A tale of future biblical scribes

FICTIONAL REALISM

I maintain that the bible could be a record of actual events, recorded by the scholars of the time using the language and tools available to them. I’ve suggested that if ancient scribes had access to mobile phones, we’d have far more convincing evidence. I don’t know yet what of.

orangutan_cameraDear Stephen Hawking…”

As one who also believes that “God” could have been an extraterrestrial visitor with advanced technology which we might not even recognise now, I see references to magic mirrors and fire-breathing dragons in the bible, and wonder if they might have been tablet computers and spacecraft.

This came in to The Unfinished Literary Agency earlier (a fictional place of my creation, which exists to tell the stories of others who can’t), as a text file with an attachment I couldn’t open at first. Some books, chapters and verses of the bible are very short (‘Jesus wept’), perhaps because the author didn’t have much time to write…

THE GOSPEL ACCORDING TO TUAN

[1] Then there came a dragon, orange like the sun. [2] The Sun God was angry [3] and the beast he sent was angry. [4] The dragon had the neck of a giraffe, wearing a giant knight’s armour [5] the body of a rhinoceros [6] and the head of a hammerhead shark. [7] The sun dragon snapped trees in half and fed on them. [8] The tree people feared for their homes. [9] Food for the sun dragon was home to the tree people.

[10] Tuan was brave. [11] And the bold one faced the dragon. [12] There were apes with the dragon. [13] They were pale, thin apes. [14] They covered themselves with elaborate loins. [15] There was writing on them. [16] It was in code and glyphs. [17] Tuan could understand them when they spake. [18] Some of the pale apes said they came to help. [19] One pale ape was sitting in the body of the sun dragon. [20] Tuan spoke.

[21] Tuan said, the dragon eats trees. [22] Tuan said, my family live in the trees. [23] Tuan said, the sun dragon took my family. [24] The pale apes didn’t understand.

[25] Tuan fought the dragon. [26] The dragon and the pale apes tricked him. [27] Tuan jumped to join his family [28] away from the jaws of the beast [29] into the disappearing green inferno below.

[30] The tree people wrote stories [31] on the trees. [32] Stories of their gods [33] eaten by another god.

If only there’d been someone there to record it.

I can’t begin to imagine the fear, but I’m humbled by his bravery. This is one of our closest relatives, made homeless by us. And this was filmed five years ago. Since then, forests the size of countries have been cleared, just to feed the selfish human gene.

Greed is murder, and while there are humans doing this, we all have blood on our hands as a species. Perhaps this is what happened to ancient humans once, way back in ancient history, when something they didn’t understand happened. It could happen again, and I have to say, if there are any superior species reading, humans deserve it.

For now, say no to palm oil. One inconvenience in the human food chain could lead to a greater awareness of what all that oil is for: cheap, processed human food, or food for livestock, reared exclusively for human consumption. The more I reduce my meat intake, the greater my awareness that each mouthful of flesh might as well be from an animal on the brink of extinction. It’s only one step removed.

It’s one of the many reasons I wrote Cyrus Song, a mainly vegetarian novel.

Indah“…You called?”

…Who knows, if you are looking for the Answer to the Ultimate Question of Life, the Universe, and Everything, you might just find it here, or in the ‘Cyrus Song’ of our planet. In the meantime, taking Steve Laker’s and Stephen Hawking’s advice, we all need ‘to keep talking’, and as long as there are books like these, keep reading.”

The full review is here.

Tuan is a name borrowed from a Bornean orang-utan at Chester Zoo, who operate orang-utan and other conservation projects in south east Asia. 

With my head in the cloud cities

THE WRITER’S LIFE | ON EARTH

As a science fiction writer, I give plausibility to my stories with some grounding in scientific fact. Some of my near-future worlds are simply based on what I see around me, and how things might develop, one way or another. Like many modern thinkers, I can’t imagine life on Earth as we know it more than a few decades from now. The human population is growing, and our planet only has finite resources. We need to move out…

saby-menyhei-cloudcity-final-v001Saby Menyhei

I’m anti-capitalist, generally-speaking (I have to be: I’m an anarchist, and because my own companies folded when I was drinking), and I’ve sometimes wondered, what’s the ultimate aim? Not being rich myself, I simply can’t imagine devoting my life to making as much money as possible, and never really stopping to enjoy it (but then most capitalists are immune to everything but themselves). There’s only so much room on the planet, only so many raw materials and consumers. That’s a discussion for another time, but it’s relevant to humanity’s current position, where people like Stephen Hawking, Jeff Bezos and Elon Musk agree, that humans need to start leaving Earth within the next century. Great minds think alike (and so does mine).

