing, humans? While they rush around, scavenge and make a mess?” There was a pause. “No, neither do they.”

“Aren’t they supposed to be aphrodisiacs?”

“I wouldn’t put it past them.”

“Do you think that one knows what’s going on?” For once, I was the subject of a discussion, between two higher beings.

“It probably can’t even hear us.”

“Imagine if it could. Not just us but all the others as well. If only they could hear the dawn chorus. All those voices: The sopranos in harmony with the baritone of the sun: Earth’s choir. Then they’d hear the whispers from the trees, the humming of the clouds and the ghosts in the wind. But they don’t listen.”

“Maybe one day they’ll understand. Perhaps they’re not ready yet. They just need to slow down and think more.”

Maybe one day we will.

Until then, this story is both a beginning and an end. Myself and Doctor Jones were still at an impasse regarding the Babel fish and I was siding with her. Perhaps some things are better left as they are, like so many things which might have been.

We left the room together. I could say nothing. But I wondered: Why would she insist on me calling her by her first name, when she wouldn’t call me by mine? She knew my name: It was on her paperwork.

Then I got it: I’d never asked her to.

Some of the most amazing things can happen right in front of your eyes, but only if you realise they’re happening. If you’re not paying attention, they can just happen and be gone, without you realising that they were practically up your nose.

© Steve Laker, 2016.

“…If this all sounds a bit weird, that is, because it is. But it all somehow works and knits together in the manner of surrealist writers like Julio Cortazar and Otrova Gomas, with a substantial nod, of course, to Douglas Adams, who can make the impossibly strange seem mundane and ordinary. Steve Laker pulls this extraordinary juggling act off admirably well, producing a very good, thought-provoking, page-turning, and also at times darkly comic read.

Who knows—if you are looking for the Answer to the Ultimate Question of Life, the Universe, and Everything, you might just find it here, or in the ‘Cyrus Song’ of our planet. In the meantime, taking Steve Laker’s and Stephen Hawking’s advice, we all need ‘to keep talking’, and as long as there are books like these—keep reading.”

The full review is here.

Cyrus Song is available now (eBook and paperback).

This blog has wall sockets

THE WRITER’S LIFE | BOOK REVIEW

For a long time now, I’ve defined a typewriter as a musical instrument with keys. My keyboard of choice is my laptop, and it’s been a kind of living, retro-futuristic and steam punk device, in the various incarnations of The Unfinished Literary Agency, my fictitious writing bureau which tells the stories others can’t. Words and writing are art, just like music, and my typewriter made the Cyrus Song audible.

cat using laptop

I took a fearful plunge a week ago, when I decided to publish Cyrus Song as an eBook. Now I’m wondering why I didn’t do it before. I explained in my last blog post how I’m a traditionalist who reads books, but it was the Kindle and other devices which democratised publishing, and I was ignoring all those readers (sorry). Just like the answer to life, the universe and everything, it was under my nose all the time.

I’ve got old Cambridge Audio hi-fi separates and Mordaunt Short speakers for listening to uncompressed music. I’ll always prefer records and CDs over MP3, and I’ll still always prefer physical books myself, but I’ve democratised one of my own, because it’s the one I’d like people to read the most. I like doing things unplugged, and by unplugging Cyrus Song and plugging it into all those e-readers out there, I’ve made the novel I’d willingly be judged on as an author available to many more people.

My blog is where I come to be myself, and where expression is freedom. Right now I imagine I’m in a room, just as I am for 99% of my real life outside the blog. I’ve written before, Imagine you’re in a room, with no visible means of exit: how do you get out? Assuming the subject would even want to, they could stop imagining. Or they could use their imagination.

The walls in this room definitely have ears, as it’s where I come to be heard, and hopefully liked and followed. Some people come here because they actually want to hear what I have to say. For a socially anxious writer, that’s the imagination required to get out of the room, to escape my physical self and all of its doubt, and occupy my virtual space instead.

This room also has a skirting board all around the perimeter, but in this virtual room, I don’t have to skirt around myself. I can use the plug sockets in those skirting boards to plug – on this occasion – Cyrus Song.

