The minimalism of verse, existentialism with anthropomorphism…
Mushrooms grown in the dark are best served as appetisers.
Where you’re from doesn’t have to be where you were born. Your heart can come to life many years after you’d merely breathed to find belonging. Where you’re from is where your heart beats, and for me that resides in an ode to London SE13, and especially SE6. It’s a world where nature prevails, word on the street is the jungle book, and cats wear murder mittens…
THE WRITER’S LIFE | POETRY
My typewriter uses magnets to get the hammers to hit the paper, because I need help to press the keys. Don’t ask me why I eat my cornflakes from a coffee mug with a small spoon: I’m quite content and I know what I’m doing, putting my writing into the overhead locker.
It’s been like that since my right wing broke and I crash-landed on the streets. Unlikely to ever regain the heady financial heights of running a company into the ground and milking it for all it was worth, the left wing poet started crowing.
The lead is still in my chest, the flapping in the gutter never allowing me an escape through the portcullis of a wrought iron drain cover. Sober now but always an alcoholic (a medical fact), and forever toxic to some of those whose lives I touched, writing is my therapy and an escape from social isolation. Sometimes that’s just a few words to the gathered audience of myself.
We wrote a poem about what’s in and out of the Cerberus head, for one a micro fiction tale of several thousand pounds used as a bankroll to play poker, before I had to pay a supplier to keep my knees, when he called round at my converted manor house flat. I needed to be shot down.
If I had a hammer and a fuzzbox
With my mind full of ghosts, it helps to spew into the typewriter. If I were to exorcise everything, I’d need an eternity in which to remain awake. That’s when I talk to myself, often all night. There’ll usually come a point where I realise everything I’ve said can be edited and condensed, which is why my longhand notes fill a wall (I keep a notepad next to my bed).
How you’re feeling in your own room is like the 19-word synopsis for this post in the verse above, about the fuel at both ends of the candle, all day and every day: depression.
But the strange thing is, that thing which envelops me is also a comfort blanket. When you’re alone, your own brain can become your enemy, so you make friends with one of its quirks.
“Because one day we won’t be able to.”
That’s why, if someone gave me a big red button to switch it all off, reset my brain and be ‘Normal’, I’d refuse. I’ve seen what’s considered normal, and I don’t like it. Because when you find a place where you can be yourself, where you can have a ball playing you on stage, that’s a place you want to be yourself, even if you’re only dancing in front of the mirror. Typewriters carrying on as luggage.
In here, I can meet you, me, and everyone we see. I can explore the universe and tell tales of what happens to us in the future. You are the spaceport security scanning my typewriter, and you don’t mind sitting next to me on a spaceship. Thanks for travelling with me, even when we have to land the ship at Jumbo Harbour to refuel.
Every night has a day, and every day has a night, depending on when you sleep. That’s meant to dictate when you eat. Thanks for not questioning why I use pencils as chopsticks.
GREEN INFERNO PRAYER
Paula Nancy Millstone Jennings, fear me and my poetic pseudonym.
While I’m still being processed and oppressed by the fascist regime’s murderous social cleansing machine, I’m a writer with many words stored but fewer to express. I use poetry, naturally, but lately I’ve been toying with haiku.
Haiku is of course the Japanese form of poetry, where a verse is three lines – rarely rhyming – of five, seven and five syllables. The art is in using the minimalist (even for poetry) structure, not so much to tell a story as capture an instant.
If you’re really good, you might write more than one meaning into the same few words. This was a quick one I knocked up in an existential moment, about an individual life, the universe and everything.
GREEN-ISH BLUE SNEEZE
I don’t know if she ever took up Haiku, but who’s afraid of Paula Nancy Millstone Jennings anyway?
Haiku is like a poetic sneeze, a kind of Japanese onomatopoeia.
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