There is one way we could stay on this planet a little longer: If we all turned vegetarian. Any argument that we evolved as carnivores is irrelevant to a species as advanced as ours, able to maintain good health without eating other people. The retort that we’d be over-run with animals if we didn’t eat them is largely redundant, when there are more animals raised as livestock for human consumption than there are animals in the wild. Those animals we rear and breed require food too, and crops to grow that food needs land. We also steal the young and the maternal milk of the animals we share this planet with. We imprison other autonomous, self-determining beings, for our own consumption, simply because we can, and because they can’t argue or fight back.

As the human population has grown, we’ve lacked foresight to keep it in check and maintain a sustainable environment. Instead, we’ve destroyed the homes of others to make way for ourselves, with no apparent thought for the long-term and permanent damage we’ve done, yet still we’re clearing areas of forest for palm oil, to feed ourselves and our livestock. The greater moral and ethical case for vegetarianism though, is the limited size of our one world: It’s theirs, we just live with them. They were here first. As a species, humans are really quite unpleasant, and I pity any other worlds we might one day populate.

We need to shrink our sense of entitlement, accept that there’s no room for human greed, give up much of what we’ve stolen, and make space for the others whose planet we invaded. We’re unique as a species, but not just in our selfishness. We have the ability to communicate in complex language, to imagine and invent. The problem humanity has is itself, when we’re prone to conflict over our own ideals, and because big plans require co-operation. In the absence of any extraterrestrial agent appearing, to unite warring factions against a new and common foe (or interest), the nearest we have is what’s around us. It doesn’t require the imagination of a hostile or altruistic alien visitor, it just needs us to open our eyes to what we’ve done.

Among the few capitalists I admire, Jeff Bezos and Elon Musk represent a positive future, built on technology, and for the benefit of all. They are among long-term visionaries, who see greater gains further ahead than the traditional short-term gain capitalist. They imagine the advancement of humans as a species, through co-operation, exploration and discovery, and they see a future world built on social capitalism. Long-term gains are a satisfaction with life, not currency. But it needs money to get there.

Bezos’ business model is surprisingly simple: He built his fortune through Amazon, which used the existing infrastructure of the internet. His and others’ vision is to build a technological infrastructure which others can plug into, very much like every business which uses the World Wide Web. His is also a massive and ambitious vision: Cloud cities.

We have the technology, and the likes of Bezos and Musk have the money (a fanciful thing like a cloud city isn’t likely to be government or state-sponsored, yet). It’s estimated that there are enough minerals, elements and other raw materials within near-Earth asteroids to build an 8000-storey building which covers the entire surface of the planet, which would clearly defeat the object but it’s illustrative nonetheless.

We can build spacecraft to mine the asteroids, and process the materials to construct infrastructure. Eventually we’d have industrial facilities in Earth orbit, or geostationary in near-Earth space (or even tethered to the surface). From those factories, we can produce, process, and manufacture to fulfil our needs, and we can design and build further, with the cloud cities as outposts for onward future exploration. With its available resources and lack of gravity, space is far better suited to heavy industry than a planetary base.

These early manufacturing facilities in the sky would most likely be fully-automated, operated by robots and managed by AI. In a utopian future of human socialism, the machines have made humans redundant from all but a few occupations. The wealth generated by this automation is shared fairly among a human population and humans are able to create their own lives, free to think, question, discover and make things.

The cloud city model would allow us to return much of the Earth to nature, even without many of us having to leave in the short-term. If we moved everything we need to sustain our race, off of the planet’s surface, we’d be able to return around half the Earth’s land area to those who were here first. With most manufacturing in the sky, and shuttles delivering goods to Earth, humans only need room to live (modestly) on the surface. If we grow crops in our cloud cities, most of our food cycle could operate in space, and we could even raise our livestock on sky farms (although I’d like to think we’d realise the benefits of vegetarianism by then).

While the human population continues to grow, and for as long as most humans eat meat, the only chance the planet and its native wildlife have, is for humans to use their unique ability to sustain themselves. There may be a global nuclear war just around the corner with the way things are going, but although it’ll reduce the human population, it might make Earth a wholly hostile environment and lead to the mass extinction of animals and the planet’s entire ecosystem. There’s a conspiracy theory that this is all planned and that those in power (and wealth) already have plans to vacate the planet. That and many other ideas make more dystopian science fiction for me to write, but some utopian futures remain within reach, even as our species stands at a pivotal existential point.

If we manage to avoid a mass suicide event in the next 100 years, there may be a chink of light for humanity, in the silver lining of the cloud cities and beyond.

Corvids with opposable thumbs

THE WRITER’S LIFE | FICTION

The UK’s weather has jumped suddenly from winter to summer, and nature seems to have overlooked spring. But I’ve noticed fewer of the invertebrate visitors than I expected through my open window, as they emerge from their long sleep, and I wonder how many have perished because of humankind’s interference with the thermostat on nature’s climate control.