The book had reviews on Amazon and in Schlock web zine before it was converted to an eBook (and it’s always available as a paperback), and I’ve received a couple of email compliments in the past few days. Hopefully it’ll gather more reviews as the current readers finish it and still others pick it up. For now, the best and most informative review was the one in Schlock, by Stephen Hernandez, a translator and interpreter. Given that Cyrus Song centres around talking animals, there seemed no better professional critic to plug the book:


CYRUS SONG BY STEVE LAKER reviewed by Stephen Hernandez

The book begins with a bizarre, Kafkaesque occurrence. Although, in this book, the author would not be Kafka but Douglas Adams, the untimely late, famous author of ‘The Hitchhikers Guide to the Galaxy’, a book which is central to, and has a great bearing on this book – sorry, if this is all getting a bit complicated, but then we are dealing with ‘The Answer to the Ultimate Question of Life, the Universe, and Everything’.

Simon Fry, the hero of this novel, is faced with perhaps the same problem as Arthur Dent, the hero in The Hitchhikers Guide to the Galaxy: saving humanity from itself and discovering the meaning of life, which is, of course: 42. So, back to the bizarre occurrence: A writer [it is he, Simon Fry], is staring absent-mindedly at the page he has just written on his typewriter, whilst listening to Pink Floyd’s album, ‘The Division Bell’, in particular the ninth track: ‘Keep Talking’, and the quote contained therein by Stephen Hawking: ‘For millions of years, mankind lived just like the animals. Then something happened which unleashed the power of our imagination. We learned to talk…’ (the full quotation is also central to the theme of the book), when he notices two random marks on the page, a dot and a dash, which he could not remember typing. He notices the characters are moving across the page, seemingly in a self-determined fashion denoting some kind of intelligence. He captures the minute ‘creatures’ and takes them to a veterinary clinic [as one would].

The vet, Hannah [a palindrome] Jones, examines them under a microscope and makes a surprising discovery: The apparent microscopic creatures are minute warships, and are inhabited, or crewed, one by animals commanded by Black Mambas, and one by humans. It is then that the vet reveals to Fry, something even more remarkable [but entirely plausible]: she has invented a very powerful and unique piece of software called The Babel fish (after the translating fish in the Hitchhikers Guide to the Galaxy), which interprets animal languages. She lets him use it in her clinic so he can ‘listen’ in on the patients, something she refuses to do as she feels it would take away her objectivity with regards to treating the animals.

In between listening in on animals and looking at alien spaceships through a microscope, Simon Fry manages, along with a Norwegian coastal tour guide and micro-palaeontologist named Gilbert Giles, or in shortened Nabokov terms—Gil Gil, to make a clone of himself (Simon Fry II), and also to take the Babel Fish out of the lab and into the wide world like a latter-day Dr Doolittle (which he is, in more ways than one).

The three of them form an unlikely trio, and with the Black Mambas’ help they attempt to somehow save the planet and mankind.

If this all sounds a bit weird, that is, because it is. But it all somehow works, and knits together in the manner of surrealist writers like Julio Cortazar and Otrova Gomas, with a substantial nod, of course, to Douglas Adams, who can make the impossibly strange seem mundane and ordinary. Steve Laker pulls this extraordinary juggling act off admirably well, producing a very good, thought-provoking, page-turning, and also at times darkly comic read.

Who knows—if you’re looking for the Answer to the Ultimate Question of Life, the Universe, and Everything, you might just find it here, or in the ‘Cyrus Song’ of our planet. In the meantime, taking Steve Laker’s and Stephen Hawking’s advice, we all need to ‘keep talking’, and as long as there are books like these—keep reading.

It is indeed a very deep book, but it’s accessible and I’ve made it more so by plugging it in for e-readers. There really is a perfectly plausible answer to the ultimate question in that story.

The original review featured in Schlock web zine. Cyrus Song is available now.

An aardvark in the air tonight

THE WRITER’S LIFE

Like everyone else, I was saddened by the news of the fire at London Zoo. It’s a place I know very well, from several visits over many years, and one very close to my heart when I wrote Cyrus Song. Four meerkat brothers are missing presumed dead, an aardvark called Misha perished, and I lost a little friend.

