We’re only gone when we’re forgotten, but when we remember, sometimes they visit us. They still walk among us. You just have to keep your eyes open to notice them.
We’re only gone when we’re forgotten, but when we remember, sometimes they visit us. They still walk among us. You just have to keep your eyes open to notice them.
THE WRITER’S LIFE
While my offline self continues to deal with real-life situations I needn’t trouble the world with, the one who’d like to tell everyone everything was suffering writer’s block. And I’ve been revisiting my favourite science fiction universe in Firefly, the demise of which I mourn daily, just like Sheldon Cooper.
This sci-fi geek modeller is my favourite person right now: He’s made a model of an aircraft carrier and parked Serenity on the deck (Pierre Drolet Sci-Fi Museum)
I read an article recently on hobbies to help with anxiety and depression, and writing wasn’t one of them, which was strange, because it’s been writing that’s helped me most over time. In the beginning, it was all I had.
That was five years ago, when I begged money on the streets to buy exercise books from Poundland (and white cider), and stole some bookies pens. When I used to sit in various warm, dry and light places, I planned to turn my story into a book. Then I got over myself and realised no-one would be interested in a Charles Bukowski fan boy (although I’ve been compared to him since, and many others in fact: some of the greats in the genres I write). In any case, The Paradoxicon was a fair stab at a semi-autobiographical flash fiction novel, allowing me to move on, and I’ve written four other books since.
Much has changed since then, and life has got easier in many respects (somewhere to live helps), but without the constant distraction of life keeping you on your feet, there’s a tendency to get stuck. I’ve never lapsed back to drinking, but I know why I did, when I’d sometimes rather blank something from my mind which won’t sleep. But I’m a writer.
Unless you’re writing for a mass market, it’s a very internal affair, and prevented from writing about much in my real life (the privacy of others), my solitary offline life gave me little else to think about. Well therein lies the paradox I’d created for myself: As a writer, I can write anything. And as a blogger, that can just be a diary entry.
Right now I’m perched on a cushion on my chair, not just because I’m short but because the air canister has emptied itself, so it’s lost its power of levitation. Nevertheless, the dead chair is full of memories that I’ve written while I sat at this desk on many other late nights. I’ll keep my old seat, because I can’t afford another one anyway, but most importantly, it’s where I am now.
I’m aware of the weight distribution in my arse on the cushion, and because I think different to most, I feel speed. Because what I can feel below me – the weight of my backside on the seat – is the feeling of my own gravity in relation to that of the Earth. So in another way of thinking, the pressure I feel is not me bearing down, but the entire planet pushing up beneath me. Like this world and everyone else on it, I’m spinning at 1000 mph and hurtling through space at around fifty times that. These are the things which keep me awake at night, sometimes joyfully.
If I get it right, I can sometimes lucid dream, and within my mind I can explore the universe (there are articles dotted about this blog). It’s getting to sleep that’s the problem, but writing is good for insomnia.
I’ve got sufficient followers to guarantee at least one will be interested in what’s on my mind, because they’ve chosen to follow me and be a part of another virtual life. And in a life cut off from most human contact, for someone like me, that’s a comforting thought.
So even if I am rambling, I know that someone besides me will be reading, then I feel less alone.
This blog was originally that of a writer with depression, like so many others, and yet it was the illness which prevented me dealing with it. Such is the power of the mind when it’s cracked. But other times, living with a Kintsukorai mind (one which is more beautiful for having been broken) is one long lucid dream.
Whenever I question what’s in my head existentially, I’m reminded of a documentary Stephen Fry made about his own brand of depression. At the end, he posed a question: If there were a big red button, and hitting it would just restore you to “Normal”, would you? Same as him, I don’t have to think for long: No.
Paul Auster once said he’s happy with a day’s work if he has 500 words of perfect prose at the end. I’m happier when I’ve pumped out 850 words of pulp thoughts in an hour and cleared my mind for others to read. A problem shared, is one divided or multiplied.
Now Serenity awaits, somewhere in the universe. If I can just dream, I can hitch a ride, with friends, the captain, a shepherd, a doctor, and a companion or more.
THE WRITER’S LIFE
I’m into week seven since my PIP assessment, and none the wiser still. But having spoken to a friend (after being given a glimmer of hope by the mothership), I’m managing to reverse a paradigm. Rather than fear the unknown, I’m making the most of it. I’m still anxious, but I can multi-task while worrying.
Patricia Correl’s Writing Blog
My friend (we’ll call him Jacques, because my friend is neither a man nor French) has just been through the initial dehumanising stage of the DWP and Tory government social cleansing machinery. Jacques only got his Personal Independence Payment decision after eight weeks of waiting for the self-appointed powers to decide if he was worthy of a continued oxygen supply. They found in his favour, so now Jacques is a character in a story I’m writing.
What’s the point of waiting on the phone for 20 minutes to speak to someone, only to be hung up on when you ask the wrong question, or to be told my case is still being reviewed? Better to make use of time I can do nothing other with, to write.
After committing myself to finish this story in my last post, it’s developed. It now has a tentative working title of ‘The Plastic Population’, which actually doesn’t give too much away, and I don’t think anyone will see the ending coming anyway. As far as I’m aware, it’s a completely original idea, or at least a different plot device.
The story has a plausibility in science, and it pulls together a few recent phenomena: Plastic pollutants in the oceans have been found to be breeding grounds for new kinds of bacteria; Micro-plastics in every living organism on Earth could have carcinogenic properties we don’t know of yet; and humans have been attempting to find evidence of extraterrestrial life in cosmic radio waves. But maybe we’ve been looking in the wrong place. The story begins roughly (first draft) like this:
What if all of life, with its meandering trails, high rises and deep slopes, was the path leading us to something, somewhere we’d once wished for? We might have forgotten what that was, or it might be buried deep within our species’ subconscious, but still, dreams can come true.
Like a homeless drunk on the streets, there because it’s where the path he’d chosen led, what humanity needed was a new player in the game of life, one which would fundamentally change the way we look at ourselves and our understanding of the universe.
It wasn’t a common foe to unite previously warring factions, although in a way it was. It wasn’t an alien invasion, but in some ways it was that too. It was a cure for cancer, which ironically arrived like a message in a plastic water bottle…
Those are the bricks, and the cure for cancer is more analogy than literal spoiler. It’s a large tower to build, but it’s one to a kind of Babel. I’d much rather be writing and finding answers over the next couple of weeks in limbo, than staring at the walls not knowing, and counting the days in notches.
Barring a shit sandwich in the mail from DWP withdrawing my oxygen supply, The Plastic Population should be out in the length of a piece of string.
THE WRITER’S LIFE
Although I’m (not over but) dealing with a few issues in my real life, I’ve still been struggling to write. The real world issues are the ongoing personal lives of loved ones (friends and family), those of the world at large, and the ones in my head. With so much to write about, I’ve struggled to know where to start, or started writing and found myself in a land of digression. But I digress. I’ve found a solution. It’s something I’ve had for ages, but which I’d forgotten about.