Fewer insects mean less food for birds, so I’ve taken to scattering seeds on the flat roof directly outside my window, where avian friends gather. I’ve had the usual suspects (thrushes, starlings, sparrows…) and there’s a regular wagtail who visits, but nevertheless their numbers are few, which is troubling.

I also get members of the corvid mafia, mainly crows and magpies, so I’ve been witness to the odd murder, gulp and charm of collective nouns. Knowing these birds to be incredibly intelligent, I’m thinking of making some food puzzles for them, so that I can witness their ingenuity first-hand. If I put some nuts in my Rubik’s cube, they might be able to work out something which has stumped me for many years.

A friend of mine once wondered at these bird brains, and I myself pondered what a world might be like if crows had opposable thumbs…

Crow Star WarsTheStarWarsCulture

A TALE WITH MANY STRINGS

I overheard someone talking about how intelligent crows are, and this got me to wondering what might happen if they evolved opposable thumbs. Being a writer, I set off to find out. It was sheer luck which put me in the right place at the right time, with the right people.

I was suffering one of the worst episodes of writers’ block that I care to remember, so I’d gone for a walk to Manor House Gardens, a National Trust property just outside the village where I lived. Ideas for stories occur to writers all the time and in the most unexpected ways. It wasn’t that I lacked ideas so much as I couldn’t extrapolate some really good stories. A story is relatively easy to write but a really good story is something completely different and I was in the business of writing really good fiction.

Royalties had dried up from my last book and although I was never a writer for the money, I was a bit destitute. In a way, I enjoyed the financial freedom which writing enabled me to enjoy. Although that was a beautifully philosophical way for an impoverished writer to think, it wasn’t putting electricity on my key, nor much food in my stomach. I had great visions of where my next novel would take me but it was a long way from being finished. And so it was that I was writing short pieces of both fiction and non-fiction for various magazines. The cheques were small but they kept me alive. My book was on hold and I was struggling for original material for the short story market: such a first world problem.

I sat on a bench and rolled a cigarette. To my surprise, I was joined by two old ladies. When I’d sat down, I was the only person around and I’d seated myself in the middle of the bench, so the ladies sat either side of me. “Excuse me,” I said. “I’m sorry.” I went to stand up.

Don’t you excuse yerself young man,” said the lady to my left. “You were ‘ere first, so you sit yerself down and do whatever it was you was gunner do.” I couldn’t be sure if this was something she said absent mindedly, or whether she had a sense of humour which was dry to the extreme. In any case, the irony was palpable. She continued: “You might ‘ear sumink interestin’.” She gave my arm a gentle pinch, with finger and thumb.

So, what was you sayin’ baat the crows?” The old dear to my right was speaking now.

Well, I feed ’em in me garden, don’t I?

Do ya?”

Yeah, I told ya, ya daft caar. Anyway, they’ve started bringin’ me presents ain’t they?”

“‘Ave they?”

Yeah. Clever sods ain’t they?”

Are they?”

Well yeah, cos then I give ’em more grub don’t I?”

Do ya?”

Of course, all corvine birds are noted for their intelligence: Crows, rooks, ravens, Jays and the like, show some quite remarkable powers of reasoning and it was this that the two old girls were talking about, perhaps without at least one of them realising it. I excused myself and made my way back to my studio, smiling at anyone who caught my gaze.

The most wonderful thing is when people smile back at you. Those are the stories, right there.

Back at my desk, I skimmed quickly through the news feeds on my computer: Britain had voted to leave the EU, Cameron had resigned as Prime Minister and Boris Johnson was his heir apparent. Across the Atlantic, Trump had installed himself in the Whitehouse, banned anyone he didn’t quite understand from entering the USA and was erecting a wall across the Mexican border. What better time to leave?

Using some string I’d borrowed from a theory and a little imagination, I constructed a means of transport to a far future. My ship was powered by cats: and why not? Schrödinger’s cats to be precise, as a fuel source, wherein two possible physical states existed in parallel inside each of an infinite number of sealed boxes. Effectively, it was powered by will. The upshot of this was that I could go absolutely anywhere I wished. A working knowledge of quantum mechanics would enable you to understand exactly how the engine worked. If you lack that knowledge, suffice to say that the engine worked. The only limitation was that I couldn’t go back in time. I could go forward and then back, to my starting point but I couldn’t go back from there. Nevertheless, it was a dream machine.

A couple of years prior to this, I’d had a bit of a life episode and wondered: If I’d had my time machine then, would I have travelled forward to now and would I believe what I saw? I paused for a few minutes to contemplate the paradox of myself appearing from the past: I didn’t turn up. Then I did something really inadvisable. It was a self-fulfilling exercise to see if I was vilified in a decision I’d made two years ago: I travelled forward to a time when I either should or could be alive; five years hence. If I was still around, I had to be very careful not to bump into myself. It was a cheat’s way of gaining benefit from hindsight. I set the destination and it was as much as I could do to not say, “Roads? Where we’re going, we don’t need, roads.”

