Självmonterande möbler

FLASH FICTION

Alien typewriterThe Verge: It began with ‘Spacewar’, a history of science fiction in video games

APPARENTLY

Although I’m nocturnal, I usually spend nights alone, apart from the chat windows in onine video games. It’s rare that I expect visitors in the early hours, least of all an invisible entity I’d invite into my studio. But apparently that was what I did last night.

The doorbell played the five tones from Close Encounters as it always does, regardless of the time. Normally I’ll expect to find someone behind the door when I open it but at 3am, it was apparent there was no-one there.

I poked my head out the door and looked around, perhaps for someone in need of help. I walked down the steps to the car park and saw nobody. Pranksters would have gained too much ground for me to give chase, so I returned inside, apparently alone.

With no sign of activity outside, the place where I least expected to see movement was back in my studio. As I raised my hand to push my front door, it obligingly opened for me, and one of my dining chairs slid into the hall. The chair paused before passing me, pushed by some invisible force, apparently grateful I’d held the door open.

Inside, my sofa had been moved into the middle of the room and was loaded with some of my books. Was I being moved out? Why hadn’t I heard from my landlord? How had that chair pushed itself past me? Nothing was apparent.

Nothing was moving around in the studio, so I sat at the desk; this desk, where I’m sitting now, except now I’m apparently not in my studio, with furniture which assembles itself around me.

Now I’m looking at the screen of the typewriter, the same one I talk to you on, and where I play video games; at my chat window from last night, and a message I sent in a pessimist sufferposting online gaming group:

Send my current location to any interplanetary craft which may be within scanning range.

They took me literally. Apparently, they took me, and all my stuff. Apparently literally.

© Steve Laker, 2019.

This was a writing prompt: ‘IKEA’. So I made a Swedish planet.

Screaming from the sandpit

MICRO FICTION

A section in my longhand journal for what’s on my mind but which hasn’t taken shape, self-contained stories, and a sandpit of ideas…

Run and scream

RIVER SCREAMS

I run away, into a tidal wave of people, screaming and pouring towards me. They really don’t know what’s ahead, and I don’t have time to stop and tell them.

Staedtler Noris 122

sandpit
/ˈsan(d)pɪt/
noun

A quarry from which sand is excavated. A shallow box or hollow in the ground, partly filled with sand for children to play in. A place where foundations lay, where toys can be left for others to play with, and where co-operation can be measured by observing the area over time. Halfway between an aquarium and a vivarium for the mind it’s contained within, the contents may be shared and the alien life within allowed to wander. The first few words of something which others can contribute to via the comments below a blog post, eventually creating a tale of many people and places, all working together without borders. A collaborative project. “Here’s the start of something and here’s what you can do with it…”

mixtape_main-870x580

To be continued…

How to get to Schrödinger Street

THE WRITER’S LIFE

Flicking through my San Francisco Writers’ Grotto Bible, it suggested I describe a meeting using only dialogue. The book provides just one page to write longhand (300-400 words), so I adopted the brief literally and tried to fit a self-contained story on a single sheet.

Just dialogue then. In the puritanical sense, that allows me no introduction, background or filler; no description of surroundings, character features or mannerisms; no context of dates or places; and no room for narrative or description beyond the speakers. I have to be a playwright, sans director. No explanation or qualification, leaving the reader to do the heavy lifting. The return of the cracked actor for a three-minute audition on a naked stage. Self-contained fiction and the story of the process, a writer writing about writing.

Monkey Black heart Sit With Me

THE ACT OF TALKING

On Schrödinger Street, behind very door.”

There may or may not be a home.”

Nor indeed, a person.”

Or at least someone who’ll come to the door. Please, come in.”

Thanks. Because if you hadn’t answered, I’d never have known.”

If anyone was in, or if this was even where someone lived.”

Then I’d have just gone on to the next.”

Seeing as you’re here though, take a seat.”

Thanks. Can I move this chair?”

You can, but I’m not allowed to talk about it.”

Why not?”

Because these surroundings are all of our own imagination. We’re on Schrödinger Street, after all. If I wasn’t here, you’d only be able to imagine what here is like.”

Then I wouldn’t need you.”

But you needed me to let you in.”

I’m grateful you did. It’s nice to talk to another human.”

Ditto. I don’t get much human contact. A lot of people walked out on me when I got lost a few years ago. That’s how I ended up on Schrödinger Street. I found my way back but it can be a bit lonely at times.”

But if I may posit, by inviting me in, there’s now a place where no-one lives here, and which doesn’t exist any more.”

Indeed. Not where we are now, but another place was created the moment I let you in. As soon as we met, that other place became where we never did or will. Somewhere I can’t know you.”

That’s a place only you know, where no-one else can see, including you. A mirror only truly reflects one way.

By the way, do you have a cat?”

I did. I think she went out when I opened the door.”

If she’s anything like my moggy, she’ll be visiting the neighbours, seeing who’s in and who’ll feed her. This chair’s comfy by the way. Mind if I borrow it a little longer?”

It’s actually the cat’s chair.”