Pinhead (centre): Head like a sieve
Salvation came indirectly from a kindred spirit, another blogger commenting on my last post. I felt empathy, as I was reminded how the universe can answer you if you ask for something, and I read Annother Voice | Unsilenced. That moment of quantum entanglement was what reminded me of the thing I’d lost: Not empathy or universal connectivity, but a book.
Like other writers, that blogger often uses writing prompts, an exercise I’ve rarely undertaken since I first got into writing on a home study course. I’ve always preferred writing freehand, in a notebook always about my person, or at my desk, just seeing what comes out. That’s where most of my fiction starts life, but writing about life can be difficult: It’s that paradox of having too much to say in my head.
I’ve had to compartmentalise my mind (again), so that all I can’t easily write about (the complicated and the not finished), I’ll think about some more first. What’s left is fiction ideas, plots and outlines in one pile, and other freehand notes in another. Then, like my mental health labels, I’ll pin those memos in my head and try to make sense of it all (like Hellraiser with Post-Its).
Still though, I find there’s so much from my mind in those notes that it’s hard to know where to start. That’s where the book came in.
I first noticed 642 Things to Write About in a book store when I was out with my children, and immediately I dismissed it. As the name suggests, it’s 642 ideas about things to write. But I can come up with ideas from my own imagination; that’s where my stories come from. I thought The San Francisco Writers’ Grotto had quite some front, publishing a book of mainly blank pages, with suggestions for things to write about at the top of each. They were charging people money to write their book. So I bought a copy.
The impulse to buy came with a simple thought: 42, which always gives rise to other thoughts. These may be just 642 ideas, but they’re those of other writers. There are only a finite number of plots, but an infinite number of stories which can be written. Each copy of 642 Things sold – if filled by writing freehand – would be a unique volume. I thought I could get quite into that.
Even though I have a fertile imagination, there’s something challenging and refreshing about writing something suggested by someone else. I liked to think those writers at the San Francisco Writers’ Grotto might be interested to see what others made of their ideas (in fact, I’ve been tempted in the past to ask another writer to take one of my ideas, then for us to write two completely different stories). Then I forgot about it.
The book and the beginning of my 642 Things got lost in my real life, just as I was lost in my inner third world and my thoughts, so that I forgot my virtual life and writing. It was the perfect storm. And then that other voice came along, reminding me of writing prompts, and that I had a whole book of them. I guess that prompted me to write a blog post about writing prompts, a foreword to my own 642 Things, some of which I’ll share and a few may become stories.
The best prompt came from another writer and blogger, a kindred spirit who connected the dots without realising, when I didn’t know what to write. Sometimes we wonder if anyone’s reading us, and I’m glad I read that other voice.
I’m the cracked actor with much on my mind, wishing to escape. Blessed are the cracked, for they let in the light, like umbrellas in the night: Full of holes where the rain gets in, but the holes are small so the rain is thin.
THE WRITER’S LIFE
There’s little fictional about the roles I play in the real lives of others, but there’s little I can write about the private affairs of other people’s hearts. The many parts of me which play those roles and tend to others’ wishes, all sometimes wish for something else.
Dystopian art by Alex Andreev
With so many other people’s lives piled on top of my own in my mind, parts of me sometimes wish I could escape, perhaps to not be needed enough (when I should find it flattering), or to not be taken advantage of.
I’m friend and confidante, surrogate parent and sibling; I’m banker, counsellor, lawyer, and psychologist; I’m an empath, a guide, and a guardian; yet I have none of these things myself, despite a human need.
Humans thrive on contact with each another, but I often resist, because of the humans I know. When loneliness makes me crave another human, I attract the wrong kind. I can rarely rest for any prolonged period, because I’m always expecting an interruption from the needy. And I wouldn’t mind, if I got something back.
I don’t have much myself, but I manage what I have, then others ask for it when they themselves run out: Money, tobacco, and even food. Much of it is lent in a time of apparent need but never returned.
Sometimes my patience is tried, and I’m tired. I’m able to deal with the needy things on a daily and individual basis, thanks to my venomous mouth, but like most snakes, I prefer not to bite unless necessary, and avoid conflict until it brings itself to me. Like when I was recently asked if I could lend someone some money:
After explaining that I had no money until I received my own benefits the following week (which I didn’t have to do), then that I needed the money, I was asked why? I further explained that this was none of their fucking business, but that I was visiting my parents, to help get my dad to a hospital appointment in London. I was further interrogated on when I’d be leaving, then a suggestion was made: that I could draw out some money before I left. Although I’ll help people in genuine need, I don’t respond calmly and quietly to passive aggression.
The part of me with OCD would rather not have to tidy up behind people; the paranoid, anxious one who suffers PTSD would rather sleep well at night, knowing there’ll be no interruptions or early morning calls; and the real-life one with chronic depression would just like to be asked how I am sometimes, by those who make those parts of me worse.
I don’t mind helping people, but it would be nice if others sometimes helped me. They wouldn’t have time, but I could at least let them know I need less from them. I don’t like being alone, but sometimes I’m forced to shut myself away, to head off the tide of people pushing towards me, in this life which often seems a one-way street. It affects my ability to sleep, perchance to dream lucidly and escape for a while.
I’m resolutely single, because I travel with my own atmosphere, but also because of my mistrust of the human race, based on the subjects who’ve demonstrated their human empathy so poorly. I want attention, but not the kind of unwanted attention I attract. I crave contact, but only with those who understand me, the paradoxical enigma. I need to see a shrink.
I’m socially anxious, so I can’t deal with multiple diagnoses requiring me to travel for treatment. The waiting list for psychiatric treatment (I need weekly sessions with a psychologist) is so long, that I daren’t bother it, when others might need it more. When it comes to my next fitness-for-work assessment, it’ll most likely go to tribunal (my third) because there’s little on my medical file, further dehumanising me.
One day, other people might just push a part of me too far. Then if there’s no-one there to catch me – like I have so many others – they’ll have no banker, adviser or friend. Guardianship by angel will then be my own choice, of those I wish to haunt.
A small part of me sometimes wishes everything would just leave me alone, or that I could escape the social inequality of this planet, but it’s only one of many small parts.
Life on the streets was somehow easier, when there were no ties and humans helped their fellow kind. Life was two-way traffic there. Like way back when, it’s why I have to write it all down here.
THE WRITER’S LIFE
Far be it from me to post a restaurant review, because I never have. I’ve dined at the odd fictional place I made up because I don’t get out much, so what good would it do to post an opinion on a real place? It’d probably get as many more visitors to a Chinese takeaway as I might expect sales of a book if a restaurant were to review one of mine.
SlashFilm article, on Asian cultures and characters
In the interests of reporting all which needn’t trouble the world outside my own, and in supporting local business, this week I visited a China just up the road.
It’s rare that I get out, let alone as far as the Asian continent. I went to France once on a family holiday, and happened to be in Chicago on a business trip when the world’s political axis was tipped on 9/11. I don’t fear the wider world any more than I do the planet in my head, which still makes travelling a challenge.