Travelling through time is a curious sensation: I’m not sure quite how I expected it to feel, but it wasn’t at all like I could have expected. I suppose, scientifically, I expected all of the atoms in my body to be torn apart as I accelerated at many times the speed of light. Eventually, my physical self would reassemble itself. I suppose I thought that I’d effectively be unconscious and as such if anything went wrong, I would be oblivious to it. Not so, as it turns out.

It was like when I first tried magic mushrooms: At first, there was nothing. So I took some more. Then the first lot started to take effect. Time did indeed slow down, so that I could relish the sensation of reduced gravity. I can assure you that what you may have heard about the senses being enhanced, is true. The hardest thing to control is the almost undeniable urge to burst into laughter. It is said that just before one dies from drowning, one experiences a euphoria: it was like that I suppose and I felt a little lost. I’d almost forgotten that I’d taken a second dose. I wish I’d had some way of recording where I went but I don’t recall.

So then I found myself five years ahead, of time; of myself. I kept a low profile but not so covert as to miss what was going on around me: the evidence of change over the intervening five years.

The most striking thing, initially, was the absence of pavements and roads in my village. There was a single thoroughfare which carried both traffic and pedestrians. All of the cars were computer-driven, their passengers simply passengers. As I took this scenery in, a much more fundamental thing occurred to me: what I was witnessing was a harmony. There were no impatient drivers (or passengers) and no self-righteous pedestrians impeding the cars’ progress: the two existed together, in the same space. Who’d have thought it? The “little” supermarket was still there: a necessary evil, but it was smaller than I remembered, with complimentary independent shops now sharing its old footprint. There was a butcher and a baker; a fishmonger and greengrocer. On the face of things, much progress had been made over five years.

No-one had seemed to notice me, so I decided to take a stroll around my future village, taking care not to interact with anyone. I resisted the urge to go to my flat, for obvious reasons. Whether I was still around of not, things had moved on nicely: I’m glad I saw it. Of course, it was like visiting an old home but this was a nostalgia made in the future. Then I decided to do the most ill-advised thing of all.

I had no signal on my mobile and it was a futuristic irony that an old red phone box replaced my smart phone. That iconic red box on the village high street no longer contained a pay phone but a touch screen open internet portal. Free. And the little communication hub was pristine inside: no stench of piss and not a scratch anywhere. Either a zero tolerance police regime was to thank, or more hopefully, a society which had calmed down, like the traffic. I noticed that the library was gone, converted into housing and imaginatively called “The Library”. Kudos I supposed to whatever or whomever had made that red kiosk available, to all and for free. I wondered what else might have changed and wanted to use that little box for as long as no-one else needed it but I really shouldn’t have been there.

I gave myself one go on the Google fruit machine: I typed my name into the search field and allowed myself just enough time to scan over the first page of results. I reasoned that I should not dwell and that I certainly mustn’t click on any of the links. Five years from now, I was still alive and I’d published the book I was writing in the present time. I could not, should not look any further, even though I longed to see how it was selling, how it had been received and reviewed, and how it ended. I must not, I couldn’t; I didn’t. So I came back. I steered myself away from looking up my parents too.

I’d caught a bug out there. The kind that bites and infects those with an inquisitive nature and who are risk-averse, carefree; couldn’t give a fuck.

I shouldn’t be at all surprised if I wasn’t still around fifty years hence, so why was I going there next? Because I could. Just because one can do something though, doesn’t mean they should. I’d rarely heeded advice in the past, so why heed my own advice about the future? I’d only have myself to blame and I was sure I’d already lived with far worse. There are limits to what one can imagine.

Hindsight is a fine thing, with the benefit of hindsight. Each of us are limited in our ability to change things but if we co-operate, I’d seen just five years from now, how things might be. But I’d had to return to what is now as I write this. Now could be quite an incredible time to be around, if things turn out the way I saw them.

At some point in that future I travel to, there is no me: I will cease to exist in my physical form and that will be, well, “That”.

So when I arrived fifty years from now, I had no idea what to expect, given what I’d witnessed had taken place over a previous five year period. The only thing I could be sure of as I went through that very disconcerting wormhole thing, was what I was determinednot to do: I would not look myself up.

The only way I would suggest of distancing yourself from the future, is to not go there in the first place. Should you find that impossible, try to remain inconspicuous. Naturally, there will be many things which a traveller from the past will find alien about the future. Like the way people stared at me. And then walked straight past me. I smiled at some of them and they all smiled back. The supermarket had completely vanished from the village by now, replaced by more independent shops. There were fewer driver-less cars but that was irrelevant because the cars cruised at about thirty feet from the ground. The walkers had reclaimed the thoroughfare.