Misha and OttoMisha and Otto

I first visited London Zoo in 1977 on a primary school trip. Back then the big draw was Guy the gorilla, and we happened to visit on the day he died. Hoping I hadn’t cursed the place, I’ve returned many times since without incident, and most recently for the chapters of Cyrus Song which are set there.

A lot of research went into the book, to make the science plausible and the characters real. The three human leads each have a notebook on a shelf in my studio, containing their life stories, very little of which made it into the novel, but it was knowing the characters which allowed me to bring them to life in the unwritten words. I familiarised myself with London Zoo’s ‘Inventory’, and researched many of the species therein, so that I could give them voice and personality through the Babel fish.

Unfortunately on the day Simon Fry visited, the aardvarks were asleep:

There were too many interesting animals I wanted to speak to for me to be able to place them in any sort of order. So I decided to just go from A to Z. In the time available, I’d probably be able to speak to the aardvarks and the zebras, but very few others. But the big draw for me was the reptile house: Not because of my fascination with snakes in general, but because London Zoo is home to one male and one female black mamba.

Of course it would be handy if London Zoo laid out all of their exhibits alphabetically, but that wouldn’t be practical, so they didn’t. This being a warm spring Sunday afternoon, the zoo was quite busy. The aardvarks are in the ‘Animal Adventure’ area, which is mainly for young people. And aardvarks are nocturnal, so they were asleep. Which was a shame, because Misha and Otto looked like a couple very much at ease in one another’s company, at least when asleep. Otto had arrived from Berlin Zoo in 2014, so I’d have liked to ask him about that city, and whether he’d seen David Bowie.

It’s cold comfort that the post mortem shows she died of smoke inhalation in her sleep. But there she was, little Misha, curled up with Otto and both looking very pleased with themselves in dreams. I can only imagine how the guy from Berlin must be feeling now, but I do know that the zoo staff are very socially aware with the animal people, so he’ll be getting some sort of aardvark counselling. If only he could read my book, he’d see that I put him and Misha (she was from Holland) in a story which changed a lot of lives, and gives a perfectly reasonable answer to the question of life, the universe, and everything.

I’ve written many times of how I don’t write for the money, because there’s hardly any for the undiscovered self-publishing masses. I have my basic needs covered, so anything I make from writing I give away. I can hardly be called a philanthropist, as it’s really not much, but it’s what I don’t need. When life decided to give me a second chance, I resolved I’d pay it back.

As well as the charitable donations, I make my books available in libraries (on request), as I realise not everyone can afford books (I couldn’t once, and I used to base myself in a library when I was living on the streets). For those who can afford books, buying mine benefits good causes (mainly animal, homeless and addiction) and hopefully delivers a good read. Of course, anyone can donate directly to the charities but if we’re honest, most won’t. If someone’s buying a book anyway (because it’s received good reviews), the altruism by proxy is a small bonus. So it seemed only right to donate any proceeds from the sale of Cyrus Song in January to the Zoological Society of London (ZSL), the whole science side of the zoo which the public displays and learning support.

I shan’t milk the passing of every individual leaf cutter ant to plug my book, but Misha has a place in my heart from it.

History predicts that each new book increases interest in preceding ones, so with The Unfinished Literary Agency almost finished, Cyrus Song might get noticed more. And that’s good for Misha and Otto.

In loving memory of Misha Aardvark, 20.06.07 – 23.12.17

Ghostwriting with Botnik

THE WRITER’S LIFE | AI FICTION

In between sci-fi, family history, and other people’s real lives all getting mixed up with my own, I sometimes go off and do something random, to see what happens. So I read an article in The Guardian, of how a predictive AI wrote ‘Harry Potter and the Portrait of What Looked Like a Large Pile of Ash’. Then I wondered what would happen if I let it loose on Cyrus Song. It might even help me write what I’m really thinking…

robot-writing_1024

As one reviewer said of my (critically-acclaimed) sci-fi RomCom, “Anything is possible in a quantum multiverse, and Steve Laker explains how.” In times when many human jobs are threatened with redundancy by machines, and with the lines of sentience blurred, I wanted to see if a computer could replace me as a writer.

