Caught in the factory traffic

HORROR FICTION

Blood dripping

I wrote the first version of this story five years ago, when it was mostly a comment on the abusive practices inflicted by humans around the world on their own kind (including their loved ones). Today it’s perhaps more a reminder of why people flee their own homes, and of all those silent voices who find themselves on the street.

Caught in the traffic, in a jam, going underground. Above on the South Bank, the big wheel keeps on turning. The world spins a massive attack, as the killing goes on softly…

Soho Red Light‘The red lights of London’ (Joy Muldoon, BindingTheBroken blog)

THE SOUND OF SILENCE

Extra Strong mints won’t cut it, and Polos don’t even take that starchy potato smell away. A friend of a fisherman is the best thing to suck furiously, then swallow repeatedly just to get rid of the taste. A lurid pink taxi sign behind the man read “XI’s”, the apostrophe as redundant as her numbed lips. “Ready or not,” she whispered.

A printed sign hung in the window:

TATTOOS
PIERCINGS
BODY MODIFICATION
COURIER AND CHAUFFEUR SERVICE
PRIVATE MEDICAL CARE
HERBAL REMEDIES
SEX TOYS
DVDs
DENTISTRY
CORRECTIVE SURGERY
NO CHILDREN

LOVE IS LOVE

The bottom line written in black and blue. A child wouldn’t understand. The accident was Sioux’s fault. Customers like going bareback. Should have taken the pills.

Inside smelled of spiritual herbs, and two old ladies, like Ron Mueck sculptures, just slightly too small to be fully real, sat humming tunes in a corner. A white man with dark dreadlocks parted a tatty curtain, like a Rasta Wizard of Oz. He beckoned Sioux into the room behind him. “Welcome to my home. I is Xi.”

The pose was familiar from so many strangers’ beds: legs spread as she looked down at a clenched fist between them. The old ladies outside were singing, “Come into this room / Come into this gloom / See the red light rinsing / Another shutter slut wincing…”

It’s an old tradition,” Xi said, his tones deep in his throat, a cocktail of nomadic Irish and Jamaican. “They sing or chant to herald the passing of a life.” He looked up between her knees. “I’ve been asked to do two things today. I don’t say why, I just do what’s asked, make deliveries and get paid. I ain’t been many places but I read a lot.

Human nature, I find that shit fascinating. Fashion, culture and tradition. That’s how I got into piercing and tattoos. I’ve travelled around the world in seas of ink, and I get to see a whole load of shit as it passes through here. I need you to give me a push.”

Xi looked up as he placed a baby’s arm in a silver dish.

The body modification was a logical progression. As I explored, I saw some of the tribal practices. I taught me the techniques, and I can apply them here. Some ain’t legal in this country, but I don’t dig no religious debate. If someone wants something done, I do what asked. Some can be undone, and people come to me to put shit right. But some of it’s permanent, like an injury go change your life. I don’t like that shit.”

Another push and two legs splashed in the bowl.

The Dinka Tribe of South Sudan, man: gratuitous self-harm, harm inflicted by elders on those too young to think it anything other than normal. But I’m paid to not have an opinion. Most Dinka boys and girls? They don’t cry when the local sorcerer takes a red-hot knife to their dark faces. If they wince or cry or react to the pain, they will lose face in the community, so it’s best to sit through the process in peace. Facial scarification in tribesmen give identity to the tribe, and beauty to its women. Man.”

A squelch, and another arm.

When it came to the children, that shit wrestled with my conscience. I won’t impose my will upon no child, but I have to respect cultures which do, see? Was my respect for the parents’ culture greater than the welfare of the child? I have to conclude that I is doing my job. The ‘No children’ thing was exclusive anyway. I don’t like that discrimination: children get raped too. I see so much shit, others just close they eyes.

The Kayan Giraffe women in Northern Thailand? They wear brass rings around their necks, make them look all long. But that’s an illusion: more coils is added? The weight of them necklaces presses down, and that clavicle shit is lowered. With each additional ring it falls further, compressing the rib cage as well. The shoulders eventually fall away to get that long neck shit going on.

They’ve been known to wear up to twenty five coils. And it ain’t true their necks break if them rings removed. No, I know because I removed twenty rings from this one girl? She looked like one of them extraterrestrials.

They give them kids their first coils aged around five. The first set weighs around two kilos, then they add new rings. Cruelty for vanity’s sake, maybe, but that alien girl was beautiful.

How is any of this shit any worse than cutting open a woman’s chest and putting silicone bags in her titties? Or cutting off someone’s nose and re-modelling it with putty?”

The head was next, no first scream of breath. It looked at Sioux, and a shrunken version of herself looked back. She saw nothing of the father.