Cognitive Behaviour Therapy taught me that if people look at you for longer than a second or two, it might be because they find you attractive. It could equally be a look of recognition. So I panicked and went back in time.

Just to be sure that I was back in the world I’d left, I took another walk to Manor House Gardens: all was as it had been. The old girls had departed, probably in opposite directions. Not so far from here. Nothing is really, is it?

As I sat and smoked, whimsy took over: what if those people in fifty years time recognised me as a well-known author? Perhaps one of my books had gone on to be an international best seller. Maybe it had been made into a film. What was worrying if that were the case, was that they recognised me as I look now, fifty years ago. Could it be that I just finish the book I’m working on, then I die suddenly and never get to see what happened? I had to be more optimistic. After all, it was my own will driving the cat machine.

Continuing the theme which was developing, my next foray into the future was 500 years from now and that’s where it gets a bit weird. Obviously, the things I saw were familiar to the people who lived in that time and although nothing seemed alien as such, the apparent technical progress was quite remarkable. The most striking juxtaposition was the one between old and new. It looked as though wherever possible, my village had been preserved. Some of the buildings had been more than 500 years old when I lived there. My old local pub, now over a millennium in age, was still there and it was still a pub. Peering in, I could see that the decor had hardly changed: It was still an eclectic mix of old, non-matching tables and chairs and there was still an open fire. I was tempted to go in. No-one would recognise me. Then I considered how much a beer might cost. Even if I had enough money, I wondered if it would even be recognised as such.

Either side of the pub were houses, built in some kind of plastic / metal composite. It was quite soft to the touch and it was as I touched the wall that I got the biggest surprise of all. A window opened before me in the wall. It wasn’t a window that was there and which had been opened; it just appeared in the wall and a woman looked out. She smiled, as though seeing someone looking back through her window was a common occurrence.

These windows that just appeared were a feature in most of the modern houses in the village. Eventually I noticed that doors were too, as one materialised on the front of a house and a man stepped out. He walked off and the door disappeared, leaving just a minimalist, aesthetically pleasing piece of both architecture and art.

Without the benefit of the previous 500 years, I could only assume that this was nano technology: microscopic machines which can alter their physical form, so that in this instance, a material changed from a wall made of the building material, into a glass window or a wooden door. I imagined that each of the small houses had perhaps three or four rooms, the functions of which could be changed by altering what is in them. Touch a leather sofa and it might morph into a dining table and chairs; Change or move something on a whim. How liberating that must be.

I’m sure there must have been many more wonders, 500 years from now. It struck me that rather than become slaves to technology, humanity seemed to have used it to make more time for themselves in their lives of relative leisure. All of the residential buildings were of roughly equal size. I hoped this might be the result of some sort of leveller, which rendered everyone equal. I’d theorised about a universal state payment system for all in one of my old sci-fi shorts. In that story, everyone was paid a regular sum: enough to not just survive but to be comfortable. The thinking was that people would then put their personal skills to good use for the benefit of all. I created a humanitarian utopia in that story.

5000 years from now, I couldn’t be sure of what might have happened in the intervening four and a half millennia to make things so different. In short, mankind had gone. There were very few things remaining that suggested we’d been there at all. Had we left of our own accord, or were we destroyed? Did will kill ourselves? Two thoughts came to mind: either, we were extinct as a race, or we could have populated the cosmos by now. Both ideas were quite staggering, after all the progress we’d seemed to be making.

I was forgetting about the crows: I wanted to see if I could shake hands with one. Science held that after humans, it would most likely be the invertebrates who evolved to inherit the earth. If that was the case, what of those who would feed on them?

Sure enough, there were some alarmingly large things with many legs, 50 million years from now. Some species which were once arboreal now walked upright on land. Others which had once grazed on the land grew so massive that they evolved gills and became amphibious, and still others had become exclusively marine-dwelling to support their huge bulks. One of the greatest spectacles on earth in 50 million years will be the annual migration of Frisian sea cows across the Pacific Ocean.

I sat on a grass bank in this distant future and looked across a lake. A chorus of wildlife which I didn’t recognise, buzzed and chirped in the trees. I laid down on the grass and watched a pair of large birds circling above: vultures? I sat back up, so that they didn’t mistake me for dead and they landed either side of me: two crows, about four feet tall, stood and looked over the lake.

So, what was you sayin’ baat the oomans?”

Well, I feed ’em in me garden, don’t I?

Do ya?”

Yeah, I told ya, ya daft caar. Anyway, they’ve started bringin’ me presents ain’t they?”