At the most recent surveilance of the horizons in my mind’s world, it was a narrow perspective. Rather than gazing and wondering outward, I was looking in; kind of like having a telescope round the wrong way.
The limited stocks of food I had wouldn’t go to waste, but my miscomprehension of why I eat told me I didn’t fancy what I had to hand: Such a first world problem. As I contemplated what to think about cooking and eating, the paradigm was shifted by a neighbour.
The kind of guy who’d offer you unsolicited advice at a pub fruit machine, my friend is harmless if humoured, and a social tenant like me with a past. Nevertheless, when I had no instant coffee which he’d forgotten to buy in the morning, he asked me if I’d make him one of my nice filter ones (which I did).
Like me, my neighbour doesn’t get out much. So I decided to save both me and him further bother by going out to buy him some instant coffee. Then I wondered why I was out on my own in the dark. To solve problems, I guessed: Those of others, which might alleviate my own. As fresh as the coffee I’d just bought from Tesco Metro, the air drew my attention to my local Chinese takeaway.
I’ve lived here for two years, but I’ve never troubled the local cuisine. I’m happier instead to buy food to look at (and sometimes not cook) from the supermarket. So I crossed the road.
I wasn’t particularly hungry and neither did I want to eat, but both were down to my own inaction. I forced myself to eat by buying a takeaway, from a place not unlike many whose windows I’d gaze through longingly when I was homeless.
For all of twenty minutes, I was back on the streets again, but now looking out on a world in which I had a home to return to. It brought back memories, so I reverted to type and ordered what I always used to: sweet and sour king prawn balls, with rice vermicelli, Singapore style. The walk home was less eventful than the paranoid mind imagines, and nothing happened.
The words “Fresh” rest uneasily in my mind with Chinese takeaway, but my king prawns were somehow new in their batter, the sauce not like that I remember from artificiality, and the noodles disguising nothing but the sweetness of fresh chillis from that other continent, just outside my door.
It’s a place called “Lovely”, it’s right on my doorstep and it helped me find my way, by way of Chinese takeaway. It also served well as a day-after snack, where the measure is now less of a hangover cure and more about preserving food inside the body.
Once upon a time, I shared many meals from China and around the world with others, without actually going there. This week, I fed myself with a breath of outside air. I don’t go out much, and it’s no wonder when I’m let loose for a few minutes and all this happens. It’s a reminder of why I’m not allowed to roam free-range and why I just write about it. Anyone passing through and who can’t be arsed to cook, should call into a lovely place not a million miles from me.
I guess I just used this post to write.
THE WRITER’S LIFE
Just as humans seem to be waking up to the crimes they’ve committed on our home world, I’m dealing with the self-harm I’ve recently inflicted upon myself. Being one of the many, prompted the individual. While humans have a moral responsibility to clear up their own mess, I owed it to myself to address mine: The fall of the wall.
We’ve been here before, and it’ll happen again, when I’ve taken a mental knock in life and fallen into a ditch. With my brand of depression, it’s difficult to get over things which others might shrug off. When I’m personally invested in something and it goes wrong, I have a tendency to blame myself and dwell in a pool of guilt and self-doubt.
It’s an irrational internal brain blame culture, which extends to the problems of my fellow species on Earth. When I look around at what we’ve done, I wonder if I could have done more to prevent it. But could I have stopped Brexit, or the election of Trump? No more than I could make my dad better, or promise my kid sister she’ll live happily ever after as a matriarch.
Forces beyond my control are frustrating, just as all that we don’t understand is the greatest human fear. Unseen agents wresting control from me, have been the roots of past medical diagnoses of post-traumatic stress disorder (PTSD): being robbed at knifepoint, triggering an alcoholic decline to the end of a marriage, and another PTSD diagnosis.
Further trauma followed in the years I was homeless, and they all carry memories and regrets which fester in the repentant mind. At the last count, I had five or six entries for PTSD on my medical file, each compounding its predecessor. My dad’s health and my sister’s life hereafter are holding, but each could lead to a further dive into my own sense of self-worth, as I wonder if there was more I could have done.
I realise that if I’m to be in any way effective as a carer, helper, adviser and counsel, I need to get over myself; I have to keep going for other people’s sake despite myself, yet the only person I have to speak to about that is in the mirror, or on this page.
There was much in life which was outside my control, and no individual human can be held personally responsible for their species’ misdeeds, but we can work together to repair the damage. When I was still in London, I had an excellent psychologist who’d let me spill my thoughts on the floor, then go through them with me. All I can do now is spew up on a screen. Not all of this might make sense, but it helps to write it.
I’d forgotten I’m a writer and became more myself, and I don’t like that. It was writing which saved me from myself and pulled me back from the gutter, and it’s been self-help for the solitary anxious depressive ever since. Once the words are flowing, nothing else matters so much. The feel of keys beneath my fingers is my pulse. Even if I’m churning out pulp, eventually I’ll find decent prose, like the infinite monkeys writing Shakespeare.
I think I’ve done enough now, to apologise and make good all that I can. To dwell further is to hold others back, and myself. I gave up apologising to those who can’t find it in themselves to forgive. I prefer resolutory debate over conflict or a simple refusal to engage, but I’d rather walk away from a wall I can’t get over than talk to it. I only had myself to talk to, and I got over it.
Guilt is a wall as high as you build it. It will always be there as a constant reminder, but provided you’ve paid it sufficient moral respect, you can climb over it, walk around it, or simply go through it, rather than keep bumping into it and having to talk to it. When the lights go out at night and I’m writing, walls come tumbling down.
THE WRITER’S LIFE
I’d originally planned to spend the weekend making plans for Nigel, but when I realised I had no close friends called Nigel, my plans had to change. Instead I called on Simon Fry, my character, persona, and alter ego from Cyrus Song. We were having dinner and he’d asked me to bring dessert, so I’d made flans.
A poster on Simon Fry’s wall: a design sketch from the Hitchhiker’s Guide to the Galaxy movie.
I’d decided to speak to Simon because he’s the person most likely to understand me. Even though I created him, he’s a completely separate person, and any decent writer will tell you that’s a perfectly plausible statement to make.
Before Cyrus Song, I already had Simon Fry’s life story written down. It fills a notebook, which I still have, along with the one containing Hannah Jones. A very small percentage of what’s in those journals is in the novel, but the characters’ speech and mannerisms write more than the words on the page. It’s knowing my characters so well which allows me to bring them to life (convincingly, I’m told). Every writer puts a piece of themselves into their stories and characters, I’m perhaps slightly above and beyond with some of mine.
I have a deep understanding of the human condition (the critics and reviewers say), and I have many personalities in my head, so each of my characters is a mix of those, and of other people I know. I know how Simon talks, because I know how he thinks, but only as far as a poker player would another. Even though I created him, I can’t read his mind. He has so much of his own story in that other notebook, that he’s a strong enough character to not need me (it applies to Hannah too).
It’s handy to be able to do things like this as a writer, and as a socially anxious one, I really do make (as in, create) friends. It sounds tragic perhaps, but it’s actually very useful.