I was out of space in my longhand journal, with no room to explain what kind of chair I couldn’t describe. A throne, a deckchair, someone else’s back just to rest against? Did my guest choose to stay seated? What might the cat bring back, if indeed she exists? Will her seat still be there?

I hung my coat on the hook I created, pondering my notes. When I’m transcribing on the typewriter, I can load more paper.

When my elbow was an airbag

THE WRITER’S LIFE

Burning the midnight oil at both ends of the candle, in this life and the one before it, desperate to ignite some of the methylated spirit which is the ink in my veins, I turned again to 642 Things to Write About (San Francisco Writers’ Grotto). On an otherwise blank page, there’s a line at the top: ‘What did you dream about last night?’ Mine is one of thousands of copies of this empty ideas book, and my entry only one of many versions of events. Recurring dreams are just history repeating, in a surreal retelling of witness statements.

Blood bottles

We don’t remember all of our dreams, although I probably recall more than most. I keep a notebook by the bed, so when I’m woken by a dream, I’ll write it down. I also have a rare and occasional ability to dream lucidly.

Lucid dreaming took me years of practice and I’m far from mastering the art, but when I manage to dream lucidly, it’s quite literally like exploring the cosmos. It’s a journey into the wider space of the unconscious mind. It’s essentially being aware that you’re dreaming within a dream.

Usually a dream will carry you along like a captive audience trapped in your own head. There are jumps and frights to guide the way to an exit, but otherwise you’re not in control. If you can be aware that you’re dreaming, you can interact within your dream and change it. It’s the difference between being in the audience and being the director on the set of your own scientific horror films.

To get yourself onstage, you need that initial awareness. You need to plant a seed. The way I did it was a bit like counting sheep to clear the mind, but by repeating to myself as I laid there, ‘Tonight I will be aware that I’m dreaming,’ or words to similar effect. I find it difficult to clear my mind, so sleep eludes me regularly, despite prescription tranquillisers. In a way, it helps with achieving lucidity, taking my waking thoughts with me as I slip into the other world.

It can take years of practice though, not least in suppressing your emotions so that you don’t wake yourself at the moment you realise you’re dreaming. That’s the opposite of being shocked awake by a nightmare. Conversely, sometimes you don’t realise you’ve achieved lucidity. Often the difference between awake and subconscious can be so subtle that you feel you’ve not slept at all.

You’re never aware of the moment you fall asleep, but you’re neither awake nor asleep in the dream. I learned to sleep like this when I was homeless.

It’s a different kind of consciousness. You’re exploring the subconscious mind, and that’s connected to the rest of the universe. How? Quantum entanglement: The simple idea that at the moment of the Big Bang, all matter was created from a point of almost infinite density. To do that, sub-atomic particles – many degrees of magnitude further from the smallest we can now detect – were ripped apart. 14.6 billion years later, each retains a link to its partner (they’re monogamous), and science has demonstrated that these connections operate over cosmic distances. We’re all in this together.

Essentially, each of us is connected to every single part of the universe at a sub-atomic level. And that’s how lucid dreaming works, as those wires which trail between galaxies get plugged into the universal power supply. The people you’re thinking of are far more likely to be looking up at the stars than those you’d rather forget. You’re more likely to bump into people you like when you dream. Better to sleep.

While you’re slumbering ethereally, you’re in a place of eternity and infinity; one where all knowledge is to be found. Count the sheep and follow the last one.

And that’s how I circle back to what I dreamed about last night.

Dreams are an exaggeration of reality, and the things you take with you become amplified.

While I drifted around in space the day before that which is now, I thought of how what could be my personal heaven might be someone else’s hell, if they fear a truth which might challenge their conditioning; and of how we’re all conditioned by modern terror.

Bic Red

Our rulers and governors would rather we didn’t dream. They made mind-expanding drugs illegal because they don’t want us to explore beyond this planet they’ve engineered; heaven and hell respectively, on either side of the great manufactured divide, pumped full of licensed drugs. The only psychedelic substances we’re allowed are the artificial ones made by big pharma companies, paying little tax in the havens governed by their shareholders. They fear what might happen if we were able to lay our hands freely on natural resources which might expand our minds beyond their blinkered vision, available for reading from the limited library of the right-wing press, or by borrowing someone from the human lending library of people most likely to give you unsolicited advice at a Wetherspoon’s fruit machine.

sun-tzu-statue

Like everyone’s dreams, mine are an exaggeration of reality. I have a feeling we really are in the midst of a third world war without realising we’ve been polarised, because it was engineered by a whole film crew of politicians, producing the living nightmare we see being played out around us.

Maybe I didn’t sleep after all, but I was there. All around the world, then and now. One person’s dreams are another’s nightmares. The only way to stop it is to switch it off.

Like so.

SyringePen-2

This post was brought to you by the letter E, the number 37, and the writing prompt, ‘What did you dream about last night?’