“‘Ave they?”

Yeah. Clever sods ain’t they?”

Are they?”

Well yeah, cos then I give ’em more grub don’t I?”

Do ya?”

Yeah, I enjoy it, don’t I?”

Do ya?”

Yeah. I’m gettin’ on a bit naah, ain’t I?”

You are.”

Life’s what ya make it every day though, innit?. Live for the next one.”

Next one, yeah.”

And that gave me an idea.

© Steve Laker, 2016

This story is taken from The Perpetuity of Memory, my first anthology. My second collection of shorts – The Unfinished Literary Agency – is available now.

Planet talking with Hawking

THE WRITER’S LIFE

First it was Mischa, the London Zoo aardvark. Douglas already spoke from beyond, and another one does today. He shared a birthday with the Starman: Stephen Hawking, the pan-dimensional cyborg, another voice from Cyrus Song, now with the stars, free of our polluted planet.

Look up at the stars big

He was a cyborg who could speak to anyone, and no-one would much notice his disability, because he didn’t have one. He made communication between species possible, with no need for translation and all the inherent problems of perception of reception, such was the level of thought he put into each of his words.

The deep thought behind his every word was by condition, so he could transcend the thought process of most humans. He was someone who’d appreciated not just the music he heard, but the work of all those who’d arranged it. He’d probably read film credits (as I do) checking the names of the talented, however deeply hidden. And he inspired Cyrus Song.

Stephen Hawking prophesied that humankind faced a number of existential threats (nuclear war, chemical and biological weapons, alien contact, global warming, AI…). Then there’s our ubiquitous invention: Plastics, specifically, micro plastic.

It takes centuries to break down, and then into microscopic particles, never degrading completely. Human waste means that the particles are present in every cubic metre of ocean water (with countless times more, settled below the seabed), and despite filtering for our own consumption, even the “Finest” bottled water contains the particles. It’s in the rain, all wildlife, and every plant on Earth.

Pitcherfilledstream

Humans are part plastic, and every part of the natural world is now infected. We’re killing the planet, and everyone who lives on it. We’ve fucked mother Earth, and everyone we share it with, permanently. The next great extinction event was of our own making, and it’s one which won’t only extinct humans, but everyone else as well.

Thankfully there’s Captain Mamba to get the animals out.

Like the fictional scientists within, Hawking made the science in Cyrus Song plausible. In the book, the pan-dimensional mice only know him from Earth broadcasts of The Simpsons. Because he was pan-dimensional himself, able to bridge the gap between academic science and popular culture.

In his memory, Cyrus song is free for the next three days: take it. It took me nine months to write, but I owe it to our planet to do all I can to get its message out. There is a perfectly plausible answer to life, the universe and everything in there, and a plot to save our planet.

Cyrus Song eBook Cover

Free eBook. Cyrus Song is also available in paperback.

Acclaimed by Stephen Hernandez (a translator and interpretor), as “An extraordinary juggling act,” the full review is here.

 

A lonely reflected world

THE WRITER’S LIFE

Sometimes I look in the mirror and I hate myself. Not always the individual looking back (although my sober life is forever burdened by guilt for all I did when I was drunk), but what I represent: My country, my planet and my species. When there are parts of each which you despise, and all bear their own human scars, it’s easy to hate yourself (even more) as a part of them.

Mirror EarthAstronomers Discover Planet Identical To Earth With Orbital Space Mirror (The Onion, 2014)

My country (the UK) is a fractured nation, a shell of its former self, damaged perhaps beyond repair by the greatest wilful act of self-harm I’ve ever witnessed by a government. Brexit has divided us within, while the nation has been set adrift by its ignorant, arrogant, self-serving leaders. With the state of the world at large, now is when we need partners, allies and friends. But the UK is alone on this small planet.

Ours is a world of limited, dwindling natural resources, and it’s of finite size. I often wonder what the agendas or ultimate aims of capitalists and governments are, and where catalysts and saturation points might be reached, when there’s only so much to go around, and only so many people (there are conspiracy theories, of course). And then of course, there are those we live with: The animals.

I consider myself a member of one race, the human race, but then I look at what our species does to others and its own kind, and I’m ashamed. And yet, in all the searching, the only thing which makes the loneliness bearable, is each other (to borrow from Carl Sagan). And we’re all connected, by quantum entanglement. Still though, I often feel disconnected, like my country from its European family.

As a science fiction writer, I wonder who else might be out there, and what we ourselves might be capable of. This in itself can make for the stuff of dreams or nightmares. We can fear the unknown, or we can speculate.

The current pace and progress of human science and technology mean we could very well be near a pivotal point, where we solve problems or destroy ourselves. We’re employing AI minds to answer our biggest questions, and one of these man-made brains could easily conclude that humans are the problem. The end of humanity, or a new beginning, could be a near-future scenario.