Just this last bit,” Xi said. It was a boy. In some parts of the world, a second or female child is unwanted.

We all done with that first part. You know what? You ain’t cried, you ain’t spoke, you ain’t done nothing.” Xi wiped up and laid a newspaper over the silver dish. “They do births, marriages and deaths. I do hatches, matches, dispatches and snatches. I ain’t doin’ no damage which can’t be undone. The only Ska I do is the music. Take these and come with me. They’s pills, and run.”

Xi locked up the shop. The two ladies were singing as they left: “My night shift sisters / With your nightly visitor / A new vocation in life / My love with a knife…”

Sioux and Xi walked, and diesel fumes signalled a London taxi.

Where to guv?”

Wherever it’s happening.”

Sioux blinked at the bright city lights speeding past. On the radio, The Fugees.

Ready or not, here I come.”

blood film strip

© Steve Laker, 2018

This was the sound of silence.

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Master Yehudi’s Flying Circus

SCIENCE FICTION

After years of humans questioning whether they’re out there, it turns out the aliens found us a long time ago, and we’re actually all part of a big human zoo. That’s what some scientists are claiming, anyway.

When I was homeless, sometimes I wished I could have escaped. Only sometimes? It depends on the definition of escape. For the most part while I was on the road, I tried to make the best of whatever I had. The squat became almost an unofficial social drop-in centre for wayward teens and the police alike.

There were many good times, and time spent on the streets brings you into contact with all kinds of humanity. Only once did I try to escape using ‘The Drop’: A crude construction two of us rigged up, with a ladder and some electrical cable. A miscalculation of cable length vs. distance to floor ratio, only resulted in an epic hanging fail on my part. There was much mirth afterwards as it happened: A celebration of failure.

The 25 stories in The Perpetuity of Memory were written in many different places, both physical and personal: Psychological horror when I myself was terrified, and the odd bit of whimsy, when I was comfortable enough in my surroundings to forget things and escape for a while. Master Yehudi’s Flying Circus is one such tale.

Many of my stories cross over into others, and while Master Yehudi was inspired by Paul Auster’s Mr Vertigo, he crops up in a different incarnation in Of Mice and Boys in 1984, from my second anthology, The Unfinished Literary Agency.

Dali Elephants

MASTER YEHUDI’S FLYING CIRCUS

Master Yehudi could walk on water, and he could fly. He could travel through time and space, in the blink of an eye. Today, Master Yehudi’s Flying Circus was coming to the village.

No-one knew what to expect. Master Yehudi himself was a mystery. His circus and stories of his miracles were folklore and fairy tales, to all but the village elders. According to them, the show would usually arrive with less than a day’s notice, and only remain in one place for a matter of hours.

The flyers heralding the arrival of the circus had appeared overnight, crudely pasted onto walls around the village, advertising what could have been a Victorian circus sideshow, or a 1950s drive-in movie. Large red letters on a yellow background proclaimed:

STRANGE BEINGS FROM ANOTHER WORLD!

MASTER YEHUDI PRESENTS:
THE INCREDIBLE FLOATING ELEPHANT GIRLS!

Underneath were comic book pictures, of Dali-esque elephants, floating in a blue-grey sky above a desert.

The village was busier than usual. Hardly surprising, considering the expectation. All of village life was laid out under an ultramarine sky. The farmer had brought cheese, butter and livestock. The farmer’s wife milked cows and filled small wooden cups with warm milk for the children. The butcher and fishmonger were serving up hot food from a barbecue. The baker had made extra bread, and was doing a brisk trade as families set out picnic blankets on the green in front of the ale house. The innkeeper and his wife served beer and wine, while a string quartet of one family’s children provided the music on sitar, harpsichord, lute and harp.

Everyone wore their best clothes, parents pleading with children to try to keep clean, at least until the visitors had left. Local businesses, some rivals, competed to attract the most custom from the captive audience. Villagers skilled in different crafts set out their stalls, selling elephant girl knitted dolls, sculptures made from wood and clay, drawings and paintings. One enterprising soul was selling the incredible floating elephant girls themselves, his sign shouting:

ADOPT YOUR OWN INCREDIBLE FLOATING ELEPHANT GIRL!

Housewives scrubbed their doorsteps, as though expecting the mysterious Master Yehudi to cross their thresholds. The menfolk mainly strutted, preened, and compared themselves to their neighbours. The mayor surveyed all, as he patrolled with the sheriff and his deputy. Behind them were local councillors from various political groups, jostling for the best space from which to witness the coming spectacle. A small group of protesters had gathered on the green, their hand-written placards held aloft:

LIBERATE THE SLAVES!

THEY ARE NOT FREAKS!