Doctor Hannah Jones is based less on me, but with elements of others I know well in the real world, within her (I’ve tested it out on some of those other people). With all of those people in there, my understanding of human thinking and inter-personal psychology, I can hold a perfectly convincing conversation with Hannah, just as I can Simon. I don’t know if this is proof of my writing skills or confirmation of multiple personality disorder.
It’s the best way I have of getting to know myself. Some would say it’s talking to myself, but it’s more like questioning different parts of myself, so that the whole can get along. We may disagree, but I favour debate over conflict, especially when it’s in my head. This is my coping mechanism, but it’s more my mental health management strategy.
I said after I’d written the book, how much I missed those people, because they’d become so real when they were around me all the time as I wrote them…
I put the flans in Simon’s fridge, and I noticed he had a can of squirty cream in the door. Then we both sat on the sofa, wondering who should speak first.
“I’m not going to be your counsellor am I?” It was Simon. “Because I’ve counselled myself on many things before and wondered why I didn’t get a second opinion.”
“To be honest,” I replied, “I’m not entirely sure how this is all going to go.”
“What did you expect?” Simon wondered. “Because things rarely live up to expectation.” I’d caught him on a pessimistic day (he has those).
“I don’t have any expectations,” I said, “just an interest.”
“Very wise,” Simon nodded. I thought he’d say that.
“What about you?” I asked.
“The same,” he replied, “but if we both sit here just looking interesting, it’s not going to get us very far. So can I ask you a question?”
“It’s not like I can stop you.”
“True, in part. But anyway, why me?”
“I needed someone to talk to, to make it easier for me to talk.”
“So that I can ask you the questions you want to be asked, so that you have an excuse to answer.” Simon is very perceptive.
“You’re right,” I replied (he knew he was), “because you’re the one I spent longest in, and where I found myself.”
“So you’re haunting me?”
“No more than I hope I’m on anyone else’s minds. But in you, I found ways for you to deal with things, which helped myself and others to understand things around themselves.”
“In Cyrus Song?”
“In that book, where a lot of other people might find themselves in those characters.”
“And you have the advantage that you can come round here and talk to one of them.”
“I consider it a privilege.” And I did. Because these words are not entirely my own.
“Well, I can tell you,” Simon said, “that you created a whole world for me to move around in freely, as you can see for yourself. Beyond this world, you’ve created others which you’re equally free to occupy, but you’re always welcome here.” I’m not sure he could really say anything else (I’d be a bit fucked, like humanity at the start of the book).
“Perhaps we could invite Hannah along?” I wondered.
“Yes, I wondered how long it’d take you to get round to that. Let’s see how we go,” which is how I myself usually tell people to chill out. “And let’s do that soon,” which is something I rarely say, for fear of intrusion into someone else’s life.
This was turning into a story in itself. A man who was after my own heart, had overcome a lot in his life, and especially in the two week period covered in our book. Although it’s a surreal and twisting science fiction yarn, and with a nod to Douglas Adams, it’s very much a book from my own heart, and with a dark inner soul of its own. It’s a story of two people, who with a lot of help, find out much they didn’t know about themselves and the universe around them. I’ll be talking to Simon again soon.
As a writer I have multiple universes I can visit, but as a socially anxious person, I felt more at home in Simon’s flat. Even the flans seemed like some sort of unconscious collaboration, an ever-present threat of potential comedy while we spoke, should either of us be inclined. But we’re far too grown up and introverted for that sort of thing.
THE WRITER’S LIFE
It’s very difficult to move on when you’re a fish in treacle. Once, I drank myself into the gutter, but I got back up. All depressives have episodic attacks, and my most recent was the longest I’ve known. Now I’m trying to get beyond a few things, but they’re matters guaranteed by their nature to trouble my mind, so it’s more a case of working out how to deal with them while they’ve moved in. When I have few to talk to in physical life, writing is a coping mechanism.
Emily Mann: “When a theater goes dark for the night, a stagehand leaves a lighted lamp on stage… Some old timers say it is to keep the ghosts away. Others say it lights the stage for the ghosts to play. Whichever theory one adheres to, most people agree: A great theater is haunted.” —PHOTO BY PAUL BUTZI
Depression is subjective, and as individual to the person as the character it inhabits. For me, it’s more a feeling I’m about to lose something, than grieving something which is gone. It’s an amplification of the usual anxiety which tells you there’s a shit sandwich in the mail. You don’t know what it is, and often it doesn’t show up, but you know it’s coming. Frustration sets in, and the unknown can become a fear, like all which we don’t understand. I try to look in from the outside to find answers.
There was a time (while I was drunk) when I was more aware than is normal, that my life will inevitably end somewhere. It’s a certainty, it became an obsession, and once there was a voice to constantly remind me. I tried to take my life at least twice, just to shut it up, if living meant having to listen to it every day. I still get the odd anxiety attack from nowhere in particular, but like the cracked actor in my head, those became dark friends for a writer.
If I spent time in my outside surroundings, I have a whole village, with much that might improve life (a park, library, charity shops, coffee shop, pubs, restaurants), but irrational fear keeps me away. It’s a separation anxiety from home, when that’s such a precious commodity, not quite agoraphobia. It’s a constant insecurity.
Buzzfeed recently ran a poll, which asked people which fictional location they’d most like to live in. I’ve used existing fictional homes to shape my own, both in fiction and real life, and my studio is a small version of Matthew Broderick’s room in WarGames, with a bit of Sheldon Cooper and Leonard Hofstadter’s apartment from The Big Bang Theory. It’s the partial basis for Simon Fry’s flat in Cyrus Song, and bits of it are in other stories with parts of me. It’s filled with music and my Savage Cinema film collection, and it’s where my desk is, so it’s life in a box. It’s a box which is both physical and virtual, like one which might house a Schrödinger’s cat.
I thought I had life, the universe and everything tied up, and I do in theory (it’s all to do with quantum entanglement), but sometimes this life reminds you what an arse it can be, before you can move on to the more interesting stuff, once you’re free of your physical body.
My dad’s recent illness reminded me of the frailty of life. Friendships too, as I’ve lost some, yet gained others.
The youngest of the young people I used to counsel at the squat is just turning 18. The last time we spoke, she was on the threshold of a new relationship. Like all before, I advised caution, as I do with anyone, including myself (the reason I’m resolutely single). There’s someone for everyone, one person can make the difference, and everyone should be allowed to leave their baggage at the door, as I preached at the squat.
They’re all adults now, and hopefully they learned enough from me to not make the same mistakes I did. I’m still friends with one of the others, and it’s been rewarding, to see her settle into life as she’s got older and grown wiser, with help when it was needed. A ghost from the past, who still revisits.
I continue to write sci-fi, where I imagine future humans (if there can be such a thing; if we can change) as organic-technological hybrids, who’ve transcended current humanity, so that they can resolve issues by understanding and without conflict. All we have to do is step outside ourselves to see a bigger picture, and from there we can be more objective.
I read and learn more about science as it progresses every day, fuelling the fiction author. I write of AI, wondering what it’s like to be human, and humans wishing for all the answers, when those might be in a merging of the two. For as long as I still occupy a physical form, I’ll also haunt computers.