I imagine near-future humans (if there’s to be such a thing) as the beginning of a next stage of accelerated evolution, as we integrate with machines and technology, eventually becoming organic-technological hybrids. I believe there are other species in the universe like this, perhaps so advanced that they’ve harnessed the natural energy of parent stars using Dyson spheres. Maybe they’ve transcended conflict, evolving to realise that it’s inefficient. I can live in hope, and I can write.

What more can I do? What can we all do? We need to stop fighting and ignoring. We need to talk. So I’m giving Cyrus Song away for free on World Book Day (Thursday).

Despite potentially devaluing myself and the nine months I put into it, Cyrus Song is a book for everyone. I do need the money, but more than that, I want people to see my message, find the answers and tell others, in a review, or by talking. There’s a donation button on this blog (Buy me a coffee) should anyone be sufficiently moved by the free book, normally the price of a decent coffee.

Writing is the only way I have of talking to other people. Cyrus Song is everything I want to say to my own kind. For now, I look in the mirror, and a lonely planet stares back.

Cyrus Song eBook Cover

Cyrus Song is available now (free on World Book Day).

An aardvark in the air tonight

THE WRITER’S LIFE

Like everyone else, I was saddened by the news of the fire at London Zoo. It’s a place I know very well, from several visits over many years, and one very close to my heart when I wrote Cyrus Song. Four meerkat brothers are missing presumed dead, an aardvark called Misha perished, and I lost a little friend.

Misha and OttoMisha and Otto

I first visited London Zoo in 1977 on a primary school trip. Back then the big draw was Guy the gorilla, and we happened to visit on the day he died. Hoping I hadn’t cursed the place, I’ve returned many times since without incident, and most recently for the chapters of Cyrus Song which are set there.

A lot of research went into the book, to make the science plausible and the characters real. The three human leads each have a notebook on a shelf in my studio, containing their life stories, very little of which made it into the novel, but it was knowing the characters which allowed me to bring them to life in the unwritten words. I familiarised myself with London Zoo’s ‘Inventory’, and researched many of the species therein, so that I could give them voice and personality through the Babel fish.

Unfortunately on the day Simon Fry visited, the aardvarks were asleep:

There were too many interesting animals I wanted to speak to for me to be able to place them in any sort of order. So I decided to just go from A to Z. In the time available, I’d probably be able to speak to the aardvarks and the zebras, but very few others. But the big draw for me was the reptile house: Not because of my fascination with snakes in general, but because London Zoo is home to one male and one female black mamba.

Of course it would be handy if London Zoo laid out all of their exhibits alphabetically, but that wouldn’t be practical, so they didn’t. This being a warm spring Sunday afternoon, the zoo was quite busy. The aardvarks are in the ‘Animal Adventure’ area, which is mainly for young people. And aardvarks are nocturnal, so they were asleep. Which was a shame, because Misha and Otto looked like a couple very much at ease in one another’s company, at least when asleep. Otto had arrived from Berlin Zoo in 2014, so I’d have liked to ask him about that city, and whether he’d seen David Bowie.

It’s cold comfort that the post mortem shows she died of smoke inhalation in her sleep. But there she was, little Misha, curled up with Otto and both looking very pleased with themselves in dreams. I can only imagine how the guy from Berlin must be feeling now, but I do know that the zoo staff are very socially aware with the animal people, so he’ll be getting some sort of aardvark counselling. If only he could read my book, he’d see that I put him and Misha (she was from Holland) in a story which changed a lot of lives, and gives a perfectly reasonable answer to the question of life, the universe, and everything.

I’ve written many times of how I don’t write for the money, because there’s hardly any for the undiscovered self-publishing masses. I have my basic needs covered, so anything I make from writing I give away. I can hardly be called a philanthropist, as it’s really not much, but it’s what I don’t need. When life decided to give me a second chance, I resolved I’d pay it back.

As well as the charitable donations, I make my books available in libraries (on request), as I realise not everyone can afford books (I couldn’t once, and I used to base myself in a library when I was living on the streets). For those who can afford books, buying mine benefits good causes (mainly animal, homeless and addiction) and hopefully delivers a good read. Of course, anyone can donate directly to the charities but if we’re honest, most won’t. If someone’s buying a book anyway (because it’s received good reviews), the altruism by proxy is a small bonus. So it seemed only right to donate any proceeds from the sale of Cyrus Song in January to the Zoological Society of London (ZSL), the whole science side of the zoo which the public displays and learning support.

I shan’t milk the passing of every individual leaf cutter ant to plug my book, but Misha has a place in my heart from it.

History predicts that each new book increases interest in preceding ones, so with The Unfinished Literary Agency almost finished, Cyrus Song might get noticed more. And that’s good for Misha and Otto.