BY BEING HERE, YOU ARE ENCOURAGING THEIR EXPLOITATION!

A lone counter-protester’s banner read simply:

GO HOME!

Mixed youth factions milled around, maintaining an uneasy tolerance to be able to witness something greater than themselves. Purveyors of narcotics traded their wares, under the knowing and receptive noses of the law.

The Creationists and The Atheistic Church had both laid out their stalls, and had a sort of preach-rap burn going on:

“The elephant girls are proof of God’s creation on other planets.”

“The bible says that God created only this planet. The elephant girls are proof that he doesn’t exist.”

And so on.

The general murmur of conversation on the green, punctuated by the occasional raising of voices in protest or merriment, gradually became softer, as a new sound slipped into the arena: a low hum, pierced at regular intervals by a rasping, hissing sound. As the background talk faded, the sound grew louder. The humming became more defined, sounding like helicopters. The hissing grew deeper, like a steam locomotive. But the source of the noise remained unseen. The assembled villagers gazed at the sky; clear, but for the sun and a few thin lines of cloud, like chalk marks on a pool table. The blue sky darkened, taking on an orange hue, then began to ripple like an ocean, as a dark shape materialised and partially obscured the sun.

The object moved gradually, with a whop, whop, shoosh, eventually becoming stationary beneath a spotlight sun. The new arrival was around one hundred yards from the closest observers, and a similar distance above ground. It was about the size of a stable block for four horses. Just as gradually as it had moved horizontally, the object then began to descend, the whop, whop, shoosh rhythm joined by an expelling of air as it touched down.

The main body of the ship – for it seemed logical to assume it to be some form of transport – was made from wood: not constructed of wood, but carved from a single piece. Apertures of various sizes afforded a glimpse of inner workings made of metal: cogs, pistons, chains…It was like a piece of alien driftwood, driven by clockwork and powered ashore by steam.

At the top of the craft were two pairs of spiral rotors, like apple peel and seemingly made of parchment or hide, stretched over wooden frames. Da Vinci’s drawings of flying craft made reality. On each corner of the roof stood a copper chimney, puffing steam as the workings of the machine below them continued to operate. The curious moved closer, while the apprehensive remained behind, and the fearful fled.

“Gather round everyone,” a voice from within the craft requested. “Don’t be alarmed. The creatures I bring to show you today are harmless. They are contained, so they pose no threat to you. In fact, their containment is for their own protection and survival, for it mimics the conditions which they are used to at home. My name is Yehudi. I am a traveller. On my travels, I collect many strange objects and creatures. I like to share my discoveries, and today my travelling show brings you the floating elephant girls.”

The rotors on the roof of the structure began to rotate faster and the soft beat of the steaming chimneys grew louder. Through the portholes, the inner workings of the machine became more urgent, then the front of Master Yehudi’s Circus sprang apart, like wooden shutters hastily thrown open on a hot day.

Behind the wooden doors was a glass-fronted wooden tank. It contained no water, yet the creatures inside seemed to be floating. The curious grew more curious still and approached the tank. Some of the occupants of the tank moved closer to the glass front. Now only a few feet away, the creatures in the tank were around the size of a rat. Instead of fur, they were covered in a wrinkled grey skin: they did indeed resemble miniature elephants. They had large ears, which they flapped gently to move around inside the tank. Instead of pachyderm features, the creatures had simian faces: eyes, nose and mouth, like those of the great apes. Some of the mouths were animated, as though breathing the water which was absent from the tank. As one elephant-ape moved its lips, others watched, then some copied: were they talking?

As the villagers grew more fascinated, some moved still closer to the tank. A small group of the elephant girls also moved closer to the glass. They weren’t tethered and floating. They had long, thin legs, like the elephants Salvador Dali painted. One of the village children rushed toward the glass. All eyes on the other side fixed on the child.

“Stop. Please do not alarm them.” Master Yehudi’s disembodied voice came from the circus ship again. “Ladies. Gentlemen. Children. These are the elephant girls. As you can now see, they do not float but they appear to, on their impossibly thin legs. Their legs look they should snap under the weight of their bodies and indeed, in your atmosphere, they would. The atmosphere where these come from, is so thick a collection of gases, that it is almost liquid. The elephant girls swim in the atmosphere of their own world, which I have recreated for them here. I regret that on this occasion, we are pushed for time as we have many places to visit. As such, I’m afraid I shall not be able to entertain questions.”

The circus ship closed its doors and the apple peel propellers span faster, until the travelling show steamed off like a train, panting impatiently to get to its next stop.

Master Yehudi stood up and approached the tank. “So children, that was Earth. I told you it was a curious place and one worthy of visiting only briefly. Humans are an interesting species, are they not? Well, now you can tell your parents that you actually saw some. Where would you like to go next?”