I have many physical ailments pending medical diagnosis, but I fear going to hospital. I need to, as I’m approaching a time when I may have to fight again to prove that my mental health is a disability anyway, as I reapply for Personal Independence Payment (PIP).
I’ve been through the dehumanising process twice, was refused twice and appealed, and both times I took my case to tribunal and won. This time I have physical conditions to add to the list, which might even get me the mobility element of PIP as well as the daily living. It’ll only be based – as it always has been – on what the doctors say, even if government out-sourced assessors think they’re better qualified than a GP and other specialists, and I have to waste more of taxpayers’ money with another tribunal.
I fear the whole process, and the last two made me more unwell than I am. It’s a process designed to wear the applicant down, it’s about six months away, and will last at least six months more. It’s nice to think I might hold it together over the coming year, with the help of those still around, real and virtual.
My blog is a reflection of me on the other side of the screen. It’s nice to have people looking in and along for the ride, as I come back every now and then to address the grief, a phantom in my head. The writing desk is a dressing table, where I get ready for the next part: Tomorrow.
THE WRITER’S LIFE | FICTION
Like most writers, I put a piece of myself into each story. Whether it’s a mannerism in a character, or a setting from the fringes of experience, I’m in most of my stories. When friends have sought sanctuary or counsel and I’m unable to help directly, I can normally point them to a story which might assist, because they may see themselves.
I’m working on a third collection of short stories (among other things, both in the real and virtual worlds), and there are those which will never leave me, because I was so deeply invested in my personal life and others when I wrote them. Echo Beach and Cardboard Sky are included in both The Perpetuity of Memory and The Unfinished Literary Agency. Each is different in both, and either could be a work-in-progress epitaph, should I ever stop writing.
I am both Theo and Hugh (short for “Human”) in Echo Beach, and I am George and the girl beneath the bed in the Cardboard Sky. Because we should never be afraid to place ourselves in different positions to see things another way, and the unknown only retains the power of fear for as long as it’s misunderstood.
At least one reviewer said I can hold a dark mirror to the soul, and that I have a deep understanding of the human condition. This is a story of withdrawing from one life to find another, then helping that one along. It’s about not being afraid of what’s under the bed. You just need to let it talk to you…
The story of how I became a ghost is surprisingly ordinary: I died. My actual passing was like that moment when you fall asleep every night: You don’t remember it. The next day, you’ll remember being awake before you slept; you know you’ve been sleeping and you may recall dreams. But you won’t remember the transit from wakefulness to slumber. So dying was just like that, for me at least.
It didn’t take long to realise I was dead because people just stopped talking to me. I could still walk around but no-one could see or hear me. A couple of times, people just walked straight through me, as though I wasn’t there. I wasn’t but I was.
As someone walks through you when you’re a ghost, you get to know a lot more about them on the inside. I don’t mean how their internal organs look (just like in a hospital documentary or horror film), but a feeling of their inner self. It’s surprising how many people you thought you knew, turn out to be complete cunts.
Even though I was invisible and inaudible, I felt vulnerable in this brave new world. I’m used to being looked at. I like it. I dress provocatively. But here, no-one was looking at me, which made me anxious. I felt invisible. I was invisible. That’s how I ended up sleeping under George’s bed.
So kids: It’s not a monster under the bed, it’s a ghost.
It was while I was under there that I decided to write this story.
I’d suddenly found myself homeless. I had no personal belongings, nowhere to go and nothing to do. But like any child’s bed, George’s had cardboard boxes underneath it. I wouldn’t pry into something which might be private, but like most children’s beds, George’s sat above a wasteland of discarded ephemera: a little-used word but for the purposes of this story, it was the right one. It’s a collective noun, for things that exist or are used or enjoyed for only a short time. Or collectible items that were originally expected to have only short-term usefulness or popularity. Ephemera also has a certain supernatural aura about it (Ephemeral, an adjective meaning lasting for a very short time), so to a ghost and a writer, it suits the story very well.
As a ghostwriter, I could be anyone I wanted. I could do that in cardboard city but I had less to worry about under the bed.
It wasn’t me writing the story; I was employing someone else. When a man writes something, he is judged on his words. When a woman writes, it is she who is judged. Being a ghost was perfect. Because if a ghost writes the story, then they control it. If a ghost tells this story, it doesn’t hurt as much.
Among the discarded stationery, I found a note: ”If you don’t finish that story, I will personally punch you in the face. Cool?” I had no idea who’d written it, nor the circumstances surrounding it. I assumed it was a note given to George. Or it might have been one he’d planned to give to someone else and thought better of it. It could just as easily have been addressed to me. Whatever, and if nothing else, it was a kick start. Sometimes that’s what we need.
It wasn’t a physical kick (There was no room under the bed) but it was a mental jolt, like the friend who places an arm around your shoulder and tells you they believe in you. That’s a very brave thing for them to do, because the kind of person who says that kind of thing is going to end up stuck with you.
I needed something to sustain me while I wrote, but I was under George’s bed. I had no idea how the rest of the house was laid out, so I wouldn’t know where to find the food. It occurred to me that even if I found any food, I was ill-equipped to cook it. One revelation leads to another: Ghosts don’t eat. Do they?
Eventually, I’d gathered enough odd paper to make a useful pad. All I could find to write with was a crayon. A fucking green crayon. So then I began to write, in green crayon.
Should I really have been denied drugs, when it was that which drove me, once I learned to control it? Should those who thought they knew better have removed my lifeline? If I’d allowed them to do so, I’d surely have died from the withdrawal. At least that’s what I was afraid of. So I kept going. I kept shooting up. Then I ran away. I was 16.
Once you’re 18, the law says you can leave home without your parents’ or guardians’ permission. Strictly speaking, if you’re 16 or 17 and you want to leave home, you need your parents’ consent. But if you leave home without it, you’re unlikely to be made to go back unless you’re in danger. You are extremely unlikely to be obliged to return home if that’s where the danger lies.
It didn’t matter to me that I had nothing. Just as long as I could get a fix, I had all I needed. Even personal safety and well being become passengers when the heroin is driving.
There’s a dark magic within you. A frightful thing I cling to.
But as a ghost I couldn’t score, just as I couldn’t eat.
So I had nothing to do but write. It would be romantic to write that the flow of ink from my pen replaced the alchemy running through my veins, but I was writing with a green crayon.
The writing was a distraction, but it couldn’t mask the withdrawal symptoms. It turns out that even being dead can’t do that. So I was faced with the prospect of cold turkey, a cruel joke as I was hungry and couldn’t eat.
How could I write but not be able to eat? Actually I couldn’t. I wasn’t sure if it was delirium tremens brought on by my withdrawal, or the limitations of my new body, but I had no fine motor skills. I could rummage through things and pick them up, but I couldn’t do something like thread a needle if anyone had asked. I probably wouldn’t have been able to put a needle in a vein if I was alive, and I certainly couldn’t make my hands write. My fine motor skills were like those of a toddler. So I simply did what many authors do: They have an idea, some thoughts, a plot, and they’ll employ someone else to write their story for them: A ghostwriter. I was both a writer and a ghost. So I just thought my story; I willed it, in the hope that someone else might write it one day, now that I couldn’t.