The omnipresent Kung Po chicken

THE WRITER’S LIFE

My real and online lives have always been blurred, and my fiction contains much which is real. The places and people of my imagination connect and fold in on each other and into parallel worlds besides. Where it all plugs in is The Unfinished Literary Agency, above Hotblack Desiato’s office in Islington: a place where stories are told by writers, of people unable to write their own.

mp_chicken_keyboardFollow me on Twitter

I have much written in longhand journals but little published lately, because I’m unable to finish anything with all that’s crowding my head personally. So it was ironic that I opened a page in ‘642 Things to Write About‘ today, to see ‘Five ideas for a novel that you’ll never write’.

Sensing an urge, I stuffed 642 Things into my satchel and made my way to the Unfinished Literary Agency’s office, a place I feel I belong. Home is where the heart is, which is probably why I still have fond memories of being homeless in a world without judgement. Ink pumps through my veins, which is why I feel at home in the agency I wrote, one of many homes I created for myself.

When I arrived at the office, I found I wasn’t alone (even though I’d travelled that way). Not only is the agency home to myriad unpublished manuscripts, filed where most people think indie creative writing belongs (there is no direct sunlight in the office), now it was a nest for a familiar chicken.

Helen (‘Len’ in the short form) was the chicken I’d created when she hatched from a Campbell’s Soup tin in my kitchen back home in Catford. She’d subsequently disappeared in a flight of logic, when she proclaimed herself as God and we’d disproved her over dinner. That was a few weeks ago. Now she was seated at my desk (standing on the chair), pecking at my typewriter by candlelight.

Naturally I was curious about what Len was writing, but every time I tried to look, she obscured the paper in the typewriter with her wings. I asked her what it was she was working on, and she pointed at a pile of papers on the desk. It was at least a ream of A4, typed on both sides. Sensing I wasn’t going to get any keyboard time, I picked up the manuscript.

It was a report from The Department for Work and Pensions, their response to my appeal to Her Majesty’s Courts and Tribunals Service to hear my case for having my human rights returned. Was Len turning it into a surrealist novel, or writing a damning critique of its inaccuracy? For now the chicken wouldn’t let me see, so I tried to catch some sleep in a place I might find it easier than usual, away from home.

The hardest thing about writing is starting. Once you’re into it, things flow. Sometimes you can’t stop. Most of the time, the writing can’t keep up with the thinking. And so I slept, while a chicken transcribed whatever it was in her head.

When I woke, the chicken had gone. She’d apparently also found the switch for the desk lamp I once wrote into existence, in case I should ever run out of candles.

Everything else was as I’d left it after I’d last visited, except the in-tray of The Unfinished Literary Agency, a place where stories are told by writers, of people unable to write their own. There were suggestions, some so sparse and vague that they could be ideas for novels, typed on a space as small as a compliment slip:

The waters on Earth contain the answers humanity needs to explore the oceans of the cosmos. Over time, new bacteria will grow on the human pollution which floats on the oceans, and human science and technology will advance as it learns more from nature. Eventually, human scientists will realise that a single strain of DNA can hold more information than any artificial storage medium, and it can survive almost any environmental condition practically indefinitely. And ultimately, humanity will see that the new bacteria on the plastic polluting the oceans contains DNA encoded with a message of extraterrestrial origin.

Clever poultry. It’s amazing what you can do when you have someone else to write it for you. Apparently I hadn’t disproved Len that last time, but her creator. She’d also left some sketches of road plans based on Mobius strips, so she wouldn’t get run over again.

I rushed home to start writing again. It was only when I got back that I realised I left my DWP paperwork back at the office.

Pink Chick

Every night as you drift off to sleep, you sail through purgatory. The only way to pause and remember is to float on the lucid waves.

Being here and now and there and then, is what it feels like to be a writer, unable to know what happens next, but knowing where to go. Writing from The Unfinished Literary Agency. Making music and singing out from where the sun rarely shines.

This post was brought to you by the writing prompt, ‘Five ideas for a novel that you’ll never write’.

The Unfinished Literary Agency (Volume One) is available now.

A brief memory of everything

PROSE FROM THE PENCIL CASE

You must write the story of everything. Every single entity which has ever lived has a story which you must tell…” (From ‘Echo Beach‘).

Even though I have an eternity to explore infinity, six words will have to do, because I have limited time and space…

goldfishbagfunfair

This post was brought to you by the writing prompt, ‘Goldfish bowl’.

Echo Beach’ is from my second anthology, The Unfinished Literary Agency.

Your own world smiles with you

PROSE FROM THE PENCIL CASE

While I’m addressing various things in the wider world, and with much planned but little published, I’m collecting prose from the thoughts written in my longhand journals. Much of it’s the kind of stuff I’d record in old notebooks when I was living on the streets, philosophical notes-to-self as I wrote by candle light to my inner world. Some are writing prompts, this one ‘Smile’…

Human InteractionImage:Mistermask.nl

An illustration of social isolation, when my real and virtual lives overlap to be almost indistinguishable, what’s on my mind is easier to paint with mixed media. Often – like this one – they’ll give me ideas and become the bases for new fiction, still works in progress in my journals. I like doing it, and people are happier when you smile.