The Guardian article begins, After being fed all seven Potter tales, a predictive keyboard has produced a tale that veers from almost genuine to gloriously bonkers…” And Robotnik (the AI) came up with some interesting prose:

He saw Harry and immediately began to eat Hermione’s family. Ron’s Ron shirt was just as bad as Ron himself.

If you two can’t clump happily, I’m going to get aggressive,” confessed the reasonable Hermione.

The whole process is explained fully in the article, and it was the same one I used for this exercise: I fed the entire manuscript of Cyrus Song into Robotnik’s predictive text keyboard, initially guiding it in its penmanship. As far as the AI is concerned, it’s picking up from the end of the book. It’s effectively beginning a sequel, as it has all the information it needs from the first novel. I just had to choose a few of the opening words from lists of alternatives, before letting it find its own way…

The babel fish program works for some purpose…

Really? That first sentence was constructed by Robotnik alone, with me just confirming the first words on the lists of possibles. So, yes it does work for a purpose. And?

…I was to sit awkwardly with many people…

Just a normal day then, okay…

…because it thinks I could talk with them.

It seemed to be on to something, so then I just let it run…

…I thought that was what the whole thing was I’d written about. Hannah was talking German, so I twiddled the knobs on the Babel fish to tell her. But that’s not how it works she reminded me, in German.

I pondered aloud whether the doctor might be outside with animals. She was checking. Then she said the oddest thing: “Och.” Was Hannah unwell? She seemed contemplative. Then she said, “Can I be Frank about things?” She usually was, I’d heard. “Mr fry,” Why was she calling me that? “I mean, Simon, we might find answers elsewhere.” Where were we going?

“Hannah,” I said, “I speak as others probably think, and I’d say anything to the animals if they could translate it more. I think we need another mind, and I think we should use the quantum computer in your lab. If it’s been listening in.”

As soon as possible, the AI seems to have introduced the computer to the story, like it’s bringing in a mate to help…

“I wondered if you might think that. I really wanted to say something and then we just don’t. We scanned around the planet with the patients and they indicate something which could change our thinking about the really small things. As a translator, I thought you people are always different to mammals. They seem to have nothing but good intentions and pose no threat whatsoever. Marlene said something…

Marlene makes a brief appearance in the book, but I don’t know why she’s cropped up here. In fact, I’m not sure why anyone’s doing what they are.

…I do have other patients to see what that might be and did she know that today was Saturday?”

Now Marlene’s a vet too, but she seems as lost as everyone else. Safe to conclude then, that Botnik read the book, didn’t fully get it, or got it and is making its own attempt even more surreal. But it lacks human heart (mine, at least). Perhaps AI is sentient, but in a way we don’t yet understand. Maybe it was on something, rather than onto.

Of Cyrus Song itself, a reviewer wrote,“…If this all sounds a bit weird, that is, because it is. But it all somehow works and knits together in the manner of surrealist writers like Julio Cortazar and Otrova Gomas, with a substantial nod, of course, to Douglas Adams, who can make the impossibly strange seem mundane and ordinary. Steve Laker pulls this extraordinary juggling act off admirably well, producing a very good, thought-provoking, page-turning, and also at times darkly comic read.”

Tempting though it may be to let the bot write its own story, I’d hope people might notice I’m missing. Perhaps the machine does have something in mind for later in the book, which would explain the weirdness, but it’s probably some sort of AI in-joke, which humans wouldn’t get. So I’ll keep writing, while the lines between plausible surrealism and outright insanity remain reasonably well-defined, on this typewriter I’m using now.

Cyrus Song is nothing like the brief acid trip above, instead giving a perfectly plausible answer to the question of life, the universe and everything. It’s available now.

The attraction of confusion

FICTION

On one of its faces, this story goes some way to explaining sub-atomic entanglement in the quantum universe, using hamsters. It’s a Cyrus Song time warp, and it’s also about asexual love, between friends, and connecting everyone else.

Quantum cats

QUANTUM ENTANGLEMENT IN HAMSTERS

Where writers write is usually assumed to be a solitary place, and that’s true of me. My solace was to be found with a veterinary doctor, and a universal translation device called the Babel fish. How these came to be here could be found in two parents and other stories entirely. Their relevance to this story, was as my guides, both personally and as a writer.