In loving memory of Misha Aardvark, 20.06.07 – 23.12.17

An unfathomable and irrepressible sensation

THE WRITER’S LIFE | BOOK LAUNCH

It’s been nine months in the making: Six months of writing, then three months of compiling, editing, proofing, more editing, re-reading and re-proofing. The final printed book proofs arrived and now it’s good to go. I must admit to a very pleasant sensation of well-being.

LionsPublishing

Douglas Adams had the inspiration for The Hitch Hiker’s Guide to the Galaxy, as he lay on top of a pile of hay while drinking cider. I was sitting in my studio, listening to Pink Floyd: The Division Bell, in fact, and specifically the track Keep Talking. It’s the one which samples Stephen Hawking’s famous quote:

For millions of years, mankind lived just like the animals. Then something happened which unleashed the power of our imagination: We learned to talk…”

My learned friend was of course referring to the human invention of language. But I thought (as others have), ‘But what if we could talk to the animals?’ As a big fan of Douglas Adams, I’m aware of the Babel fish and its use as a universal translator. And that’s when Cyrus Song was born.

Cyrus Song is also the alternative track title of Keep Talking. Cyrus is Sol, our sun: one of hundreds of billions in the Milky Way Galaxy alone, which itself is one of hundreds of billions in the known universe. Space is big, really big. You just won’t believe how vastly, hugely, mind-bogglingly big it is.

Cyrus Song is a big book. Well, it’s not a huge tome as such (412 pages), but it’s deep in context and message. It’s “A deep and meaningful book, with a big heart and a sense of humour,” as one test reader put it. Another said, “An absolute joy to experience unfolding,” and a third, “Enjoyable, inventive and thought provoking.”

It’s a good book. Well, I’m bound to say that; I wrote it? But no. I was a writer for two years before I was brave enough to call myself one. I’m pleased with all four of my books but Cyrus Song is the one I’m proud of. It’s the book I would hang my writer’s hat on and be judged as a writer by.

As a part tribute to Douglas, my book takes a few of his ideas and expands upon them, as small parts of a bigger story which has completely original elements. There are microscopic pan-galactic animals, travelling on arks piloted by black mambas, there are pan-dimensional white mice, and there are three main humans in the cast of characters. There are many domestic and wild animals, given voice through the Babel fish, and there are many cameo appearances by people whom I’ve also paid small tributes to (see if you can spot them all, in the human and animal characters). Nothing digresses too much from the plot though.

It’s a story about a man (a writer) and a young scientist. It is not a love story. In fact, I wrote it partly to demonstrate a lot of things about the depths and breadths of love, but which I can’t divulge at the risk of spoilers. But it’s love on a greater scale, like all humans being equal citizens of the earth, alongside the animals. I also touch on a lot of other subjects: Human psychology, evolution, language and communication, and a lot of science. But the science is all researched and it’s plausible, then it’s written in such a way as to make it accessible. There are other galaxies and dimensions, and there are wormholes. There’s human cloning and the aforementioned intergalactic snake crews, ferrying microscopic animals of all kinds to our planet. There’s the Babel fish (a computer program in my book), which translates the voices of pets and wild animals, both in the wild and in zoos. There’s a lot of factual information about animals, nature and the environment, told in a sort of QI style. The named animals at London Zoo are the actual ones living there at time of writing. All the species discussed are researched in their habits to bring forth their personality types through the Babel fish. The space-time travel, human cloning and more theoretical stuff are all researched so as to be plausible.

The book has been on sale now for a whole 24 hours and I’m seeing copies being bought; for now, in the UK; in a couple of days, worldwide on Amazon; and in a few weeks, available from all retailers and available in libraries. I’m hoping that in a few weeks, the early buyers I’m seeing on Amazon, have enjoyed the book and review it, or post on social media. I don’t think I’m being too optimistic to think that feedback will be positive. And so sales of Cyrus Song will grow gradually but exponentially, as word gets around by natural and organic human marketing. It just needs people to read it, to enjoy it as much as I did writing it.

More than one of my test readers expressed an impatience for a sequel. I’ll only know if that’s worth writing if the original story is popular enough. I have at least four months before I can do any more than plot Cyrus Song II, because I have a personal promise I made to myself: To write a modern historical book, about two people who made me a writer, and whom I can think of no better way to thank than to use the hands they gave me to write something for them. I speak, of course, of my parents.

Like my children, my parents are proud of what I’ve become. Cyrus Song is a multi-generational book and both generations either side of me are keen to read the book when I give them copies. I hope others will join them.

I do know how I feel, actually: I feel how those beta readers said they did at the end of the book: Calm and tranquil. At peace.

Cyrus Song is available now on Amazon.