© Steve Laker, 2016.

My books are available on Amazon.

Alien chest (with instructions)

FLASH FICTION

Hellraiser Cube

As an alien visitor to this place, I needed to get rid of an old chest I’d been carrying around for far too long, so I tried giving it away for free. I found talking difficult, and I wasn’t sure anyone understood me.

Sorry, we’re just closing.”

But I’d like to donate this.”

Is it broken?”

I just can’t get it work. I figure someone else might make better use of it.”

But it’s yours. Doesn’t it have sentimental value?”

It’s pretty empty.”

So why would we want it?”

Because it’s pretty when it’s empty. You’re a charity, right?”

We are, but I think you might be better off going to a hospital.”

I couldn’t be bothered with the walk, so I lay down outside the British Heart Embassy, hoping they might find the manufacturer and send the antique inside the chest for repair.

facehugger02

My head felt better.

hellraiserfaceswab

A shaved Bungle from Rainbow

THE WRITER’S LIFE

If I were asked to describe Donald Trump in metaphors, I’d probably go with a cross between a head injury and a plastic sack wrapped around a lamp post in the wind. But I wasn’t asked.

Jason Hazeley and Joel Morris are the writers behind Charlie Brooker’s Wipe, but sadly Wipe 2017 was cancelled as Brooker was too busy making more episodes of Black Mirror. They’ve shared some notes they made which came from a brainstorm, “Describe Donald Trump,” and put them on a charity T-shirt, with all profits going to The Refugee Community Kitchen, a charity providing meals to displaced people both in the UK and abroad. The insults on the shirt are splendidly juvenile, and it’s all in a good cause.

Trump globe

My shirt arrived today, and the full text on the front (see below) reads as follows:

A man who looks like he’s constantly shitting. The face from a leaflet about blood pressure. Pig off of Pipkins. Father Jack. A guinea pig in a Toby Jug. Your first girlfriend’s horrible dad. The evil Beach Boy. Someone trick or treating as Paddy Ashdown. A kitten balanced on a Chelsea bun. A fist full of straw. A live-action reboot of President Business from the Lego Movie. A talking haystack. A totem pole made of fish paste. A cross between Silvio Berlusconi and Boss Hogg. A walking wig named after a fart. Worzel Gummidge after a spa weekend. A man who’s sprayed the top of his head with so much thickener, it’s got into his brain. The evil Bruce Forsyth. The Cheshire Cunt. Less a politician than a bag of hair through which stupid ideas could pass. Fascist Bagpuss. Primitive He-Man doll made by a feral child out of straw and turnips. Ageing He-Man cosplayer dressed for court appearance. A fist with hair. A home-made Alec Baldwin. A baboon’s arse poking out from under a fucked doormat. An American businessman from a Two Ronnies Dallas sketch. Hitler Simpson. Donnie Dorko. The sheriff from Live and Let Die. The crude bigoted mayor from a simplistic children’s film about racial tolerance. A shaved Bungle. A billionaire bigot who looks a bit sweaty because he’s trying to smuggle the prototype of a giant Shredded Wheat out of the factory by hiding it above his forehead. A Vic Reeves drawing of Jimmy Savile. Your dad, drunk on Boxing Day, but with a Tribble on his head. An orange supremacist. The words ‘HOW HARD CAN IT BE’ in a suit. The American Boris Johnson, but like their milkshakes, the American version is much, much thicker – and even worse for you. A man who looks like a clingfilm bag of tinned frankfurters that’s been kicked through a cobweb. A character that, had it been invented by Roald Dahl, wouldn’t have made it to the end of a factory visit. A lame 80s fish-out-of-water movie president. The furious orange. Mickey Blowoff. Gropey Doo. Buzz Shiteyear. Head like a cartoon cat squashed into a mailbox. His smashed handbag of a face. The sort of face David Cameron might stick his dick in for a bet. The kind of face that if it appeared outside your window might, ironically, make you consider building a wall to keep it out. If he kissed a baby, it’d probably just be a first step in a long game of going to bed with it in eighteen years. A soulless rich white male who claims to represent ordinary, hard-working people – in much the same way I could be said to represent the Brazilian grimecore community or the nineteen-headed creatures of the planet Blitheroid or the international carpet-eating association. It was surprising to find out that he was a juvenile, entitled, chauvinist locker room dick, because he looks more like a horse rapist. Farage compared him to a Silverback gorilla, probably meaning that once in captivity in the White House, he’d sulk in a corner, masturbating and going insane.

TheDonald Tee shirt

Support Refugee Community Kitchen and wear an offensive stream of consciousness upon your person.