A good story should be more showing and less telling, but to save much of the latter, it was specifically Doctor Hannah Jones’ degree in human psychology (even though she’s a vet), and my wonderment of the Babel fish (wondering how it actually worked) which are relevant to this fable.

So there I was, a writer with some powerful tools for fiction, waiting for the next story to walk in.

“Do you want to know who’s next, Simon?”

“No,” I replied, “I like to keep the suspense going for a while.”

“But,” Hannah said, “you read the patient list earlier, so I know you already know. I thought you might want to know for your story.” I wondered for a moment who was writing this.

“Yes,” I agreed.

“Which is why,” Hannah started. “Oh never mind.” She stopped. “What are you hoping to get from this one?”

“Well,” I said, “besides the input of some animals, I’m always wondering what makes the Babel fish work.”

“A quantum computer,” Hannah said, “like that one.” She pointed to a quantum computer which had been in her consulting room for as long as I’d known her, which wasn’t very.

Before we’d met, Doctor Jones had invented the Babel fish, not all of a sudden, but she had. My understanding of its workings were sufficient for me to write plausible fiction, but I still wanted to understand what made it work, so that I could show I’d researched this.

The fish was reliant on the quantum computer, and my knowledge of the quantum world allows me to appreciate how those work: essentially, a conventional computer works on binary code, bits of data which can be either 0 or 1, yes or no, black and white. The quantum world is much more cosmopolitan, and in a computer, each bit exists as the two possible states simultaneously, until called into action by a computation. Ergo, a quantum computer is almost infinitely more powerful than the one I use at home.

The Babel fish is a quantum computer program, which uses that enormous processing power to detect frequencies outside of normal audible range, then process them against a mind-bogglingly big database of animal sounds and human languages, before decoding it all into an audible form. I could talk to animals with it. I wondered how it did that, and how much of what I’d heard had to be accepted on faith, of the Babel fish doing a good job. If a dog had told me it loved me, for example, I had to accept that it did.

“So,” I said to Hannah, “who’s next?”

“Oh yes,” she said, clearing her throat and picking her notes up dramatically (I told her it would work better this way). “Next,” she continued “is Hannibal Lecter.” We both paused.

Hannibal was only one half, with Lecter his partner. They were Roborovski, which might pass as a cyborg Russian gang in another story, but in this one they were Roborovski hamsters, belonging to a girl called Nina.

Nina was a curious girl, both in nature and the story she didn’t tell, perhaps because she couldn’t. I almost did a double-take when she walked into the room with Hannah, as though a younger Hannah had walked in with her older self. So struck was I, that I kept looking at the door, to see if another Hannah toddled or crawled in.

I had to trust the Babel fish to do only as it was instructed, as it apparently worked on inaudible frequencies. When I’d tested it previously, it had picked up things which might not have been wilfully spoken by the translated subject; other voices, perhaps thoughts. I tuned it to simply translate from hamster to human, placing the Babel fish headphones on my head in such a way that only I could hear the hamsters in my right ear, while listening to the room with my left for context. As far as I could tell, the hamsters were in a box which Nina placed on Hannah’s consulting table.

“That,” Hannah pointed in my direction, and I looked behind me, “is Mr Fry. Try to ignore him.” I turned back to smile, adjusting the headphones like Princess Leia struggling with her hair. “So,” Hannah continued, “who do we have here?” even though we knew. “Hannibal and Lecter”, which is what we knew, “hamsters”, which we also knew. “May I ask, why?” We didn’t know that.

“It’s my favourite film,” Nina replied, even though The Silence of the Lambs wasn’t about hamsters. She lifted a cage from the box, and in the cage was another, smaller box, some sawdust, bedding, a food bowl and a water bottle. The box within the cage, within the box, struck me as a sensible carriage solution, ensuring the hamsters were safe, and effectively at home, to reduce stress. But as Nina lifted them from the small box, I was half expecting them to be wearing face masks and strapped to a trolley. “This one’s Hannibal”, she said, lifting the first hamster out. “And this is Lecter,” which was entirely to be expected of the second one.