I needed to haunt George.
I’ve read a lot and learned through self-teaching. I could have been so many things if it wasn’t for chasing the dragon. But that dragon must be chased, just as a puppy must be played with. So I’d read up on ghosts and the various types of haunting.
The “Crisis Apparition” is normally a one-time event for those experiencing it. It’s when a ghost is seen at the time of it’s predecessor’s passing, as a way of saying farewell to family and friends. It would be like going about your daily business, then suddenly seeing your mum outside of normal contexts. Minutes later, you receive a call to tell you that she’s passed away. With practice, the deceased may be able to visit you more than once, to reassure you. If they do that, you might have a guardian angel. In my case, a fallen one with broken wings.
“The reluctant dead” are ghosts who are unaware they’re deceased. They go about their lives as if they were still living, oblivious to their passing. This innocence (or denial), can be so severe that the ghost can’t see the living, but can nonetheless feel their presence: A kind of role reversal. This can be stressful, for both the haunter and the haunted. In films, it’s usually someone moving into the home of a recently deceased person. Perhaps they lived and died alone in their twilight years. To them, the living might be invaders. These are not ghosts which need to be exorcised: Simply talking to them about their death can help them to cross over and leave your home.
Then there are ghosts who are trapped or lost: They know they’re dead but for one reason or another, they can’t cross over yet. Cross over into what? Some may fear moving on because of the person they were in life, or they might fear leaving what’s familiar to them.
There are ghosts with “unfinished business” broadly split into two categories: A father might return to make sure his children are okay. Or a lover might hang around, making sure their partner finds happiness and moves on. But there’s also the “vengeful ghost”; perhaps a murder victim, back to haunt their killer.
“Residual ghosts” usually live out their final hours over and over again. They often show no intelligence or self-awareness, and will walk straight by (or through) you. Many think that these types of ghosts left an imprint or a recording of themselves in our space time.
Finally, the “intelligent ghost”: Where the entity interacts with the living and shows a form of intelligence. I certainly wanted to communicate with George. In fact, to lesser and greater extents, I fitted parts of the descriptions of all types of ghosts. I’d not long been dead and already I had a multiple personality disorder.
All I could see of George when he first came into the room was his feet: Black elasticated plimsolls and white socks, like I used to wear for PE. I couldn’t say what size his feet were but I imagined them having a boy of about ten years old attached to them. I guessed George was quite a hefty lad by the way the sky fell slightly as he climbed onto the bed above me.
I laid still, because even though I myself was inaudible, my developing motor skills would betray me if I dropped the crayon or kicked anything. I could hear pages being turned and I was aware of movement above me. It could be that George was writing; doing homework perhaps. I didn’t want to entertain an alternative. I hoped he was writing.
No matter what we do in this life, we may eventually be forgotten. It’s a comfort I gain from writing, knowing that whatever’s published is recorded, and will be out there long after I’ve gone. The democratisation of publishing and reporting has meant many good and bad things, but for as long as the conversation is global, we need to keep it going. There may be voices with whom we disagree, but through writing, we can posit an alternative opinion and seed a debate. Beyond all that is happening in our constantly evolving universe is a simple fact: What is right will win. What is right can emerge from the anarchic democracy which is the internet, but only if there are enough voices. There will always be sides and factions but with everyone involved, those who engage the most because they are passionate enough will prevail. We don’t need to shout louder than the other side; we simply need to educate the ignorant. Evolution will tell the story of whether we became a liberal race and prospered, or if we destroyed ourselves because we were unable to evolve. Either way, history will record it. If we destroy ourselves, eventually our history will be lost in the vastness of space and time, and it may be as though we never existed. From the quiet above, I gathered George was quite a deep thinker.
There’s only one race on this planet and that’s the one we all belong to: The human race. Where death may scare most people, it doesn’t trouble me. I’m seeing evidence that the human consciousness exists independently from the body and continues to live after our bodies give up or we destroy them. What does scare me is even more existential: Being forgotten, as though I never existed. The human race faces an existential threat: That of ignorance. Simply by talking, we can make a difference. Listen to the previous generations, for they are our history. Talk to the next generation and don’t patronise them: They’re intelligent beings. They are the human race and the future. Maybe George would be heard one day.
After a while, the sky fell further and the lights went out. George had retired for the night.
Ghosts can see in the dark. As soon as George had been quiet long enough for me to be sure he was asleep, I was getting restless. I moved around and stretched a bit. I’d managed to keep the shakes under control, but now George was asleep, the withdrawal was becoming quite uncomfortable. Despite my anxiety and a developing agoraphobia, I was tempted to just get out and run around; to do something to distract myself. I decided against it. I’d be like a child who’d just learned to walk. I would bump into things and knock things over. I didn’t want George to have a poltergeist: They’re bad. I’m not bad and I didn’t want to be the victim of an exorcism, made homeless all over again.
I thought I’d try my night vision out and have another go at writing. I managed to draw a crude stick man, a house with a smoking chimney and a space rocket with flames coming out of the bottom. He was a green man, who lived in a green house (so shouldn’t throw stones) and he had a green rocket which burned copper sulphate fuel (copper sulphate produces a green flame). I wasn’t evolved enough to write.
I fought an internal flame: One which was a danger I wanted to flee but at the same time, a beckoning warmth. I didn’t know what time of day it was, and I had no idea how long George slept for. He might be one of those kids who was in and out of the bathroom all night, or he might be near enough to adolescence that he hibernated. Either way, or anywhere in between, I couldn’t keep still for even a minute.
The shakes were more like tremors now: Delirium tremens: a psychotic condition typical of withdrawal in chronic alcoholics, involving tremors, hallucinations, anxiety, and disorientation. Heroin withdrawal on its own does not produce seizures, heart attacks, strokes, or delirium tremens. The DTs were the manifestation of my other addiction, which I’d used heroin to cover up. It was somehow less shameful to be an addict of an illegal substance and hence a victim, than it was a legal drug which most people can consume with no ill effects. As an alcoholic, I was less of a victim. I was a sadomasochist.
As soon as you tell people you’re an alcoholic, if they don’t recoil, they just assume you’re always drunk. Or they presume that you must never touch a drop. Both are true in some alcoholics but there’s the “functioning alcoholic”, who still drinks far more than anyone should but who doesn’t get drunk. They can get drunk, but most functioning alcoholics simply drink throughout the day (a kind of grazing), to keep the delirium tremens and other dangerous side effects of alcohol cessation at bay. It’s called Alcohol Dependence Syndrome but most people saw it as a cop out. I couldn’t educate the ignorant, or get them to listen long enough for me to explain. So I started taking drugs. I got so tired of trying to explain alcoholism to people, educating their ignorance, that I gave up. You get much more sympathy as a drug addict. Yeah, right.
So as in life, this once functioning alcoholic is now a ghost.