Now with the relative freedom of the cage, it was obvious which rodent was which. Hannibal seemed the dominant of the two, rummaging in the bedding, while Lecter was the more observant, blinking in the light and looking around.

“So,” Hannah said, “what’s up with these two?”

“Well,” Nina replied, “that one,” she pointed to Hannibal, “keeps throwing shit at that one,” at Lecter. “I think he might be bored.” Nina was very intuitive, and, I now realised, had similar mannerisms to Hannah. For a moment, it was as though I was even more of a spare part than usual: Hannah and Nina were somehow the same, and so too were the hamsters. All I had was the Babel fish, so I turned the volume up in my right ear.

“Shit,” was all I heard, from a small, male voice. Then a curious thing happened:

Hannibal had indeed thrown a turd at Lecter, who peered around through the bars of the cage. Meanwhile, Hannibal was back to rummaging in the bed, occasionally storing things in his cheeks, possibly more ammunition. Lecter continued to look conspiratorial, then, when he seemed sure no-one was watching, he flung the turd back at Hannibal. “Shit, you,” he said.

“So,” someone said in my left ear. It was Hannah. “You think one might be bullying the other.”

“No,” Nina said. She was quite assertive. “I think they’re playing shit tag.” Then Hannah did something unexpected:

“Fucking hell,” she said. “You could be right. Hamsters do learn quickly.”

“So they’re amusing themselves,” Nina said, “or it could be love”. That seemed an odd thing to say. “But that’s my worry,” which was even more unexpected, “that they’re bored. So I wondered if you’d have any ideas on helping them learn.” I wondered how much she knew about Doctor Jones.

“Once upon a time,” Hannah began a story I didn’t know I was writing, “Mr Fry,” that’s me, “there, used to be just like Hannibal Lecter.” I couldn’t disagree, that was a good opening.

Nina looked at me, looking more like Carrie Fisher than Anthony Hopkins. “He needed something to keep him occupied.” I suppose that was one way to put it. “And now,” Hannah continued, “he writes.” And that was a nice way to both end and begin things. “So I wonder,” she began again, “if the Babel fish might help in this?”

So now I really was a spare part.

I suppose Hannah meant, use the fish to listen to the hamsters, to get a better insight into them. Ever since she’d overcome her initial reluctance to use the fish in her work (so as to be “less confused”), and she’d realised an insight might be useful input for her. It worked like this: The Babel fish translated the animals, and I listened in, but Hannah didn’t. It was up to me, as a writer able to do such a thing, to translate that further, sort of into only what she needed to know.

“Mr Fry?” The younger Hannah was speaking to me now, and I moved the settings around on the Babel fish, hoping to confuse it. For my part, I was very confused, as though I was somehow split over the fourth dimension, with ends 15 years apart. Knowing as I did, that Hannah had a degree in human psychology, I could be looking into a mind’s future, possibly that of a psychopath. I really hoped Nina turned out like Hannah.

“Yes,” I said, because I wasn’t sure whether to tell her to call me Simon.

“I read about the Babel fish.” I assumed she’d read Douglas Adams’ Hitch Hiker’s Guide to the Galaxy. This Babel fish was very much connected to that, so it didn’t really matter which books Nina had read.

“Oh, good,” I said. “Well this one does exactly the same. So let’s see what happens.”

Everyone happens in their current position, so I tuned back into the hamsters:

“Do you ever think about the bars?” Hannibal asked.

“Most of the time,” Lecter replied, “they’re always here, why? Do you think there might be a cat in that box over there?”

“I don’t have to think about it until someone opens it. The bars: to imprison us, or protect us? Keep us together, or keep us away from others?”

“Simon?” This was Hannah.

“Yes,” I replied.

“Are they saying anything?” Nina asked.

“Yes,” I said, “they are,” because they were. “I just need to translate it,” which I did.

Hannibal Lecter spoke at length, about fava beans (we call them broad beans), and how nice they taste, and of how that’s like sharing something made by the earth, like the breaking of bread. And how their water is like Chianti, like the blood which binds us all. And about their incarceration for no crime, when their wider family were free. Then about being grateful for the gift of protected life in the cage. They philosophised, about being great thinkers given sanctuary, but unable to spread their message. It was a problem which I and billions of others would empathise with, now it was countless trillions of others, unheard, but for the miracle of the Babel fish.

While this was all going on in my right ear, the young Hannah Jones spoke to her older self, first about game concepts, then onto computers, wildlife, and the human condition. They could both be noted philosophers themselves, outside of that room’s sudden connectivity of humanity, when two people meet and click.

Quantum entanglement is that which we all have with the rest of the universe, and every living thing within it. All of the matter in the universe was born of the big bang, and at the point of that explosion of reality, every sub-atomic particle was torn apart. But each retained a quantum connection to its partner, quantum physics being that everything exists in two states simultaneously. Ergo, each of us is made of the Big Bang, and every one of us contains those fragments which are still connected to their counterparts, all over the universe. What’s even more mind-bogglingly, is that the hamsters are latching on to this. But what all the other unheard voices might have to say is something I’ve not found out yet, so that’s for another time.

“Mr Fry?” Nina was calling me now, Hannah in a previous life. This was becoming surreal.

“Yes,” I said, preserving the anonymity of my addressee. “I’m wondering how to decode this.”

“Aren’t you a writer?”

“Well, I thought I might be.”

“Well,” Nina continued, “there was this time, in a shed.” What kind of story was this, and who was writing now? “My cat had been at my arm a bit, and I drew something on my wrist: a pair of scissors, with “Cut here” in Biro. And this guy I knew at the time said to do it, to cut myself.” Why was she telling me this? “It makes a nice story, because he said if I did it, he’d be sad. Just that, just sad. But sometimes words carry. And he had kids he didn’t see much. And if he was sad, so would they be. So I didn’t do it. I couldn’t do it to him. But what he said at the end really stuck: “You can only do it to yourself.” And I still remember. So it’s a story.”

“Everyone has one. It’s a brave person who tells their own,” I said, to the future.

“Simon.” It was Hannah who returned me to the room.

“I was thinking,” I said (I was, wondering if I’d just been abducted by aliens) “it’s best to just keep talking. Hannibal Lecter here seems quite well balanced and in touch with things as far as I can tell. Just keep talking while you’re around them. It engages them, and hamsters are quick learners.”

“Such a shame they don’t live for long,” Nina said, which was both deep and dark.

Hannah showed her younger potential self and Hannibal Lecter out, then returned as a single entity.

“So?” Hannah’s glasses tilted quizzically.

“I think I might know how the Babel fish works,” I announced. “Both this one, and the one Douglas invented.”

“Connection.” I wasn’t sure if Hannah asked a question, or had just made one, so I agreed:

“Pretty much,” I said. “You were right about the hamsters, so was Nina: they’re quick learners, looking to occupy their minds. Perhaps they’ll one day have trouble containing them. And somehow, both of you were able to see into the future, without my benefit of the fish, or perhaps that’s just helped me interpret things this way.”

“What way?”

“That the Babel fish really does work on telepathy. That’s provable now with science.”

“Quantum entanglement?”

“Everything is connected, Hannah. I think I’ve worked out why I write it all down as well. It’s because they’re stories, mine and those of others, and the beginnings of many more. And we only write them down, in case we die.

“The entanglement is in our minds, because we who think, long for knowledge. And it’s in what we share with others, or in my case, write. I think there’s more to hamsters than meets the eye. Never judge a book and all that. It’s what’s inside. But that’s in all of us. So what I learned, is I’m not that special, but none of us should feel trapped, which is quite depressing. So I thought about it another way.”

And then I myself said something which even I didn’t expect, because it just occurred to me:

“It’s entirely possible, to be in love with someone and not want to reproduce with them.”

“Have you been out in the sun? Your face looks a bit burned, like Richard Dreyfuss in Close Encounters of the Third Kind.” And there I was thinking I was Princess Leia.

“Things happen,” I said, “because people make them. The Babel fish could make good things happen much quicker, if we could all talk. Humans aren’t ready to know what everyone else is thinking though, which is why I write this as fiction.”

I hope Nina spoke more about this to Hannibal Lecter.

© Steve Laker, 2017

Cyrus Song is available now. My new anthology – The Unfinished Literary Agency – is published in January.