For the brief period that I was on the road in the last life, one saying; one sentiment, was always to be heard in the homeless community: “Be safe”. Those two words convey much more than their brevity would suggest. But when you’re homeless, relationships and lives are fragile. It’s quicker and less sentimental to say “Be safe” to someone you may never see again than “I love you”.
Even if I was restless, I felt safe under George’s bed. To keep busy, I broke a promise and looked in the cardboard boxes. I placed the green crayon in my mouth, like a green cigarette. I sucked on it like a joint and the taste of wax was actually quite pleasant. It helped just a little as a distraction from the shakes.
The first box was a complete mixture: Sheets of paper, smaller boxes and random other stuff; like a model car, some Lego and, well, just all sorts. I gathered the papers first.
Some of George’s notes were apparently to himself: They were in a handwriting different to the first note I saw, so I couldn’t be entirely sure, but one such note read, “You came close a few times but you backed off. You didn’t want to be one of those boys who made her cry. That’s the only reason you did it.” If they were intended for someone else, he’d not delivered them.
There were unopened presents, and gifts addressed to others, but George hadn’t delivered them. Some things were wrapped, while others weren’t, but they were clearly intended for someone else as they had notes attached. A packet of 20 Marlborough Lights: “Should really have got two tens, then I could have given mum and dad one each. Like that’s going to stop them.”
I’d not seen or heard the parents. Without knowing even what day of the week it was, there could be many scenarios. In one, George’s parents argued a lot but they were very much in love. Perhaps they were frustrated and united against a common foe. With my parents, that was me. Whatever it was, I imagined something bonding them and keeping them together. That could have been George I suppose.
I wondered at what point in human evolution it might have been, that we started analysing things and where we started to over-analyse. Marriage guidance, or relationship management; fucking counselling, from professionals and the plastic police alike: We all have someone. We all love someone. They care about us and vice versa. But over time, something’s not right, so we take the lid off and start poking around in that jar. We keep chipping away, feeling more free to say things in an environment, which we might not in another. And eventually we say something irreversible. Something that’s niggling us deep inside and which doesn’t affect us until it’s dug up. And from there, the relationship breaks down further and ever more of the undead join the feast.
Rather than encourage engagement, that kind of situation can invoke the fight or flight reflex in the previous life; the past. And whether fled or not, the past is history.
So we arrive in the next life with so much unsaid. We want to say it but we have to learn all over again, how to speak. And I suppose that’s why we want to haunt people.
George woke up. A light was switched on and the sky above me moved. I waited for the feet from above but there were none. There was movement like before, and the sound of paper. George must have been writing. Or drawing. After what I guessed to be around 20 minutes, he stopped, the light went out and the sky moved again. I was trembling quite violently by then, so I bit down on the crayon between my teeth and returned my attention to the boxes.
I don’t know what’s worse: to not know what you are and be happy, or to become what you’ve always wanted to be, and feel alone.
Do the first one: Get to know yourself and be happy with what you are. Then do the second: Those who loved you first time around will be the ones who are still there. So you’re not lonely.
The human body is merely a temporary host.
Put like that, we simply inhabit a body for a period of time, like a possession; In “life” we are already ghosts possessing bodies which give us physical form. That organic structure will age and eventually die, but our consciousness is separate from what we look at as a living body and it goes on living, long after the host gives up. Life, as we know it, is merely one part of an ongoing existence, the greatness of which we don’t yet understand. Knowledge comes with death’s release. You may well have lived in another body in a previous life: Deja vu tells us that; that feeling that you’ve been somewhere before. George had deep dreams.
The trembling had reached my head. There was more than one person in there, and the dialogue was two-way. I wasn’t talking to myself; I was talking to another person.
I began to realise that perhaps George and I were somehow connected. I always subscribed to pre-determinism in principle. A part of me knew that the Big Bang carried an imprint equal to its original noise; that everything was mapped out in that pre-spacetime manifestation of knowledge and understanding. I was drawn to believe that our futures were mapped out long ago, but that they were as inaccessible as our pasts: We had no control over either. Great swathes of George were alien to me. But why wouldn’t I explore, if George was my destiny? Or it could be the withdrawal, and I may have been withdrawing to a comfort zone. I couldn’t do that to George. What had this kid done to deserve me, inside him?
Life had been very much a game of give and take: If George had taken something, then he was indebted to someone else. If he received something and it wasn’t in recognition of anything he’d done, he was in someone else’s debt. When he gave something, he expected nothing back. It was simply an accepted fact that life gave back far less than was put in. No-one understood him, least of all himself. Did I? Could I?
His life revolved around visits to toy fairs with his father. They couldn’t afford the mint-and-boxed or the ready-made, so dad would just look around and George would use pocket money to buy spacecraft parts.
Broken and incomplete model kits were fuel for George’s shipyard in a cardboard box under the bed. When weekends were over, the shipyard had to remain where it was. When George was at his dad’s to build his craft, he didn’t. Because time was too valuable. So we were at George’s father’s house and it was the weekend.
When he wasn’t constructing, he was thinking. And he made more notes. He made the normal in my life fantastical, by explaining how science fiction writers were just one small step ahead of the real world. George knew I was there, or at least that it was possible for me to physically be there.
There were clippings from newspapers and magazines in the next box, including an obituary: Jemma Redmond was a bio-technologist who died aged 38 in 2016, like so many others in that awful year. The passing of her life was overshadowed by many more well-known figures in the public eye. But like George, she worked quietly, tirelessly and passionately. And she achieved some incredible things. She developed a means of using human tissue cells as “ink” in a 3D printer. She also helped in the design of 3D printers which reduced the cost of their manufacture. Jemma Redmond made it possible to “print” human organs for transplant into patients, and she reduced the cost so that the technique could be applied in the developing world. This is not science fiction. This is science fact, just a few years from now. Most people wouldn’t have known, unless it was brought to their attention and they then had the attention span to listen. But if anyone were to Google her name, her work is recorded in modern history.
There was a printout of a scientific paper about NASA’s EMdrive. The Electro Magnetic drive is a fuel-free means of propulsion, which could replace rocket fuel and all its limitations of bulk and speed. The EMdrive could take a spacecraft to Mars in 70 days. At present, it’s a two year trip, with a lot of psychological and physiological risks to any humans making the journey. Many of those problems would be overcome with the EMdrive. It’s due for testing soon and with development and improvement, could make other stars in the galaxy viable destinations for exploration and research. This is not science fiction. He had articles about solar sail arrays, the size of Colorado, taking tiny scout ships out to explore the cosmos ahead of humans. All of this could be possible within George’s lifetime.
But very few people know about these things because all of the bad news in the world shouts louder. If more people knew about the technological and scientific thresholds we’re at, they might talk about them. Others would then learn and eventually there might be a chorus of voices so loud that mankind has to listen and consider another way forward for the species.
George thought what a wonderful world ours could be if we concentrated on this stuff, rather than religion, conflict and capitalism. Of course, George was young and naïve in the eyes of most. He’d never be taken seriously if he proposed an alternative plan for humankind. So he kept and curated records, and he wrote about them. Like so many other people, he was recording his thoughts in the hope that someone might discover them later, or when he was older and might be taken more seriously. He was aware that he was documenting the present and the contemporary, and that it could become either history or the future.
The trembling had almost taken control of my limbs by now. Where it was first shaky fingers, then hands, now my arms and legs ached as though they needed to spasm.
The light went on again and the sky moved. There was more rustling of papers and scribbling with a pen or pencil. I started singing a song in my head, as I wondered something: I knew I didn’t need to eat, but would I need to get my hair cut out here? It was a song by the Crash Test Dummies: God shuffled his feet. If crash test dummies were to have nervous systems, I knew how one might feel by now. The light went off and the little big man upstairs settled back down. I needed coffee: lots of cream, lots of sugar.
My coffee used to come from a jug on a hotplate. George was planning a replicator. He explained in his notes how a replicator was just one step further on from a 3D printer. Scientists could already print human body parts after all. To print a cup, then some coffee to fill it, was actually quite simple. George was keen to point out in his notes that one should always print the cup before the coffee.
Like the quiet voices of mankind, George could only imagine. He could only wonder at the sky, or lie in bed and dream of what was beyond the ceiling. Humans travelling to other stars was one lifetime away. It was only a matter of generations before the dream could be anyone’s reality. George wanted to be anyone.
George escaped in his sleep. And he explained in his notes how it was possible to travel all over the universe. Not only was it possible, but everyone does it, every night. Everyone has dreams and George wrote his down. The spacecraft and all of its missions were in the same cardboard box; a microcosm universe beneath George’s bed. He explained how time travel could be possible:
It’s a simple matter of thinking of space and time as the same thing: Spacetime. Once you do that, it’s easier to visualise the fourth dimension: I am lying beneath a bed and I’m occupying a space in three dimensions (X,Y and Z); my height (or length), width and depth. Trembling limbs aside, I will occupy the same space five minutes from now. So the first three dimensions have remained constant, but the fourth (time) has changed. But also, I did occupy that same space five minutes previously. That, and every moment in between is recorded in the fabric of space time: I am still there, five minutes ago. I know the past. I don’t know if I’ll still be here five minutes hence: I can’t predict the future, even though it may be pre-planned from the start of all time as we understand it.
Of course, there is what’s known as The Grandfather Paradox: This states that if I were to travel back in time and kill my granddad, I would cease to exist. But if we assume that in George’s new world order, various ethics committees exist in the future, then time travel to the past could be undertaken in a governed, regulated and ethical manor. It might be a little like the First Directive imagined in many science fiction works, where it’s forbidden to interfere in any way in a species’ development, even if that means remaining invisible whilst watching them destroy themselves. This in itself is a paradox because no-one is qualified to say that it hasn’t already happened, conspiracy theorists aside.
When you’re despairing late at night and you just wish someone was there, but you don’t really want anyone around. When you’re confused, perhaps by internal conflict. That’s when you need a guardian angel. If someone would just phone you at that time, that would be perfect, because you’re not bothering them. You’ve not caused them any trouble. Guardian angels need a sixth sense and the ability to travel back in time.
George estimated his brave new world to be around 200-250 years from now; perhaps ten generations. There was a long way to go and a lot to do, and George would most likely not see any of it. Or so he thought. He was young and he had much to learn, then he needed to learn how to deal with it. The things which George wanted to do were the things I regretted not doing.
All things considered, I thought it might be better to not let George know that one of his prophesies does come true. It was too soon. He wasn’t ready. I couldn’t let him know that it was possible to send letters from the future, or that people from the past could be visited. It was a one-way street, a bit like going to see grandma because she can’t get to you. The departed are still around, we just can’t normally see them. Often they’re just watching over us. Sometimes they might want to speak to us but we need to be receptive.
By now, my arms and legs were in full spasm and I could feel my torso waiting to convulse. I cleared everything from around me as quietly as I could, so as not to interrupt whatever dream was unfolding above me.
The human body has an internal mechanism which shuts it down when stimuli get too much. An inconsolable baby will cry itself to sleep, and if a pain becomes truly unbearable at any age, we will pass out. I hadn’t tried to sleep since I’d been dead, but it looked like I was about to be shown how to.
I don’t know how far I travelled in the fourth dimension but I was woken by a voice:
“Georgie?” It was a man’s voice. Dad was home.
“In here dad.” George calling to his dad was the first time I’d heard him speak.
“I got you your magazines.” Dad was now in the room, quieter but closer. He had big feet.
“Thanks dad.” George’s voice had changed. Now that he was speaking at a lower volume, his voice was deeper: Young George’s voice was breaking.
“Writing, the science one, and paper craft. Is that right?”
“That’s the ones. Thanks.”
“What’s all this?”
“Notes. I’m writing a story. Here.”
There was a long period of quiet. George was shifting about on the bed and his dad was pacing around the room. There was that same distinct sound of pages being turned that I’d grown used to.
“Jemma Redmond. I read about her. Amazing woman. Deserves a posthumous Nobel.
“The EMdrive, eh? That’s exciting. I think we’ll use that for the interstellar stuff, and the solar sail ships for the wider galactic vanguard missions.”
“There’s some pretty deep stuff in here Georgie. Did you do this all yourself?”
“Well, I kind of had some help.”
“From whom? I’d like to meet them.”
“You can’t dad.”
“Promise you won’t laugh?”
“Can I smile?”
“You may smile”. There was a pause. “So, I had a dream.”
“We all have those. What about?”
“Nothing specific. Just a load of dreams mixed into one I suppose.”
“So you wrote about it. It’s good to write down your dreams.”
“But not all of that writing is mine. See, there was this girl.”
“A girl? In your dream?”
“Yes. A small girl, with blonde fizzy hair. And green teeth.
“Green teeth? Was she a witch? Is she under the bed?
“No. Well, she was kind of a witch. A dark witch but a good one. She was just wandering around, like she was showing me things. She might have been lost. I want to see her again.”
“I imagine you do. At least your witch has somewhere to live now.”
George left at the end of that weekend but it wasn’t the end of the story. He visits every weekend and he continues to record things for historians of the future. Eventually, he may realise that he was part of the machinery which kept the conversation going. He didn’t know this yet but he was encouraged in his chosen vocations.
I was there, under the bed. If I’d been able to write, I’d have just added a note for George:
Do what you enjoy. If you enjoy it, you’ll be good at it and people might notice you. If not now, then in the future. Don’t put off till tomorrow that which you can do today. Because if you do it today and you like it, you can do it again tomorrow.
Your life is not empty and meaningless, regardless of who is in it or absent from it. Your life is what you make it, for yourself and for future generations. Don’t give up.
Hopefully George will continue this story, now history, but in the hope that it might be read in the future. And maybe he’ll find the notes I left for him.
Dust to Funky. Be safe George.
To this day, Dad has never gone through George’s things under the bed. I’d have noticed.
© Steve Laker, 2018.
The Unfinished Literary Agency is available now in paperback. When memories are forgotten, they become stories.
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